In Her Hands

In Her Hands examines the various strategies women have utilized to fight for recognition as individuals vulnerable to and living with HIV/AIDS across multiple settings since the 1980s. Taking a new chronological and thematic approach to the study of the US epidemic, it explores five arenas of women’s AIDS activism: transmission and recognition, reproductive justice, safer sex campaigns for queer women, the carceral state, and HIV prevention and treatment. In so doing, it moves the historical understanding of women’s experiences of AIDS beyond their exclusion from the initial medical response and the role women played as the supporters of gay men. Asking how and on what terms women succeeded in securing state support, In Her Hands argues that women protesting the neglect of their health-care needs always risked encountering punitive intervention on behalf of the symbolic needs of fetuses and children – as well as wider society – deemed to need protecting from them.

Illuminates the role that private schools for Jewish girls played in Russian Jewish society and documents their influence on contemporary political discourse and educational innovation.

A re-telling and re-imagination of Patanjali's Yoga Sutra by a contemporary teacher.

"[An] intricate and unsettling new novel . . . Death in Her Hands is not a murder mystery, nor is it really a story about self-deception or the perils of escapism. Rather, it's a haunting meditation on the nature and meaning of art." -Kevin Power, The New Yorker From one of our most ceaselessly provocative literary talents, a novel of haunting metaphysical suspense about an elderly widow whose life is upturned when she finds an ominous note on a walk in the woods. While on her daily walk with her dog in a secluded woods, a woman comes across a note, handwritten and carefully pinned to the ground by stones. "Her name was Magda. Nobody will ever know who killed her. It wasn't me. Here is her dead body." But there is no dead body. Our narrator is deeply shaken; she has no idea what to make of this. She is new to this area, alone after the death of her husband, and she knows no one. Becoming obsessed with solving this mystery, our narrator imagines who Magda was and how she met her fate. With very little to go on, she invents a list of murder suspects and possible motives for the crime. Oddly, her suppositions begin to find correspondences in the real world, and with mounting excitement and dread, the fog of mystery starts to fade into menacing certainty. As her investigation widens, strange dissonances accrue, perhaps associated with the darkness in her own past; we must face the prospect that there is either an innocent explanation for all this or a much more sinister one. A triumphant blend of horror, suspense, and pitch-black comedy, Death in Her Hands asks us to consider how the stories we tell ourselves both reflect the truth and keep us blind to it. Once again, we are in the hands of a narrator whose unreliability is well earned, and the stakes have never been higher.

'A great read. I am honoured to have worked with such a legend' David Nott 'A role model for women' Independent 'A wonderful read' Julian Fellowes 'Remarkable' Lauren Laverne 'Charming' Guardian We were occasionally expected to travel by ambulance to a serious case and would always have a kit of tools and drugs ready for emergency calls. On one occasion, we were responding to a man who had fallen into the hold of a grain ship and broken his leg. I was expected to go down a pole into the ship to administer analgaesia before he could be rescued. The 'audience' of shipworkers delighted in telling me that there were rats the size of dogs down in the grain. The other problem was that this was the era of the mini skirt, and you can imagine what that meant. Following the incident, I instituted the purchase of some 'Casualty Officers Emergency Dungarees' as an addition to the kit. Averil Mansfield established herself as a pioneer in every sense of the word when she qualified as a surgeon in the early 1970s. At the time just two per cent of her colleagues were female, and she was often met with surprise, bordering on disbelief and amusement, when telling people what she did. But time and again, Averil proved herself more than capable of the role which had been her greatest dream since the age of eight. After a formidable operating career in Liverpool and London, during which she made many enduring friendships, she went on to became the UK's first ever female professor of surgery. Life in Her Hands is the remarkable story of a truly trailblazing woman. Averil's account shines light on a medical and societal world that has changed beyond measure, but which - as she shows through her experiences - still has a long way to go for the women finding their place within it.

Owner of Regal Restorations, Julia Rossi learns of a Louisiana project worthy of her attention. The Bayou Queen hotel, once a splendid building, sits in ruins. Julia breaks in to see what The Queen has to offer and discovers parquet floors and magnificent plasterwork. She aches to restore The Queen to its former glory. Developer Remington Broussard purchased the site for demolition to make way for his condominium project, Black Diamonds. He catches Julia trespassing. It's a standoff against his shotgun and her hammer and pry bar. Admiring her spirit, beauty, and devotion to her art, he sets out to change her mind about him and the Queen. Julia is equally sure she can convince the handsome architect to save the hotel. A tug of war ?between their goals ensues?. Along the way attraction develops. Who will win?

The Earth in Her Hands celebrates the important contributions women make to the wide world of plants—in the fields of horticulture, environmental science, botany, floral design, farming, landscape architecture, herbalism, food justice, and more.

When she discovers that she is pregnant, fifteen-year-old Gail is torn by indecision about whether to keep the baby as she would like or give it up for adoption.