In Praise Of Love And Children

"After false starts in teaching and social work, Melda Hayley finds her mission in fostering the damaged children of her fellow black settlers in a deeply racist Britain in the 1950s." "But though Melda finds daily uplift in her work, her inner life starts to come apart. Her brother Arnie has married a white woman and his defection from the family and the distress Melda witnesses amongst the children she fosters causes her repressed memories to surface and her own 'buried wounds to weep'." "Melda confronts the cruelties she has suffered as an 'outside child' at the hands of her stepmother. But though the past drives Melda towards breakdown, she finds strengths there too, especially in the memories of the loving, supporting women of the 'yards' of rural Guyana. Then there is Pa who, in his new material security in the USA, discovers a gentle caring side and teaches his children to sing 'in praise of love and children."

The renowned French philosopher’s “ode to love’s power to unite in the face of eternity, and its optimism in the face of pain” (Publishers Weekly). In a world rife with consumerism, where online dating promises risk-free romance and love is all too often seen as a mere variant of desire and hedonism, Alain Badiou believes that love is under threat. Taking to heart Rimbaud’s famous line “love needs reinventing,” In Praise of Love is the celebrated French intellectual’s passionate treatise in defense of love. For Badiou, love is an existential project, a constantly unfolding quest for truth. This quest begins with the chance encounter, an event that forever changes two individuals, challenging them “to see the world from the point of view of two rather than one.” This, Badiou believes, is love’s most essential transforming power. Through thought-provoking dialogue edited from a conversation between Badiou and Truong, a vibrant cast of thinkers are invoked: Kierkegaard, Plato, de Beauvoir, Proust, and more, create a new narrative of love in the face of twenty-first-century modernity. Moving, zealous, and wise, Badiou’s “paean to the anticapitalist, antiessentialist, unifying power of love” urges us not to fear it but to see it as a magnificent undertaking that compels us to explore others and to move away from an obsession with ourselves (Publishers Weekly). “Finally, the cure for the pornographic, utilitarian exchange of favors to which love has been reduced in America. Alain Badiou is our philosopher of love.” —Simon Critchley, author of The Faith of the Faithless

A new century, new threats to love . . . Love without risks is like war without deaths - but, today, love is threatened by an alliance of liberalism and hedonism. Caught between consumerism and casual sexual encounters devoid of passion, love - without the key ingredient of chance - is in danger of withering on the vine. In In Praise of Love, Alain Badiou takes on contemporary 'dating agency' conceptions of love that come complete with zero-risk insurance - like US zero-casualty bombs. He develops a new take on love that sees it as an adventure, and an opportunity for re-invention, in a constant exploration of otherness and difference that leads the individual out of an obsession with identity and self. Liberal, libertine and libertarian reductions of love to instant pleasure and non-commitment bite the dust as Badiou invokes a supporting cast of thinkers from Plato to Lacan via Karl Marx to form a new narrative of romance, relationships and sex - a narrative that does not fear love.

A fresh, joyful YA novel that is layered with themes of immigration, cultural identity, and finding your voice in any language. Sixteen-year-old Ana is a poet and a lover of language. Except that since she moved to New Jersey from Argentina, she can barely find the words to express how she feels. At first Ana just wants to return home. Then she meets Harrison, the very cute, very American boy in her math class, and discovers the universal language of racing hearts. But when she begins to spend time with Neo, the Greek Cypriot boy from ESL, Ana wonders how figuring out what her heart wants can be even more confusing than the grammar they’re both trying to master. After all, the rules of English may be confounding, but there are no rules when it comes to love. With playful and poetic breakouts exploring the idiosyncrasies of the English language, Love in English is witty and effervescent, while telling a beautifully observed story about what it means to become “American.”

Approaching postcolonial theory through cultural analysis, this book offers an accessible and concrete appraisal of current developments in postcolonial criticism. Detailed readings of a range of Anglophone Caribbean migrant women's texts from the late 1980s and 1990s lead to sharp insights into three issues that are crucial to an understanding of the field: place, voice, and silence. The discussion of these issues allows us to trace current feminist, postmodern, and postcolonial debates about the nature of the speaking subject, as it is emerging from today's postcolonial cultural practices. Postcolonial criticism often understands this subject as hybrid and multiple. This book shows how the specifics of this multiplicity must be acknowledged through analysis of the power structures and the violence through which this multiple subject is established. The book is also a consistent inquiry into reading positions. The argument about the differences between postcolonialist, black and Caribbean feminist, white feminist, and postmodern criticism is conducted as a discussion about the effects, insights, and blindnesses produced by these different ways of reading Caribbean migrant women's writing. Scrutinizing the grain of these texts encourages us to move beyond the kind of general statements for which postcolonial theory has been severely criticized. The author also extends her critique of reading positions to issues of methodology, using these approaches to direct her interpretation. Narratology is supplemented by an analysis of the interdiscursive processes through which texts are created, and psychoanalytic concepts are used to explore the ambiguous merits of postcolonial reading. Above all, In Praise of New Travelers celebrates the vigorous, subversive, and liberating creativity of an accomplished generation of Caribbean migrant women writers.

Discover the Dalai Lama’s definitive teaching on compassion in this fifth volume of the Dalai Lama’s definitive Library of Wisdom and Compassion series. In Praise of Great Compassion, the fifth volume of the Library of Wisdom and Compassion, continues the Dalai Lama’s teachings on the path to awakening. While previous volumes focused on our present situation and taking responsibility for creating the causes of happiness, this volume concerns opening our hearts and generating the intention to make our lives meaningful by benefiting others. We are embedded in a universe with other living beings, all of whom have been kind to us in one way or another. More than any other time in human history, we depend on one another to stay alive and flourish. When we look closely, it becomes apparent that we have been the recipient of great kindness. Wanting to repay others’ kindness, we cultivate a positive attitude by contemplating the four immeasurables of love, compassion, empathic joy, and equanimity, and the altruistic intention of bodhicitta. We learn to challenge the self-centered attitude that leads to misery and replace it with a more realistic perspective enabling us to remain emotionally balanced in good and bad times. In this way, all circumstances become favorable to the path to awakening.

An almost unbearably moving story of veiled emotions running deep, "In Praise of Love" is a fictional play based on the true life situation of Rex Harrison's wife Kay Kendall, and her early death from cancer. The ending is "among the most perfectly crafted and economically effective passages anywhere in British drama."--Michael Darlow

Black British writing in the decades after the Windrush generation was marked by a significant change: more immigrant women were published in the UK in these decades than ever before. This book is a collection of essays examining the texts of some of these women writers. Included are essays on Black British women writers, such as Warshan Shire, Eintou Pearl Springer, Beryl Gilroy, Buchi Emecheta, and Barbara Jenkins, which span the literary period from the 1970s to the early 2000s. The essays in this collection propose that these women writers represent the voices of another subgenre of Black British writing, and they are connected – through immigration or temporary migration – to the UK. Yet, they also remain firmly attached to their geographical and cultural origins. The essays included in this collection explore what it means to be a Black British woman writer, and how members of this group were able to conceptualise ‘home’ in their fiction.