In Sight

No End in Sight offers a critical analysis of Polish cinema and literature during the transformative late Socialist period of the 1970s and 1980s. Anna Krakus details how conceptions of time, permanence, and endings shaped major Polish artistic works. She further demonstrates how film and literature played a major role in shaping political consciousness during this highly-charged era. Despite being controlled by an authoritarian state and the doctrine of socialism, artists were able to portray the unsettled nature of the political and psychological climate of the period, and an undetermined future. In analyzing films by Andrzej Wajda, Krzysztof Kieslowsi, Krzysztof Zanussi, Wojciech Has, and Tadeusz Konwicki alongside Konwicki’s literary production, Anna Krakus identifies their shared penchant to defer or completely eschew narrative closure, whether in plot, theme, or style. Krakus calls this artistic tendency "aesthetic unfinalizability." As she reveals, aesthetic unfinalizability was far more than an occasional artistic preference or a passing trend; it was a radical counterpolitical act. The obsession with historical teleology saturated Polish public life during socialism to such a degree that instances of nonclosure or ambivalent endings emerged as polemical responses to official ideology.

Cici has a lot to figure out. She's learning how to make friends. She's learning how to be a better big sister. Oh, and she's learning how to use her fairy powers! Things look easy for Kendra, a popular girl at Cici's school. So when Cici finds Kendra's lost doll, she uses her magic to play a trick: change the doll, and Kendra changes too! It's only a joke—but the changes could last forever if Cici doesn't learn to see the best in people.

In Sight is a memoir about how a love of science and discovery drove Julia Levy, a celebrated scholar and biotech CEO, to work her way through gender bias in order to achieve academic and professional recognition. Her story traces the unconventional invention of a breakthrough drug treatment from its development from laboratory research to its application as a medical treatment for vision loss. Told from a female perspective, In Sight is a unique and personal story covering Levy’s early years as a refugee, her university training in the UK, and her appointment as professor at the University of British Columbia. Years spent as an academic led the author to unexpected exposure to the biotechnology industry and a chance meeting with colleagues that led to the formation of a lucrative biotechnology company, known today as QLT Inc. The bulk of the book covers the years spent building the company, and Levy’s surprising transition from chief scientific officer to CEO. In Sight is an honest description of the trials of drug development, the tensions inherent in the commercialization of health innovations, and the truly remarkable hurdles faced by women in the scientific community.

This book provides an overview of the deaf experience which is essential to an understanding of the language. It reveals what it means to be deaf in a hearing society, and introduces some of the interest and social groups within the deaf community.

An emotional, full-hearted teen novel about love, loss, and mental health from the award-winning author of "The Memory of Things." "An achingly fierce exploration of the way the world wounds us and heals us."--Jeff Zentner, William C. Morris award-winning author of "The Serpent King."

What would it feel like to know you are going blind? Thirteen-year-old Finn loves bike riding -- the more dangerous the trail, the better. But he had a spectacular crash a few months ago, and he's just received a diagnosis that will change his life. He is slowly going blind. In a few years his vision will be gone. Desperate to salvage something of his "last" summer, Finn invites a friend to the cottage and is drawn to a strange island that seems to glimmer -- but no one else can see it. When he gets close, he's sucked into something he could never have anticipated. Can Finn's friend Cheese help him come to terms with "lights out" . . . or will it take something much more extraordinary?

When restrictive immigration laws were introduced in the late-nineteenth and early-twentieth centuries, they involved new requirements for photographing and documenting immigrants--regulations for visually inspecting race and health. This work is the first to take a comprehensive look at the history of immigration policy in the United States through the prism of visual culture. Including many previously unpublished images, and taking a new look at Lewis Hine's photographs, Anna Pegler-Gordon considers the role and uses of visual documentation at Angel Island for Chinese immigrants, at Ellis Island for European immigrants, and on the U.S.-Mexico border. Including fascinating close visual analysis and detailed histories of immigrants in addition to the perspectives of officials, this richly illustrated book traces how visual regulations became central in the early development of U.S. immigration policy and in the introduction of racial immigration restrictions. In so doing, it provides the historical context for understanding more recent developments in immigration policy and, at the same time, sheds new light on the cultural history of American photography.

This book highlights the latest urban research in the Netherlands. From urban citizenship and civic participation to immigrant integration and urban governance, "City in sight" provides valuable new perspectives on and insightful analysis of urban transformations and challenges in Dutch cities.