In The Dutch Mountains

“A poet’s fairy tale, elegant and beguiling”(Julian Barnes) that summons up a vast Netherlands encompassing Europe’s highest peaks and a captivating pair of circus performers hunting for work. Translated by Adrienne Dixon.

In een denkbeeldige zuidelijke uitbreiding van Nederland speelt een sprookje van twee circusartiesten.

This monumental series, acclaimed as a "masterpiece of comprehensive scholarship" in the New York Times Book Review, reveals the impact of Asia's high civilizations on the development of modern Western society. The authors examine the ways in which European encounters with Asia have altered the development of Western society, art, literature, science, and religion since the Renaissance. In Volume III: A Century of Advance, the authors have researched seventeenth-century European writings on Asia in an effort to understand how contemporaries saw Asian societies and peoples. Book 3: Southeast Asia examines European images of the lands, societies, religions, and cultures of Southeast Asia. The continental nations of Siam, Vietnam, Malaya, Pegu, Arakan, Cambodia, and Laos are discussed, as are the islands of Java, Bali, Sumatra, Borneo, Amboina, the Moluccas, the Bandas, Celebes, the Lesser Sundas, New Guinea, Australia, New Zealand, the Philippines, Mindanao, Jolo, Guam, and the Marianas.

Reprint of the original, first published in 1867.

The oral and written traditions of the Africans of South Africa have provided an understanding of their past and the way the past relates to the present. These traditions continue to shape the past by the present, and vice versa. From the time colonial forces first came to the region in 1487, oral and written traditions have been a bulwark against what became 350 years of colonial rule, characterized by the racist policies of apartheid. The Uncoiling Python: South African Storytellers and Resistance is the first in-depth study of how Africans used oral traditions as a means of survival against European domination. Africans resisted colonial rule from the beginning. They participated in open insurrections and other subversive activities in order to withstand the daily humiliations of colonial rule. Perhaps the most effective and least apparent expression of subversion was through indigenous storytelling and poetic traditions. Harold Scheub has collected the stories and poetry of the Xhosa, Zulu, Swati, and Ndebele peoples to present a fascinating analysis of how the apparently harmless tellers of tales and creators of poetry acted as front-line soldiers.

Postmodernist literature embraces a wide range of forms and perspectives, including texts that are primarily self-reflexive; texts that use pastiche, burlesque, parody, intertextuality and hybrid forms to create textual realities that either run in opposition to or in parallel with an external reality; fabulations that develop both of these strategies; texts that ironize their relationship to reality; works that use the aspects already noted to more fully engage with political or cultural realities; texts that deal with history as a fiction; and texts that elude categorization even within the variety already explored. For example, in fiction, a postmodernist novel might tell a story about a writer struggling with writing (only, perhaps, to find that he is a character in a book by another writer struggling to write a book). The A to Z of Postmodernist Literature and Theater examines the different areas of postmodernist literature and the variety of forms that have been produced. This is accomplished through a chronology, an introductory essay, a bibliography, and several hundred cross-referenced dictionary entries on individual postmodernist writers, the important postmodernist aesthetic practices, significant texts produced throughout the history of postmodernist writing, and important movements and ideas that have created a variety of literary approaches within the form. By placing these concerns within the historical, philosophical, and cultural contexts of postmodernism, this reference explores the frameworks within which postmodernist literature of the late twentieth and early twenty-first century operates.

• 78 hikes, including 4 backpacking trails • Updated and expanded edition with several newly blazed trails • Paths to scenic vistas, waterfalls, and natural wonders • Detailed maps and first-hand descriptions of each hike • Color photos of the region's remarkable beauty • Essential information on duration, distance, difficulty, elevation, and highlights along the way

Custodians of the Sacred Mountains is the first comprehensive ethnography of the Bali Aga, a large ethnic minority that occupies the island's central highlands. The Bali Aga are popularly viewed as the indigenous counterparts to other Balinese who trace their origin to invaders from the Javanese kingdom of Majapait, who have ruled Bali from the fourteenth century A.D. Although Bali remains one of the most intensely researched localities in the world, the Bali Aga have long been overshadowed by the more exotic courtly culture of the south. A closer analysis of the changing position of the Bali Aga within Balinese society provides a key to understanding the politics and social process of cultural representation in Bali and beyond. The process is marked by a blend of representational competition and cooperation among the Bali Aga themselves, among the Bali Aga and southern Balinese, and later among the island's aristocratic elites and foreign colonizers or scholars, and state authorities. The study of this process raises important issues about the establishment and maintenance of status and power structures at regional, national, and global levels. Custodians of the Sacred Mountains explores the marginalization of the Bali Aga in light of a critical theory of cultural representation and calls for a morally engaged approach to ethnographic research. It proposes an intersubjective and communicative model of human interaction as the foundation for understanding the relative significance of cooperation and competition in the cultural production of knowledge.