In The Event Of Women

In the Event of Women outlines the stakes of what Tani Barlow calls “the event of women.” Focusing on the era of the late nineteenth century through the mid-twentieth century's Cultural Revolution, Barlow shows that an event is a politically inspired action to install a newly discovered truth, in this case the mammal origins of human social evolution. Highbrow and lowbrow social theory circulating in Chinese urban print media placed humanity's origin story in relation to commercial capital's modern advertising industry and the conclusion that women's liberation involved selling, buying, and advertising industrial commodities. The political struggle over how the truth of women in China would be performed and understood, Barlow shows, means in part that an event of women was likely global because its truth is vested in biology and physiology. In so doing, she reveals the ways in which historical universals are effected in places where truth claims are not usually sought. This book reconsiders Alain Badiou's concept of the event; particularly the question of whose political moment marks newly discovered truths.

A mother and daughter with a shared talent for healing—and for the conjuring of curses—are at the heart of this dazzling first novel WINNER OF THE SOCIETY OF AMERICAN HISTORIANS PRIZE • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The New York Times • NPR • Parade • Book Riot • PopMatters “Lush, irresistible . . . It took me into the hearts of women I could otherwise never know. I was transported.”—Amy Bloom, New York Times bestselling author of White Houses and Away Conjure Women is a sweeping story that brings the world of the South before and after the Civil War vividly to life. Spanning eras and generations, it tells of the lives of three unforgettable women: Miss May Belle, a wise healing woman; her precocious and observant daughter Rue, who is reluctant to follow in her mother’s footsteps as a midwife; and their master’s daughter Varina. The secrets and bonds among these women and their community come to a head at the beginning of a war and at the birth of an accursed child, who sets the townspeople alight with fear and a spreading superstition that threatens their newly won, tenuous freedom. Magnificently written, brilliantly researched, richly imagined, Conjure Women moves back and forth in time to tell the haunting story of Rue, Varina, and May Belle, their passions and friendships, and the lengths they will go to save themselves and those they love. LONGLISTED FOR THE CENTER FOR FICTION FIRST NOVEL PRIZE “[A] haunting, promising debut . . . Through complex characters and bewitching prose, Atakora offers a stirring portrait of the power conferred between the enslaved women. This powerful tale of moral ambiguity amid inarguable injustice stands with Esi Edugyan’s Washington Black.”—Publishers Weekly (starred review) “An engrossing debut . . . Atakora structures a plot with plenty of satisfying twists. Life in the immediate aftermath of slavery is powerfully rendered in this impressive first novel.”—Kirkus Reviews (starred review)

Amid the geopolitical and social turmoil of the 1970s, the United Nations declared 1975 as International Women's Year. The capstone event, a two-week conference in Mexico City, was dubbed by organizers and journalists as "the greatest consciousness-raising event in history." The event drew an all-star cast of characters, including Soviet cosmonaut Valentina Tereshkova, Iranian Princess Ashraf Pahlavi, and US feminist Betty Friedan, as well as a motley array of policymakers, activists, and journalists. International Women's Year, the first book to examine this critical moment in feminist history, starts by exploring how organizers juggled geopolitical rivalries and material constraints amid global political and economic instability. The story then dives into the action in Mexico City, including conflicts over issues ranging from abortion to Zionism. The United Nations provided indispensable infrastructure and support for this encounter, even as it came under fire for its own discriminatory practices. While participants expressed dismay at levels of discord and conflict, Jocelyn Olcott explores how these combative, unanticipated encounters generated the most enduring legacies, including women's networks across the global south, greater attention to the intersectionalities of marginalization, and the arrival of women's micro-credit on the development scene. This watershed moment in transnational feminism, colorfully narrated in International Women's Year, launched a new generation of activist networks that spanned continents, ideologies, and generations.

The #1 international best seller In Lean In, Sheryl Sandberg reignited the conversation around women in the workplace. Sandberg is chief operating officer of Facebook and coauthor of Option B with Adam Grant. In 2010, she gave an electrifying TED talk in which she described how women unintentionally hold themselves back in their careers. Her talk, which has been viewed more than six million times, encouraged women to “sit at the table,” seek challenges, take risks, and pursue their goals with gusto. Lean In continues that conversation, combining personal anecdotes, hard data, and compelling research to change the conversation from what women can’t do to what they can. Sandberg provides practical advice on negotiation techniques, mentorship, and building a satisfying career. She describes specific steps women can take to combine professional achievement with personal fulfillment, and demonstrates how men can benefit by supporting women both in the workplace and at home. Written with humor and wisdom, Lean In is a revelatory, inspiring call to action and a blueprint for individual growth that will empower women around the world to achieve their full potential.

An attempt to reveal, recover and reconsider the roles, positions, and actions of Ottoman women, this volume reconsiders the negotiations, alliances, and agency of women in asserting themselves in the public domain in late- and post-Ottoman cities. Drawing on diverse theoretical backgrounds and a variety of source materials, from court records to memoirs to interviews, the contributors to the volume reconstruct the lives of these women within the urban sphere. With a fairly wide geographical span, from Aleppo to Sofia, from Jeddah to Istanbul, the chapters offer a wide panorama of the Ottoman urban geography, with a specific concern for gender roles.

New York Times bestselling author Jennifer Chiaverini returns with The Women’s March, an enthralling historical novel of the women’s suffrage movement inspired by three courageous women who bravely risked their lives and liberty in the fight to win the vote. Twenty-five-year-old Alice Paul returns to her native New Jersey after several years on the front lines of the suffrage movement in Great Britain. Weakened from imprisonment and hunger strikes, she is nevertheless determined to invigorate the stagnant suffrage movement in her homeland. Nine states have already granted women voting rights, but only a constitutional amendment will secure the vote for all. To inspire support for the campaign, Alice organizes a magnificent procession down Pennsylvania Avenue in Washington, DC, the day before the inauguration of President-elect Woodrow Wilson, a firm antisuffragist. Joining the march is thirty-nine-year-old New Yorker Maud Malone, librarian and advocate for women’s and workers’ rights. The daughter of Irish immigrants, Maud has acquired a reputation—and a criminal record—for interrupting politicians’ speeches with pointed questions they’d rather ignore. Civil rights activist and journalist Ida B. Wells-Barnett resolves that women of color must also be included in the march—and the proposed amendment. Born into slavery in Mississippi, Ida worries that white suffragists may exclude Black women if it serves their own interests. On March 3, 1913, the glorious march commences, but negligent police allow vast crowds of belligerent men to block the parade route—jeering, shouting threats, assaulting the marchers—endangering not only the success of the demonstration but the women’s very lives. Inspired by actual events, The Women’s March offers a fascinating account of a crucial but little-remembered moment in American history, a turning point in the struggle for women’s rights.

Feminist autofiction from one of Sweden’s blazing talents. “Ramqvist is a serious contender for the Swedish literary limelight.” —Shelf Awareness Blending autofiction and essay, The Bear Woman is a journey of feminism and literary detective work spanning centuries and continents. In the 1540s, a young French noblewoman, Marguerite de la Rocque, was abandoned on an island in the Gulf of Saint Lawrence with her maidservant and her lover. In present-day Stockholm, an author and mother becomes captivated by the image of Marguerite sheltered in a dark cave after her companions have died. This image soon becomes an obsession. She must find out the real story of the woman she calls the Bear Woman. But so much in this history is written so as to gloss over male violence. And the maps and other sources she consults are at times undecipherable. Karolina Ramqvist explores what it means to write history—and to live it. “Karolina Ramqvist writes with frosty precision the kind of literature that is unforgettable. Her portraits of women hit deep into bone and marrow.” – Dorthe Nors, author of A Line in the World “Ramqvist’s acute rendering of embodied sensual experience combined with her evocation of her double character’s increasingly desperate circumstances create a story of high tension, startling insights, and lasting resonance.” – Siri Hustvedt, author of Mothers, Fathers and Others “One of my favorite discoveries from this year.” – Samanta Schweblin, author of Little Eyes “Ramqvist is a serious contender for the Swedish literary limelight.” – Shelf Awareness

DIVBarlow documents the history of “woman” as a category in twentieth century Chinese history, tracing the question of gender through various phases in the literary career of Ding Ling, a major modern Chinese writer./div