In The House Of The Hangman

The central question for both the victors and the vanquished of World War II was just how widely the stain of guilt would spread over Germany. Political leaders and intellectuals on both sides of the conflict debated whether support for National Socialism tainted Germany's entire population and thus discredited the nation's history and culture. The tremendous challenge that Allied officials and German thinkers faced as the war closed, then, was how to limn a postwar German identity that accounted for National Socialism without irrevocably damning the idea and character of Germany as a whole. In the House of the Hangman chronicles this delicate process, exploring key debates about the Nazi past and German future during the later years of World War II and its aftermath. What did British and American leaders think had given rise to National Socialism, and how did these beliefs shape their intentions for occupation? What rhetorical and symbolic tools did Germans develop for handling the insidious legacy of Nazism? Considering these and other questions, Jeffrey K. Olick explores the processes of accommodation and rejection that Allied plans for a new German state inspired among the German intelligentsia. He also examines heated struggles over the value of Germany's institutional and political heritage. Along the way, he demonstrates how the moral and political vocabulary for coming to terms with National Socialism in Germany has been of enduring significance—as a crucible not only of German identity but also of contemporary thinking about memory and social justice more generally. Given the current war in Iraq, the issues contested during Germany's abjection and reinvention—how to treat a defeated enemy, how to place episodes within wider historical trajectories, how to distinguish varieties of victimhood—are as urgent today as they were sixty years ago, and In the House of the Hangman offers readers an invaluable historical perspective on these critical questions.

A marathon dance mix consisting of thousands of mashed up text and image samples, In the House of the Hangman tries to give a taste of what life is like there, where it is impolite to speak of the noose. It is the third part of the life project Zeitgeist Spam. If you can't afford a copy ask me for a pdf.

Set in the 1970s and '80s, The Hangman's House narrates the life and times of a Hungarian family in Romania. Those were extraordinary times of oppression, poverty and hopelessness, and Andrea Tompa's latest novel depicts everyday life under the brutal communist dictatorship of Nicolae Ceaușescu, referred to by the narrator as an unnamed "one-eared hangman." Ceaușescu is omnipresent throughout the story--in portraits in classrooms and schoolbooks, in the empty food stores, in TV programs, in obligatory Party demonstrations. Most insidiously, he is present in the dreams and nightmares of common people, who, in this cruel period of history, become cruel to one another, just like the dictator. Our narrator, a teenage "Girl," observes life through tangled, almost interminable sentences, trying to understand and process the many questions in her life: why her family is falling apart; why her mother has three jobs; why her father becomes an alcoholic; why her grandmother dreams of "Hungarian times"; and, most troubling, why there is persecution all around. Brutal though the times are, Girl's narration is far from a mere indictment. It is suffused with love, tenderness and irony. Written by a woman and featuring a young woman narrator, The Hangman's House focuses intently on how women play the principal roles in holding together the resilient fabric of society. Evocative of the celebrated wry humor that distinguishes the best of Hungarian literature, Tompa's novel is a tour de force that will introduce a brilliant writer to English-language readers.

Françoise Laurent has never had an easy life. The only surviving child of a destitute washerwoman and wayward soldier, she must rely only on herself to get by. When her parents die suddenly from the smallpox ravishing New France (modern-day Montreal), Françoise sees it as a chance to escape the life she thought she was trapped in. Seizing her newfound opportunity, Françoise takes a job as an aide to the wife of a wealthy fur trader. The poverty-ridden world she knew transforms into a strange new world full of privilege and fine things — and of never having to beg for food. But Françoise’s relationships with the other servants in Madame Pommereau’s house are tenuous, and Madame Pommereau isn’t an easy woman to work for. When Françoise is caught stealing a pair of her mistress’s beautiful gloves, she faces a future even worse than she could have imagined: thrown in jail, she is sentenced to death by hanging. Once again, Françoise is left to her own devices to survive ... Is she cunning enough to convince the prisoner in the cell beside her to become the hangman and marry her, which, by law, is the only thing that could save her life? Based on an actual story and filled with illuminating historical detail, THE HANGMAN IN THE MIRROR transports readers to the harsh landscape of a new land that is filled with even harsher class divisions and injustices.

In 1776, the rebellion of the American colonies against British rule was crushed. Now, in 1777-the year of the hangman-George Washington is awaiting execution, Benjamin Franklin's banned rebel newspaper, Liberty Tree, has gone underground, and young ne'er-do-well Creighton Brown, a fifteen-year-old Brit, has just arrived in the colonies. Having been shipped off against his will, with nothing but a distance for English authorities, Creighton befriends Franklin, and lands a job with his print shop. But the English general expects the spoiled yet loyal Creighton to spy on Franklin. As battles unfold and falsehoods are exposed, Creighton must decide where his loyalties lie...a choice that could determine the fate of a nation.

Jake is in a race against time to foil a demon-riddled plot to destroy earth—what a way to start his new job at the Embassy of the Dead! The second book of this spookily funny trilogy. In return for helping Stiffkey the ghost pass into the Afterworld, Jake Green has been awarded an official position at the Embassy of the Dead, a job he didn’t ask for and, to be honest, doesn’t necessarily want. But saying no to the Embassy isn’t really an option, so now Jake must journey even deeper into the mysterious world of ghosts. What should be a routine Undoing takes a turn when Jake overhears a plot to destroy the very fabric between the worlds of the living and the dead. Can he do the impossible and stop the terror that creeps in the Eternal Void? With the help of his ghostly gang—hockey stick–wielding Cora and Zorro the fox—he’s going to try. Hijinks from beyond the grave will tingle readers’ spines and tickle their funny bones as the Embassy of the Dead trilogy continues.