In The Shadow Of The Holocaust Other Essays

The main thrust of this collection of essays, excluding those on Russian literature, is to visualize the European Holocaust from a number of different vantage points - the historical and cultural, the political and individual, the psychological and social, and the critical and literary. This wider perspective, especially as it relates to the range and extent of human suffering, suggests that a redefinition of the twentieth-century Holocaust is now timely.

The main thrust of this collection of essays, excluding those on Russian literature, is to visualize the European Holocaust from a number of different vantage points - the historical and cultural, the political and individual, the psychological and social, and the critical and literary. This wider perspective, especially as it relates to the range and extent of human suffering, suggests that a redefinition of the twentieth-century Holocaust is now timely.

Drawing on interviews and survey materials, Aaron Hass provides a vibrant account of the experiences of Holocaust survivors' children.

Many of us belong to communities that have been scarred by terrible calamities. And many of us come from families that have suffered grievous losses. How we reflect on these legacies of loss and the ways they inform each other are the questions Laura Levitt takes up in this provocative and passionate book. An American Jew whose family was not directly affected by the Holocaust, Levitt grapples with the challenges of contending with ordinary Jewish loss. She suggests that although the memory of the Holocaust may seem to overshadow all other kinds of loss for American Jews, it can also open up possibilities for engaging these more personal and everyday legacies. Weaving in discussions of her own family stories and writing in a manner that is both deeply personal and erudite, Levitt shows what happens when public and private losses are seen next to each other, and what happens when difficult works of art or commemoration, such as museum exhibits or films, are seen alongside ordinary family stories about more intimate losses. In so doing she illuminates how through these “ordinary stories” we may create an alternative model for confronting Holocaust memory in Jewish culture.

First published in 1980. Routledge is an imprint of Taylor & Francis, an informa company.

"James Tent recounts how these men and women from all over Germany and from all walks of life struggled to survive in an increasingly hostile society, even as their Jewish relatives were disappearing into the East. It draws on extensive interviews with twenty survivors, many of whom were teenagers when Hitler came to power, to show how "half-Jews" coped with conditions on a day-to-day basis, and how the legacy of the hatred they suffered still lingers in their minds."

This collection of essays is about the lived experience of the 'second generation' of the Holocaust. Each piece tells a different story about growing up in the shadow of the Holocaust and making a journey into the past to find the 'home' of one's ancestors. It contributes to discussions on memorialization, commemoration and the refugee crisis.

German Text Crimes offers new perspectives on scandals and legal actions implicating writers of German literature since the 1950s. Topics range from literary echoes of the “Heidegger Affair” to recent incitements to murder businessmen (agents of American neo-liberal power) in works by Rolf Hochhuth and others. GDR songwriters’ cat-and-mouse games with the Stasi; feminist debates on pornography, around works by Charlotte Roche and Elfriede Jelinek; controversies over anti-Semitism, around Bernhard Schlink’s Der Vorleser / The Reader and Martin Walser’s lampooning of the Jewish critic Marcel Reich-Ranicki; Peter Handke’s pro-Serbian travelogue; the disputed editing of Ingeborg Bachmann’s Nachlaß; vexed relations between dramatists and directors; (ab)uses of privacy law to ‘censor’ contemporary fiction: these are among the cases of ‘text crimes’ discussed. Not all involve codified law, but all test relations between state power, civil society, media industries and artistic license.