In The Shape Of A Human Body I Am Visiting On Earth

From Rae Armantrout to Adam Zagajewski, In the Shape of a Human Body I Am Visiting the Earth is a chorus of voices from around the globe and across generations. A compendium of some of our beloved poems from our favorite poets, this slim anthology is the perfect companion for cafés, road trips, bathtubs, shuttle expeditions, and any other situation in need of the genuinely human. Included are freshly translated masterpieces--originally published in Poetry International--from poets such as Pablo Neruda, Rainer Maria Rilke, Federico García Lorca, and Charles Baudelaire, along with new work from contemporary practitioners such as Kay Ryan, Jane Hirshfield, Derek Walcott, Kwame Dawes, Valzhyna Mort, and James Tate.--Publisher's description.

Maps have always been a fundamental tool in archaeological practice, and their prominence and variety have increased along with a growing range of digital technologies used to collect, visualise, query and analyse spatial data. However, unlike in other disciplines, the development of archaeological cartographical critique has been surprisingly slow; a missed opportunity given that archaeology, with its vast and multifaceted experience with space and maps, can significantly contribute to the field of critical mapping. Re-mapping Archaeology thinks through cartographic challenges in archaeology and critiques the existing mapping traditions used in the social sciences and humanities, especially since the 1990s. It provides a unique archaeological perspective on cartographic theory and innovatively pulls together a wide range of mapping practices applicable to archaeology and other disciplines. This volume will be suitable for undergraduate and postgraduate students, as well as for established researchers in archaeology, geography, anthropology, history, landscape studies, ethnology and sociology.

Winner of the Alice Fay di Castagnola Award from the Poetry Society of America, this collection of verse from Atsuro Riley offers a vivid weavework rendering and remembering an American place and its people. Recognized for his “wildly original” poetry and his “uncanny and unparalleled ability to blend lyric and narrative,” Atsuro Riley deepens here his uncommon mastery and tang. In Heard-Hoard, Riley has “razor-exacted” and “raw-wired” an absorbing new sequence of poems, a vivid weavework rendering an American place and its people. At once an album of tales, a portrait gallery, and a soundscape; an “inscritched” dirt-mural and hymnbook, Heard-Hoard encompasses a chorus of voices shot through with (mostly human) histories and mysteries, their “old appetites as chronic as tides.” From the crackling story-man calling us together in the primal circle to Tammy figuring “time and time that yonder oak,” this collection is a profound evocation of lives and loss and lore.

12 Lectures, Leipzig, September 2-14, 1908 (CW 106) Rudolf Steiner emphasizes the astonishing and special relationship between our own time and that of ancient Egypt--how, in the natural rhythm of the ages, the so-called third post-Atlantian (Egyptian) epoch is mirrored by the fifth (present) epoch. In this sense, today it is especially relevant to look at ancient Egypt with fresh eyes. The evolution of Western civilization has been profoundly influenced by Egyptian myths through the Greek mysteries. Because of other influences, however, this heritage has degenerated; thinking has mummified and and myth has all but disappeared. Consequently, it is important to revive the seed of goodness passed down to us from ancient Egypt. Through true imagination, it is our task to renew human knowledge related to the creative forces in nature, which the Egyptians attempted through the Osiris-Isis myth, and the Greeks through the myth of Demeter. This is what Rudolf Steiner attempts in this lecture cycle. Steiner's subjects include: experiences of Egyptian initiations; esoteric anatomy and physiology; the stages of evolution of the human form; and much more. The final lecture is on the Christ impulse as the conqueror of matter. This volume is a translation from German of «Ägyptische Mythen und Mysterien im Verhältnis zu den wirkenden Geisteskräften der Gegenwart» (GA 106).

Poetry. Winner of the 1998 New Issues Poetry Prize. The poet's sense of wonder is contagious whether she views the world from her seat on a train, from the window of her apartment, or from the streets of the city. Through a subtle, mediated surrealism, Morling reins in the urban landscapes of New York, drawing the reader into her meditations on the temporal and the spatial, on the language itself.

The second edition, mass-market paperback, of Like a Fat Gold Watch: Meditations on Sylvia Plath and Living. This is a literary anthology of fiction, poetry, art and essays inspired by Sylvia Plath's work and life, not her death. Edited by Christine Hamm, and including work by Angela Simione, J. Hope Stein, Ann Bogle and many more.