Incubation As A Type Scene In The Aqhatu Kirta And Hannah Stories

This book proposes to read the birth stories of Aqhatu, Kirta and Samuel from the perspective of incubation type-scene. Drawing on Nagler’s definition of a type-scene, it employs the idea of family resemblance as a principle of identification of type-scenes.

This book proposes to read the birth stories of Aqhatu, Kirta and Samuel from the perspective of incubation type-scene. Drawing on Nagler’s definition of a type-scene, it employs the idea of family resemblance as a principle of identification of type-scenes.

1 Samuel is full of riveting narratives related to the beginning of dynastic monarchy in ancient Israel. These narratives provide not only the spiritual wisdom about our relationship with the Lord, but also insights into the outworking of political power. Throughout this commentary, Dr Koowon Kim introduces the reader to relevant aspects of the Chinese historical novel, Romance of the Three Kingdoms, which has been so influential in forming the worldview of people in much of East Asia since the fourteenth century. Both theologically and historically informed, this commentary will help those from cultures heavily influenced by the story to understand the biblical narrative of 1 Samuel, as well as inform those interested in East Asian culture of commonly held beliefs regarding what constitutes a good ruler. The Asia Bible Commentary series empowers Christian believers in Asia to read the Bible from within their respective contexts. Holistic in its approach to the text, each exposition of the biblical books combines exegesis and application. The ultimate goal is to strengthen the Body of Christ in Asia by providing pastoral and contextual exposition of every book of the Bible.

In ‘He is a Glutton and a Drunkard’: Deviant Consumption in the Hebrew Bible Rebekah Welton uses interdisciplinary approaches to explore the social and ritual roles of food and alcohol in Late Bronze Age to Persian-period Syro-Palestine (1550 BCE–400 BCE). This contextual backdrop throws into relief episodes of consumption deemed to be excessive or deviant by biblical writers. Welton emphasises the social networks of the household in which food was entangled, arguing that household animals and ritual foodstuffs were social agents, challenging traditional understandings of sacrifice. For the first time, the accusation of being a ‘glutton and a drunkard’ (Deut 21:18-21) is convincingly re-interpreted in its alimentary and socio-ritual contexts.

Our contemporary culture is communicating ever-increasingly through the visual, through film, and through music. This makes it ever more urgent for theologians to explore the resources of art for enriching our understanding and experience of the Judeo-Christian tradition. Annunciations: Sacred Music for the twenty-First Century, edited by George Corbett, answers this need, evaluating the relationship between the sacred and the composition, performance, and appreciation of music. Through the theme of ‘annunciations’, this volume interrogates how, when, why, through and to whom God communicates in the Old and New Testaments. In doing so, it tackles the intimate relationship between Scriptural reflection and musical practice in the past, its present condition, and what the future might hold. Annunciations comprises three parts. Part I sets out flexible theological and compositional frameworks for a constructive relationship between the sacred and music. Part II presents the reflections of theologians and composers involved in collaborating on new pieces of sacred choral music, alongside the six new scores and links to the recordings. Part III considers the reality of programming and performing sacred works today. This volume provides an indispensable resource for scholars and artists working at the interface between theology and the arts, and for those involved in sacred music. However, it will also be of interest to anyone concerned with the ways in which the Divine communicates through word and artistry to humanity.

The book of Genesis introduces three similar wife/sister narratives, commonly thought to be originating from different sources because of their repetitive entries. This research explores the wife/sister narratives in Genesis (Gen 12:10-13:1, 20:1-18, and 26:1-11), and it aims to provide an understanding of the three stories as a whole by uncovering its context by textlinguistic and literary type-scene analysis. Textlinguistic analysis helps us to see how each wife/sister narrative functions in its context, while type-scene analysis emphasizes how the three narratives develop and contribute to the patriarchal narratives through their similarities and variations. Although the traditional type-scene analysis studies recurrent fixed motives in texts, this study focuses much more on literary aspects such as characterization, theme, and plot. Through this study, the three wife/sister stories will elaborate that the patriarchal narratives are not results of different authors, but the well-developed products of a single author. The three wife/sister stories work together to highlight God's faithfulness to his promises (Gen 12:1-3).

Offering a reading of the intermarriage debate and expulsion of the foreign women in Ezra 9-10, this book engages with the production and performance of masculinities in this biblical text, shifting the focus away from the 'foreign women' to the men who are the primary actors in this work. This approach addresses the diversity of masculinities and the ways in which they are implicated in the production of power relations in the text. It explores the ‘feminized’ masculinity of the peoples-of-the-lands, the unstable masculinity of the golah, Ezra’s performance of penitential masculinity, and the rehabilitation of divine masculinity. The rejection of the marriages and the call for the expulsion of the women and children are addressed as sites on which masculinities and power relations are configured. In doing so, this book sheds light on how women and the traits and performances culturally ascribed to women, femininity and inferior masculinities, are appropriated to produce masculinities and negotiate power relations between men. It posits that the debate in Ezra 9-10 is not, ultimately, about the women themselves, but about bringing the masculinities, bodies and practices of dissenting men under the ‘management’ of those who wield the Torah in the narrative world of the text. Men, Masculinities and Intermarriage in Ezra-9-10 is of interest for scholars and students working on the Book of Ezra specifically, as well as the Hebrew Bible and its world more broadly. It is also a valuable study for those working on masculinities and gender in the biblical world and ancient Near East.

The Old Testament book of Samuel is an intriguing narrative that offers an account of the origin of the monarchy in Israel. It also deals at length with the fascinating stories of Saul and David. In this volume, John Goldingay works through the book, exploring the main theological ideas as they emerge in the narratives about Samuel, Saul, and David, as well as in the stories of characters such as Hannah, Michal, Bathsheba, and Tamar. Goldingay brings out the key ideas about God and God's involvement in the lives of people, and their involvement with him through prayer and worship. He also delves into the mystery and complexity of human persons and their roles in events. Goldingay's study traces how God pursues his purpose for Israel and, ultimately, for the world in these narratives. It shows how this pursuit is interwoven with the realities of family, monarchy, war, love, ambition, loss, failure, and politics.