Indexicality

The book offers the first full-scale focused treatment of linguistic indexicality as a tool for analysis and explanation of the organization of linguistic structures. The book demonstrates the application of the concept of indexicality in the description of a broad range of linguistic phenomena, from the internal workings of morphology via relations within syntactic constructions to lexical and grammatical elements designed to hook on to features outside the clause in the interactional context. The book presents studies of the role of indexicality in synchrony and diachrony with descriptive cases from a number of languages from diverse language families. Part I focuses on the general nature of linguistic indexicality in the larger perspective of the semiotics of language, including examinations of domain-straddling indexical functions. Part II focuses on the role of indexicality in diachrony and the way it enters into the mechanisms of change, including examinations of semiotic shifts from indexical to symbolic function and vice versa. The book is relevant for researchers and students in historical and synchronic linguistics from a variety of linguistic frameworks with an interest in the role of semiotics in linguistic analysis.

This book provides an accessible, comprehensive and critical overview of theories of linguistic reference and meaning in the 20th century.

Phonology: Critical Concepts, the first such anthology to appear in thirty years and the largest ever published, brings together over a hundred previously published book chapters and articles from professional journals. These have been chosen for their importance in the exploration of theoretical questions, with some preference for essays that are not easily accessible.Divided into sections, each part is preceded by a brief introduction which aims to point out the problems addressed by the various articles and show their relations to one another.-

Exploring the modern category of history in relation to film theory, film textuality, and film history, Change Mummified makes a persuasive argument for the centrality of historicity to film as well as the special importance of film in historical culture. What do we make of the concern for recovering the past that is consistently manifested in so many influential modes of cinema, from Hollywood to documentary and postcolonial film? How is film related to the many modern practices that define themselves as configuring pastness in the present, such as architectural preservation, theme parks, and, above all, professional historical research? What is the relation of history in film to other media such as television and digital imaging? How does emphasizing the connection between film and modern historicity affect the theorization and historicization of film and modern media culture? Pursuing the full implications of film as cultural production, Philip Rosen reconceptualizes modern historicity as a combination of characteristic epistemological structures on the one hand, and the social imperative to regulate or manage time on the other. Emphasizing a fundamental constellation of pursuit of the real, indexical signification and the need to control time, he interrogates a spectrum of film theory and film texts. His argument refocuses the category of temporality for film and cultural theory while rethinking the importance of historicity. An original and sustained meditation on the historiographic status of cinematic signs, Change Mummified is both an intervention in film and media studies and an argument for the continuing necessity of modern historical thinking in its contradictions.

This revised and expanded edition provides a valuable and accessible introduction to paradoxes.

Folklinguistics and Social Meaning in Australian English presents an original study of Australian English and, via this, insights into Australian society. Utilising folklinguistic accounts, it uncovers everyday understandings of contemporary Australian English through variations across linguistic systems (sounds, words, discourse and grammar). Focusing on one variation at time, it explores young speakers’ language use and their evaluations of the same forms. The analysis of talk about talk uncovers ethnic, regional and social Others in social types and prevailing ideologies around Australian English essential for understanding Australian identity-making processes, as well as providing insights and methods relevant beyond this context. These discussions demonstrate that while the linguistic variations may occur in other varieties of English, they are understood through local conceptualisations, and often as uniquely Australian. This book harnesses the value and richness of discourse in explorations of the sociocultural life of language. The findings show that analysis attending to language ideologies and identities can help discover the micro–macro links needed in understanding social meanings. The volume explores a wide range of language features but also provides a deep contemplation of Australian English.

Ultimately, in finding a way to decenter the self without eliminating it, Wiley supplies a much-needed closure to classical pragmatism and gives new direction to neo-pragmatism.