Indian Diaspora Writers

The fifty-eight writers included in this new sourcebook have roots in India--or, less frequently, in Pakistan, Bangladesh, or Sri Lanka--but represent diverse geographical areas of the Indian Diaspora: from the South Pacific to South America, from the Indian Ocean islands of Mauritius and Singapore to the cities and suburbs of London, New York, Johannesburg, and Toronto. Their lives, works, themes, and critical receptions are examined individually but with attention to two central assumptions: that people of the Indian diaspora share a diasporic consciousness generated by a complex network of historical connections, spiritual affinities, and unifying racial memories, and that this shared sensibility is manifested in the cultural productions of the Indian diasporic communities around the world. These concepts, developed by Professor Nelson in a previous study, Reworlding: The Literature of the Indian Diaspora, are here applied to a larger canvas of writers, including major international figures such as V.S. Naipaul, and Salman Rushdie and talented emerging writers. The writers practice a variety of literary forms and represent a extraordinary diversity of ethnicities, languages, and religious traditions. The women among them contribute the perspective of gender along with the themes of ethnicity, migrancy, and post-coloniality shared with the male writers. Each entry begins with relevant biographical information on the writer, offers an interpretive summary of the major works, provides an overview of the critical reception accorded the corpus and individual productions, and concludes with detailed primary and secondary bibliographies. A brief appendix lists each writer with place of birth and places of domicile. The introduction to the volume, by Professor Nalini Natarajan, discusses several theoretical issues pertinent to Indian diasporic studies. Of value to all literary collections and scholars, this reference work will be of special interest for post-colonial and Commonwealth studies.

Exploring the work of key writers from across the globe, this significant contribution to diaspora theory constitutes a major study of the literature and other cultural texts of the Indian diaspora.

Contributory essays; some presented at a seminar held in December 1996 at the University of Rajasthan.

Issues of cultural hybridity, diaspora and identity are central to debates on ethnicity and race and, over the past decade, have framed many theoretical debates in sociology, cultural studies and literary studies. However, these ideas are all too often considered at a purely theoretical level. In this book Yasmin Hussain uses these ideas to explore cultural production by British South Asian women including Monica Ali, Meera Syal and Gurinder Chadha. Hussain provides a sociological analysis of the contexts and experiences of the British South Asian community, discussing key concerns that emerge within the work of this new generation of women writers and which express more widespread debates within the community. In particular these authors address issues of individual and group identity and the ways in which these are affected by ethnicity and gender. Hussain argues that in exploring the different dimensions of their cultural heritage, the authors she surveys have created changes within the meaning of the diasporic identity, articulating a challenge to the notion of 'Asianness' as a homogenous and simple category. In her examination of the process through which a hybridized diasporic culture has come into being, she offers an important contribution to some of the key questions in recent sociological and cultural theory.

About the Author Dipak Giri- M.A. (Double), B.Ed. - is a Ph. D. Research Scholar in Raiganj University, Raiganj, Uttar Dinajpur (W.B.). He is working as an Assistant Teacher in Katamari High School (H.S.), Cooch Behar, West Bengal. He is an Academic Counsellor in Netaji Subhas Open University, Cooch Behar College Study Centre, Cooch Behar, West Bengal. He was formerly Part Time Lecturer in Cooch Behar College, Vivekananda College and Thakur Panchanan Mahila Mahavidyalaya, West Bengal and worked as a Guest Lecturer in Dewanhat College, West Bengal. Along with this book on Indian Diaspora Literature, he has also edited eight books on Indian English Drama, Indian English Novel, Postcolonial English Literature, New Woman in Indian Literature, Indian Women Novelists in English, Homosexuality in Contemporary Indian Literature, Transgender in Indian Context and Mahesh Dattani. He is a well-known academician and has published many scholarly research articles in books and journals of both national and international repute. His area of studies includes Post-Colonial Literature, Indian Writing in English, Dalit Literature, Feminism and Gender Studies. About the Book The anthology Immigration and Estrangement in Indian Diaspora Literature: A Critical Study attempts to study diasporic sensibilities in writings of Indian Diaspora writers. The book mainly focuses its study on the sense of displacement and dislocation rising due to immigration from homeland to hostland as found in writings of Indian Diaspora writers. Authors have tried to give their best outputs to reach this anthology to its intended goal. Hopefully this book will be helpful to both students and scholars alike.

In this period of globalization, many individuals are trying to upgrade the life and for that most of them are now migrating to other lands. In the process of getting settle in new land they encounter many problems. The issue of migration and immigration brings forward the question of exile, identity, assimilation, memory, nostalgia, hopelessness, uprootedness, hybridity and so on. Indian writers have beautifully picked up experiences of such people and penned them down. Such writing is called ‘Diaspora Literature’, wherein immigrant experiences have been shared through literature. This type of literature includes expatriate stories, refugee chronicles and immigrant narratives. The present anthology Indian Diaspora Literature: A Critical Evaluation covers as many as twenty articles where the authors have discussed innumerable issues and challenges as confronted by Indian immigrants due to their distance and dislocation from their familiar homeland to the alien hostland, irrespective of what kind of exile they follow: forced or voluntary. Apart from bringing into surface the migratory problems, the anthology also sheds light on the complexities that arise out of such migration. Some of the notable Indian writers who have been given room in this book are V. S. Naipaul, Amitav Ghosh, Rohinton Mistry, Jhumpa Lahiri, Chitra Banerjee Divakaruni, Anita Desai and Kiran Desai to name a few. Authors have tried to give their best outputs to reach this anthology to its intended goal. Hopefully this book will be helpful to both students and scholars alike.

Indian Writers attempt to locate diasporic voices in the interstitial spaces of countless ideologies. The anthology provides a critical examination of dislocated diasporic subjects - those who have adjusted to the dislocation well, those who have chosen the hybrid spaces for empowerment, those who are dragged forcefully to various territories, and yet those who gleefully inhabit trans-local spaces. A wide range of voices raise these critical questions: How do we read these voices? How are the voices received in various locations? Are these voices considered Indian? Do they represent Indianness, or some hybridized version of it? What is an authentic cultural identity? What, ultimately, is Indianness, or for that matter, any hard-won national or ethnic identity? Additionally, as more female writers are being read, both in the global south and in the north, the reception of these texts, particularly in an era of globalization, and in the aftermath of the 9/11 attack in the United States, raises questions on how the «other», the subaltern, is represented and read. Some writers use an assimilationist approach to the cultures of the West to such a degree that they find Indian culture monolithically oppressive, while others continue to romanticize Indianness, yet others eroticize and ethnicize the east for western consumption. The authors of the essays in this anthology examine contemporary debates in postcolonial and transnational literary criticism in an attempt to understand the often complex and hybrid narratives of the diasporic Indian subject.