Indicators Roots And Cultivation Methods Of Imaginative Capacity Of Professional Writers In The Communication Industry

本研究從專家的焦點座談中確認出六個主題(亦即：提供學生基礎性課程；鼓勵學生參與多樣活動；提供學生高等整合性課程；指導員工深思熟慮地練習新點子；鼓勵員工批判性閱讀學習以跟上趨勢；促使員工熟悉新某體以理解新點子)，代表了在高等教育與工作環境中培育個體想像力的策略。然而，不管個體是否能夠在這六種組織培育想像力的策略之下，被教育或指導成為一個有想像力的人，他們都能夠練習他們自己發展出來的培育方法，不斷地進行自律參與、啟發與內化，終其一生地精進化們原本擁有的想像力。

This book is designed to introduce doctoral and graduate students to the process of conducting scientific research in the social sciences, business, education, public health, and related disciplines. It is a one-stop, comprehensive, and compact source for foundational concepts in behavioral research, and can serve as a stand-alone text or as a supplement to research readings in any doctoral seminar or research methods class. This book is currently used as a research text at universities on six continents and will shortly be available in nine different languages.

"Moving from age-old warnings about the influence of the cultural industry to a tentative embrace of a global creative society, Terry Flew′s new book provides an excellent overview of this exciting field. Warmly recommended for students and policymakers alike." - Mark Deuze, Indiana University "A comprehensive text on the state of the art of the creative industries... a running commentary on the ebb and flow of both the academic debates (from cultural studies, cultural economics, organisational studies, economic geography and urban sociology) and the policy initiatives that seek to frame the field for outsiders. An ideal primer." - Andy C Pratt, King′s College London The rise of creative industries requires new thinking in communication, media and cultural studies, media and cultural policy, and the arts and information sectors. The Creative Industries sets the agenda for these debates, providing a richer understanding of the dynamics of cultural markets, creative labour, finance and risk, and how culture is distributed, marketed and creatively re-used through new media technologies. This book: Develops a global perspective on the creative industries and creative economy Draws insights from media and cultural studies, innovation economics, cultural policy studies, and economic and cultural geography Explores what it means for policy-makers when culture and creativity move from the margins to the centre of economic dynamics Makes extensive use of case studies in ways that are relevant not only to researchers and policy-makers, but also to the generation of students who will increasingly be establishing a ′portfolio career′ in the creative industries. International in coverage, The Creative Industries traces the historical and contemporary ideas that make the cultural economy more relevant that it has ever been. It is essential reading for students and academics in media, communication and cultural studies.

The interwoven futures of humanity and our planet are under threat. Urgent action, taken together, is needed to change course and reimagine our futures.

"The main body of the literature review explores both the history of the idea of the cultural industries and how this has changed and developed our current interest in the creative economy. It focuses on the conceptual ideas behind thinking in this area and lays out the reasons behind the shifts in terminology and policy."--Foreword.

When first published, Marshall McLuhan's Understanding Media made history with its radical view of the effects of electronic communications upon man and life in the twentieth century.