Indochina In The Year Of The Horse 1966

Fifty years since the signing of the Paris Peace Accords signaled the final withdrawal of U.S. troops from Vietnam, the war's mark on the Pacific world remains. The essays gathered here offer an essential, postcolonial interpretation of a struggle rooted not only in Indochinese history but also in the wider Asia Pacific region. Extending the Vietnam War's historiography away from a singular focus on American policies and experiences and toward fundamental regional dynamics, the book reveals a truly global struggle that made the Pacific world what it is today. Contributors include: David L. Anderson, Mattias Fibiger, Zach Fredman, Marc Jason Gilbert, Alice S. Kim, Mark Atwood Lawrence, Jason Lim, Jana K. Lipman, Greg Lockhart, S. R. Joey Long, Christopher Lovins, Mia Martin Hobbs, Boi Huyen Ngo, Wen-Qing Ngoei, Nathalie Huynh Chau Nguyen, Noriko Shiratori, Lisa Tran, A. Gabrielle Westcott

This book is the first international history of the Third Indochina War, and features contributors from many different countries and scholarly traditions.

Be an eyewitness to the longest war in American history—a dramatic story of patriotism, tragedy, bloody conflict, and heroism. Notonly can you trace the timeline of the war from the Indochina struggle in 1946 to the final offensive in 1975, page after page of real-life photographs offer aunique look at the reality of the Vietnam War. See campaigns in the air and battles in jungles, cities, and rice paddies. Learn about the most powerful combat weapons of the age such as Agent Orange and AK-47s. Discover why America went towar in Indochina and who fought there, the fall of Saigon, the aftermath of thewar, and much, much more. Discover the people, places, battles, and weaponsof America''s struggle in Indochina

Between the French Indochina war of the fifties and the fall of Phnom Penn and Saigon in 1975, 134 photographers from different nations were killed. Horst Faas, two-times Pullitzer Prize winner and Chief Photographer for The Associated Press in Saigon at the height of the war, and Tim Page, another veteran who had been badly wounded, have gathered many thousands of photos from the Western agencies and from archives in Hanoi and Ho Chi Minh City. These have now been assembled to form both a monument to the dead and a record of the most terrifying war photography ever taken. Never again will the media have the kind of access to the war zone that was offered to the photographers in Vietnam. In many cases the photographers tried to get as close as possible, then paid the price.