Industrial Gothic Traces Of Lilac
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Industrial Gothic Traces of lilac
Author | : Ted McKeever |
Publsiher | : Unknown |
Total Pages | : 36 |
Release | : 1996 |
Genre | : Amputees |
ISBN | : UOM:39015052694927 |
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Industrial Gothic Damn your hands
Author | : Ted McKeever |
Publsiher | : Unknown |
Total Pages | : 36 |
Release | : 1996 |
Genre | : Amputees |
ISBN | : UOM:39015052694919 |
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Industrial Gothic The truncheon s waltz
Author | : Ted McKeever |
Publsiher | : Unknown |
Total Pages | : 135 |
Release | : 1996 |
Genre | : Amputees |
ISBN | : UOM:39015052694935 |
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Chefs d oeuvre of the Industrial Arts
Author | : Philippe Burty |
Publsiher | : Unknown |
Total Pages | : 516 |
Release | : 1869 |
Genre | : Decoration and ornament |
ISBN | : ONB:+Z259570404 |
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Industrial Gothic Anywhere but here
Author | : Ted McKeever |
Publsiher | : Unknown |
Total Pages | : 36 |
Release | : 1995 |
Genre | : Amputees |
ISBN | : UOM:39015052694901 |
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Great Exhibition of the Works of Industry of All Nations 1851
Author | : Anonim |
Publsiher | : Unknown |
Total Pages | : 348 |
Release | : 1851 |
Genre | : Decorative arts |
ISBN | : BL:A0026840811 |
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Official Catalogue of the Great Exhibition of the Works of Industry of All Nations 1851
Author | : Weltausstellung (1851, London) |
Publsiher | : Unknown |
Total Pages | : 342 |
Release | : 1851 |
Genre | : Cotton |
ISBN | : HARVARD:32044012625919 |
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Elizabeth Gaskell s Use of Color in Her Industrial Novels and Short Stories
Author | : Katherine Ann Wildt |
Publsiher | : University Press of America |
Total Pages | : 176 |
Release | : 1999 |
Genre | : Literary Criticism |
ISBN | : 0761813454 |
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Elizabeth Gaskell's Use of Color in Her Industrial Novels and Short Stories presents Gaskell's incorporation of Ruskin's moral theory of color to set the tone in her tales as she illustrates the dreary, monotonous existence of nineteenth century industrial workers. Wildt demonstrates the use of various shades, tints, and hues of color to set moral tone, express character feelings, and to foreshadow events as Gaskell establishes and sustains mood in her short stories, and to a greater extent, in her industrial novels. She points out the use of color for foreshadowing events, expressing character's feelings in defining character in Mary Barton, North and South, and Ruth. Focusing on Gaskell's repeated use of the storm cloud motif, Wildt notes its presence on physical and emotional levels to illustrate the bleakness of the trapped condition of working women in the mid-nineteenth century, and that it anticipates Ruskin's future use of "The Storm Cloud."