Industrial Gothic Traces of lilac

Industrial Gothic  Traces of lilac
Author: Ted McKeever
Publsiher: Unknown
Total Pages: 36
Release: 1996
Genre: Amputees
ISBN: UOM:39015052694927

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Industrial Gothic Damn your hands

Industrial Gothic  Damn your hands
Author: Ted McKeever
Publsiher: Unknown
Total Pages: 36
Release: 1996
Genre: Amputees
ISBN: UOM:39015052694919

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Industrial Gothic The truncheon s waltz

Industrial Gothic  The truncheon s waltz
Author: Ted McKeever
Publsiher: Unknown
Total Pages: 135
Release: 1996
Genre: Amputees
ISBN: UOM:39015052694935

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Chefs d oeuvre of the Industrial Arts

Chefs d oeuvre of the Industrial Arts
Author: Philippe Burty
Publsiher: Unknown
Total Pages: 516
Release: 1869
Genre: Decoration and ornament
ISBN: ONB:+Z259570404

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Industrial Gothic Anywhere but here

Industrial Gothic  Anywhere but here
Author: Ted McKeever
Publsiher: Unknown
Total Pages: 36
Release: 1995
Genre: Amputees
ISBN: UOM:39015052694901

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Great Exhibition of the Works of Industry of All Nations 1851

Great Exhibition of the Works of Industry of All Nations  1851
Author: Anonim
Publsiher: Unknown
Total Pages: 348
Release: 1851
Genre: Decorative arts
ISBN: BL:A0026840811

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Official Catalogue of the Great Exhibition of the Works of Industry of All Nations 1851

Official Catalogue of the Great Exhibition of the Works of Industry of All Nations  1851
Author: Weltausstellung (1851, London)
Publsiher: Unknown
Total Pages: 342
Release: 1851
Genre: Cotton
ISBN: HARVARD:32044012625919

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Elizabeth Gaskell s Use of Color in Her Industrial Novels and Short Stories

Elizabeth Gaskell s Use of Color in Her Industrial Novels and Short Stories
Author: Katherine Ann Wildt
Publsiher: University Press of America
Total Pages: 176
Release: 1999
Genre: Literary Criticism
ISBN: 0761813454

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Elizabeth Gaskell's Use of Color in Her Industrial Novels and Short Stories presents Gaskell's incorporation of Ruskin's moral theory of color to set the tone in her tales as she illustrates the dreary, monotonous existence of nineteenth century industrial workers. Wildt demonstrates the use of various shades, tints, and hues of color to set moral tone, express character feelings, and to foreshadow events as Gaskell establishes and sustains mood in her short stories, and to a greater extent, in her industrial novels. She points out the use of color for foreshadowing events, expressing character's feelings in defining character in Mary Barton, North and South, and Ruth. Focusing on Gaskell's repeated use of the storm cloud motif, Wildt notes its presence on physical and emotional levels to illustrate the bleakness of the trapped condition of working women in the mid-nineteenth century, and that it anticipates Ruskin's future use of "The Storm Cloud."