Inhabiting An Embattled Body

This book offers an anthropological account of Sri Lanka’s Eelam Wars III and IV. It is based on the life-narratives of ex-servicemen who fought on the frontlines. The volume approaches militarism as a practice of masculinity. It explores the sense of embattlement that young recruits feel, which stems from the inner war between notions of bodily deference instilled in childhood and having to conduct offensives on the battlefield. Thus though they wish to move smoothly into the assault techniques learnt in combat-training, they sometimes find their bodies are acting-out a different trajectory; engaging in acts of spectacular violence or simply running away. It traverses themes such as masculinity and Sinhala society, British martial masculinity vs the composed body in Sinhala discourse, combat-training and the battlefield. The author traces the ways in which troops tried to negotiate the thin line between valour and violence in a context in which the enemy’s suicide fighters engaged in the more extreme code of sacrificing-the-body, which derided the very manliness of soldiers who couldn’t prevail against them. She argues that the Sri Lankan experience has resonance for soldiers on battlefields everywhere, who become embattled when confronted by adversaries whose practice seems to diminish their own manliness. Rich in ethnographical narratives, this book will be interest scholars and researchers of war studies, gender studies, masculinity studies, peace and conflict studies, ethnic studies, political science, international relations, sociology, social anthropology, cultural studies, and South Asian studies, especially those concerned with Sri Lanka.

Reading this book is like falling through a faultline, as we respond to poesis, both as poetry and as thought creation. Margaret Somerville attended the 1984 Pine Gap Women's Peace Camp where urban women and Aboriginal women demonstrated against military bases. As she moved through the landscape of this and other very different places, she recorded her interactions: with Aboriginal women in the desert in the mountains and at home, and with white women in the tropics and at home. It is a thoughtful challenge of all that we think. She concludes with reflections on the architecture of love.

This Book Investigates How Rajput Kinship Structures And Caste Identities In Ninteenth Century North India Were Reconstituted In Response To Colonial Ideologies, Political Culture And Material Realities.

The meeting of members of different cultures, frequently conceptualized in abstract terms, always involves the meeting of human bodies. This volume brings together contributions by scholars of various disciplines that address physical aspects and effects of cultural encounters in historical and present-day settings. Bodies were and are not only markers of cultural identity and difference, endlessly inscribed and represented as the 'body politic' or 'the exotic other'; as battlegrounds of cross-cultural signification and identification bodies are also potential agents of change. While some essays address the elusiveness of the 'real' or material body, forever lost behind a veil of textual and visual representation, others analyze the performative effect of such representations - their function of disciplining colonized bodies and subjects by integrating them into Western systems of cultural signification and scientific classification. Yet, as the volume also shows, formerly colonized people, far from subjecting themselves completely to Western discourses of physical discipline, retain traditional body practices - whether in food culture, religious ritual, or musical performances. Such local reinscriptions escape the grip of Western culture and transform the global semantics of the body.

Passage to Manhattan: Critical Essays on Meena Alexander is a unique compendium of scholarship on South Asian American writer Meena Alexander, who is recognized as one of the most influential and innovative contemporary South Asian American poets. Her poetry, memoirs, and fiction occupy a unique locus at the intersection of postcolonial and US multicultural studies. This anthology examines the importance of her contribution to both fields. It is the first sustained analysis of the entire Alexander oeuvre, employing a diverse array of critical methodologies. Drawing on feminist, Marxist, cultural studies, trauma studies, contemporary poetics, phenomenology, and psychoanalysis, the collection features fifteen chapters and an Afterword, by well-established scholars of postcolonial and Asian American literature like Roshni Rustomji, May Joseph, Anindyo Roy, and Amritjit Singh, as well as by emerging scholars like Ronaldo Wilson, Parvinder Mehta, and Kazim Ali. The contributors offer insights on nearly all of Alexander’s major works, and the volume achieves a balance between Alexander’s diverse genres, covering the spectrum from early works like Nampally Road to her forthcoming book The Poetics of Dislocation. The essays engage with a variety of debates in postcolonial, feminist, and US multicultural studies, as well as providing many nuanced and detailed readings of Alexander’s mutli-layered texts.

The powerful story of a mother facing the many ups and downs of raising her deaf and autistic daughter Amelia. Together they approach life's challenges with humor, hope, compassion and love. This is an intensely private story told with brutal honesty; it is also a must-read for anyone who has walked a similar road to theirs.

Winner of the 2021 annual book award of the Central Eurasian Studies Society (CESS). “David Leupold’s exceptional book explores the complex and contested Turkish, Kurdish, and Armenian visions of homeland in the greater Van region of contemporary Turkey. Through a layered analysis of collective violence, constructed national histories, and imagined homelands, Embattled Dreamlands demonstrates how violence and population displacement in the early 1900s produced homeland imaginaries and mutually exclusive interpretations of the past. Based on five years of ethnographic and historical research, Leupold’s rich tapestry of Ottoman and Soviet history, imagined geographies, and national narratives makes unique theoretical contributions to studies of collective memory and provides an insightful and impartial assessment of sectarian and national identities. The book invites us to evaluate critically and carefully our past and its impact on our contemporary imagined worlds.” Embattled Dreamlands explores the complex relationship between competing national myths, imagined boundaries and local memories in the threefold-contested geography referred to as Eastern Turkey, Western Armenia or Northern Kurdistan. Spatially rooted in the shatter zone of the post-Ottoman and post-Soviet space, it sheds light on the multi-layered memory landscape of the Lake Van region in Southeastern Turkey, where collective violence stretches back from the Armenian Genocide to the Kurdish conflict of today. Based on his fieldwork in Turkey and Armenia, the author examines how states work to construct and monopolize collective memory by narrating, silencing, mapping and performing the past, and how these narratives might help to contribute and resolve present-day conflicts. By looking at how national discourses are constructed and asking hard questions about why nations are imagined as exclusive and hostile to others, Embattled Dreamlands provides a unique insight into the development of national identity which will provide a great resource to students and researchers in sociology and history alike.