Innocence And Power

Stressing the positive, creative aspects of power and innocence, Rollo May offers a way of thinking about the problems of contemporary society. Rollo May defines power as the ability to cause or prevent change; innocence, on the other hand, is the conscious divesting of one's power to make it seem a virtuea form of powerlessness that Dr. May sees as particularly American in nature. From these basic concepts he suggests a new ethic that sees power as the basis for both human goodness and evil. Dr. May discusses five levels of power's potential in each of us: the infant's power to be; self-affirmation, the ability to survive with self-esteem; self-assertion, which develops when self-affirmation is blocked; aggression, a reaction to thwarted assertion; and, finally, violence, when reason and persuasion are ineffective.

America believes in individualism—but what is individualism? This question leads into unexpected areas of life and thought. It touches upon almost every intellectual discipline concerned with human life. Any answer, to be taken seriously, must recognize this complexity. A broad understanding of the meaning of individualism can be reached only through the insight of many workers in many different fields. This volume brings together seven of the United States' most distinguished scholars, representing the fields of anthropology, economics, government, history, literature, and philosophy. The trend of their thinking can be suggested by a few excerpts from their essays: • "An individual divorced from a cultural milieu would not be a human being; he would be a mere hominid."—Leslie A. White • "The trouble is that 'individual' is a stop-thought word. It numbs the mind, so that once it has been uttered, inquiry stops."—Clarence E. Ayres • "Not even an individual's perfections are his alone; like his imperfections, they are group-made."— Paul A. Samuelson • "The twentieth century has witnessed the emergence of a new kind of American individualism, the individualism of nonconformity, which actually challenges the compulsive democracy of the Lockean individualism by which the nation has centrally and historically lived."—Louis Hartz • "The individualism of the American frontier was an individualism of personal self-reliance and of hardihood and stamina rather than an individualism of intellectual independence and personal self-expression."—David M. Potter • "The present conditions in which the self must be preserved are radically different from those of a generation, even a decade ago. . . . The dogmatics of present self-assertion are defined and pursued in an existential circumstance."—Frederick J. Hoffman • "Individuality means creativity, and 'laws of creativity,' other than statistical ones, are, I hold, a contradiction in terms."—Charles Hartshorne

For over forty years, John Hawkes has created fictions remarkable for their stylistic beauty and narrative experimentation. Rita Ferrari's Innocence, Power, and the Novels of John Hawkes is an unprecedented exploration of Hawkes's sixteen novels and novellas.

Continuing his ongoing social critique, Henry Giroux now looks at the way corporate culture is encroaching on the lives of children by exploring three myths prevalent in our society: that the triumph of democracy is related to the triumph of the market; that children are unaffected by power and politics; that teaching and learning are no longer linked to improving the world. Looking at childhood beauty pageants, school shootings and the omnipresent nihilistic chic of advertising, Giroux paints a disturbing picture of the world surrounding our children. Ultimately, he turns to the work of Antonio Gramsci, Paulo Freire and Stuart Hall for lessons about how we can reinstitute a realistic childhood for our children.

This books intention is to help you shift your mind-set to finding your innocence in your life in areas where you still feel shame, blame, or guilteven when you believe your actions were unforgiveable or cannot be redeemed. These step-by-step processes, tools, and exercises allow you to connect to your heart and who you truly areall-embracing love.

While we acknowledge that all expressions of liberation theology are not identical, we must protest very strongly against the false divisions that some make: between black theology in South Africa and black theology in the United States, between black theology and African theology, and between black theology and Latin American liberation theology. But moving away from the illusioned universality of western theology to the contextuality of liberation theology is a risky business; one that cannot be done innocently. In the search for theological and human authenticity in its own situation, black theology does not stand alone. It is but one expression of this search going on within many different contexts. Until now, the Christian church had chosen to move through history with a bland kind of innocence, hiding the painful truths of oppression behind a facade of myths and real or imagined anxieties. This is no longer possible. The oppressed who believe in God, the Father of Jesus Christ, no longer want to believe in the myths created to subjugate them. It is no longer possible to innocently accept history "as it happens," silently hoping that God would take the responsibility for human failure. The theology of liberation spells out this realization. For the Christian church it constitutes, in no uncertain terms, farewell to innocence.

The year is 2147. Chago, twenty-four, is a prisoner in a world made up only of prisoners and those who guard them. The only bright spot in Chago’s life is his son, Jim-Jim, whose mother is a guard. In an effort to resolve overcrowding in the prison, the warden introduces the Innocence Device, a high-tech machine he claims can determine innocence or guilt. Prisoners are encouraged to walk through the Innocence Device and experience its rewards: immediate freedom or death. When they discover the machine is rigged, the prisoners riot and take over the prison. After witnessing the execution-style death of the mother of his son, and surviving a brief stint outside the prison walls, Chago ends up in a position of power. But he soon finds the new regime little different from the old, and he sets out to save the only thing he values—his son.

While national crime rates have recently fallen, crimes committed by women have risen 200 percent, yet we continue to transform female violence into victimhood by citing PMS, battered wife syndrome, and postpartum depression as sources of women?s actions. When She Was Bad convincingly overturns these perceptions by telling the stories of such women as Karla Faye Tucker, who was recently executed for having killed two people with a pickax; Dorothea Puente, who murdered several elderly tenants in her boarding house; and Aileen Wuornos, a Florida woman who shot seven men. Patricia Pearson marshals a vast amount of research and statistical support from criminologists, anthropologists, psychiatrists, and sociologists, and includes many revealing interviews with dozens of men and women in the criminal justice system who have firsthand experience with violent women. When She Was Bad is a fearless and superbly written call to reframe our ideas about female violence and, by extension, female power.