Institutions Of Confinement

A study of the development of prisons, hospitals and insane asylums in America and Europe which grew out of disc ussions between its two editors about their work on the history of hospitals, poor relief, deviance, and crime, and a subsequent conference that attempted to assess the impacts of Foucault and Elias. Seventeen contributors from six different countries with backgrounds in history, sociology and criminology utilize various methodological approaches and reflect the various viewpoints in the theoretical debate over Foucault's work.

"Ethnographically rich, thick with gritty details and original insights, Rhodes's revelatory book about US prisons--those who are incarcerated in them and those who run them--should be read by everyone who cares about social justice and the nature of power."—Emily Martin, author of Flexible Bodies "Thank you, Lorna Rhodes, for taking us to where the 'worst of the worst' are kept out of sight and out of mind in the new millennium. This powerful ethnography of the correctional high tech machine reveals how institutional power suffocates individual agency and redefines rationality and insanity. Good, bad and evil fall by the wayside."—Philippe Bourgois, author of In Search of Respect: Selling Crack in El Barrio "A truly remarkable book. The inside look at supermax confinement alone is worth the price of admission, and the prose sometimes verges on poetry. This is meticulous scholarship."—Hans Toch, author of Living in Prison

The study of American institutional confinement, its presumed successes, failures, and controversies, is incomplete without examining the remnants of relevant sites no longer standing. Asking what archaeological perspectives add to the understanding of such a provocative topic, Eleanor Conlin Casella describes multiple sites and identifies three distinct categories of confinement: places for punishment, for asylum, and for exile. Her discussion encompasses the multifunctional shelters of the colonial era, Civil War prison camps, Japanese-American relocation centers, and the maximum-security detention facilities of the twenty-firstcentury. Her analysis of the material world of confinement takes into account architecture and landscape, food, medicinal resources, clothing, recreation, human remains, and personal goods. Casella exposes the diversity of power relations that structure many of America's confinement institutions. Weaving together themes of punishment, involuntary labor, personal dignity, and social identity, The Archaeology of Institutional Confinement tells a profound story of endurance in one slice of society. It will illuminate and change contemporary notions of gender, race, class, infirmity, deviance, and antisocial behavior.

This book provides an overview of the incarceration of tens of thousands of men, women and children during the first fifty years of Irish independence. Psychiatric hospitals, mother and baby homes, Magdalen homes, reformatory and industrial schools, prisons and borstal formed a network of institutions of coercive confinement that was integral to the emerging state. The book, now available in paperback after performing superbly in hardback, provides a wealth of contemporaneous accounts of what life was like within these austere and forbidding places as well as offering a compelling explanation for the longevity of the system and the reasons for its ultimate decline. While many accounts exist of individual institutions and the factors associated with their operation, this is the first attempt to provide a holistic account of the interlocking range of institutions that dominated the physical landscape and, in many ways, underpinned the rural economy. Highlighting the overlapping roles of church, state and family in the maintenance of these forms of social control, this book will appeal to those interested in understanding twentieth-century Ireland: in particular, historians, legal scholars, criminologists, sociologists and other social scientists. These arguments take on special importance as Irish society continues to grapple with the legacy of its extensive use of institutionalisation.

Prisons are on the increase from the United States to China, as ever-larger proportions of humanity find themselves behind bars. While prisons now span the world, we know little about their history in global perspective. Rather than interpreting the prison's proliferation as the predictable result of globalization, Cultures of Confinement underlines the fact that the prison was never simply imposed by colonial powers or copied by elites eager to emulate the West, but was reinvented and transformed by a host of local factors, its success being dependent on its very flexibility. Complex cultural negotiations took place in encounters between different parts of the world, and rather than assigning a passive role to Latin America, Asia, and Africa, the authors of this book point out the acts of resistance or appropriation that altered the social practices associated with confinement. The prison, in short, was understood in culturally specific ways and reinvented in a variety of local contexts examined here for the first time in global perspective.

"A powerful document of the inner lives and creative visions of men and women rendered invisible by America’s prison system. More than two million people are currently behind bars in the United States. Incarceration not only separates the imprisoned from their families and communities; it also exposes them to shocking levels of deprivation and abuse and subjects them to the arbitrary cruelties of the criminal justice system. Yet, as Nicole Fleetwood reveals, America’s prisons are filled with art. Despite the isolation and degradation they experience, the incarcerated are driven to assert their humanity in the face of a system that dehumanizes them. Based on interviews with currently and formerly incarcerated artists, prison visits, and the author’s own family experiences with the penal system, Marking Time shows how the imprisoned turn ordinary objects into elaborate works of art. Working with meager supplies and in the harshest conditions—including solitary confinement—these artists find ways to resist the brutality and depravity that prisons engender. The impact of their art, Fleetwood observes, can be felt far beyond prison walls. Their bold works, many of which are being published for the first time in this volume, have opened new possibilities in American art. As the movement to transform the country’s criminal justice system grows, art provides the imprisoned with a political voice. Their works testify to the economic and racial injustices that underpin American punishment and offer a new vision of freedom for the twenty-first century."