Intende Lector Echoes Of Myth Religion And Ritual In The Ancient Novel

Representation of myth in the novel, as a poetic, narrative and aesthetic device, is one of the most illuminating issues in the area of ancient religion, for such narratives investigate in various ways fundamental problems that concern all human beings. This volume brings together twenty contributions (six of them to a Roundtable organized by Anton Bierl on myth), originally presented at the Fourth International Conference on the Ancient novel (ICAN IV) held in Lisbon in July 2008. Employing an interdisciplinary approach and putting together different methodological tools (intertextual, psychological, and anthropological), each offers a illuminating investigation of mythical discourse as presented in the text or texts under discussion. The collection as a whole demonstrates the exemplary and transgressive significance of myth and its metaphorical meaning in a genre that to some extent can be considered a modernized and secular form of myth that focuses on the quintessential question of love.

Despite the recent and intensified scholarly interest in the field of myth and ritual, inquiry into major shifts in mythical and ritual poetics is still in a preliminary stage. The essays in this collection advance our understanding considerably as they probe the intersections of myth and ritual with the plot of the novels. The volume provides a substantial point of departure for subsequent research into freer models of interaction between literature and religion.

The Fifth International Conference on the Ancient Novel, which was held in Houston, Texas, in the fall of 2015, brought together scholars and students of the ancient novel from all over the world in order to share new and significant developments about this fascinating field of study and its important place in the field of Classical Studies. The essays contained in these two volumes are clear evidence that the ancient novel has become a valuable part of the Classics canon and its scholarly attempts to understand the ancient Graeco-Roman world.

This volume examines Apuleius’ comic donkey novel, The Golden Ass, within the context of the popular beliefs and Jewish and Christian writings that were part of the intellectual culture of his own day in 2nd century C.E. North Africa, a culture which can also be glimpsed in some early Arabic writings. The novel was written against a cultural and religious background in which the donkey had various connotations, both positive and negative, but tended to be admired in Jewish, Christian, and later, in Muslim writings. Smith explores the influence of such popular opinions on The Golden Ass and how Apuleius presented Isis and Osiris as desirable alternatives to the claims of both Christianity and magic, offering hope of spiritual renewal partly modelled on contemporary religious apocalyptic literature. Complemented by images of contemporary art, including amulets and terra cotta figures, this volume gives readers a better understanding of how Apuleius, ostensibly a Platonist and member of the Roman establishment, could maintain an intellectual independence in a North African milieu while still drawing on hope in the salvation of the gods. Religion and Apuleius’ Golden Ass provides a fascinating new approach to this much disputed novel, of interest not only to students and scholars of Apuleius and Roman literature, but also scholars interested in Christian and Jewish literature and beliefs of the early centuries of the first millennium C.E.

Religion and its History offers a reflection of our operative concept of religion and religions, developing a set of approaches that bridge the widely assumed gulf between analysing present religion and doing history of religion. Religious Studies have adapted a wide range of methodologies from sociological tool kits to insights and concepts from disciplines of social and cultural studies. Their massive historical claims, which typically idealize and reify communities and traditions, and build normative claims thereupon, lack a critical engagement on the part of the researchers. This book radically rethinks and critically engages with these biases. It does so by offering neither an abridged global history of religion nor a small handbook of methodology. Instead, this book presents concepts and methods that allow the analysis of contemporary and past religious practices, ideas, and institutions within a shared framework.

In this wide-ranging work on Greek religion and mythology, Jan N. Bremmer brings together his stimulating and innovative articles, which have all been updated and revised where necessary. In three thematic sections, he analyses central aspects of Greek religion, beginning with the gods and heroes and paying special attention to the unity of the divine nature and the emergence of the category 'hero'. The second section begins with a discussion of the nature of polis religion, continues with various facets, such as seers, secrecy and the soul, and concludes with the influence of the Ancient Near East. The third section studies human sacrifice and offers the most recent analysis of the ideal animal sacrifice, combining literature, epigraphy, iconography, and zooarchaeology. Regarding human sacrifice, it concentrates on the famous cases of Iphigeneia and the werewolves of Mount Lykaion. The fourth and final section investigates key elements of Greek mythology, such as the definition of myth and its relationship to ritual, and ends with a brief history of the study of Greek mythology. The multi-disciplinary approach and rich footnotes make this work a must for anybody interested in Greek religion and mythology.

The story of King Lear seems to fill in the blank space separating the end of Oedipus Tyrannus and the beginning of Oedipus at Colonus. In both Oedipus at Colonus and the latter part of King Lear we are presented with an old man who was once a King and, following his expulsion from his kingdom on account of a crime or of an error, is turned into a ‘no-thing’. This happens in the time of the division of the kingdom, which is also the time of the genesis of intraspecific conflict and, consequently, of the end of the dynasty. This collection of essays offers a range of perspectives on the many common concerns of these two plays, from the relation between fathers and sons/daughters to madness and wisdom, from sinning and suffering to ‘being’ and ‘non-being’ in human and divine time. It also offers an overarching critical frame that interrogates questions of ‘source’ and ‘reception’, probing into the possible exchangeability of perspectives in a game of mirrors that challenges ideas of origin.

This book is about the bold, beautiful, and faithful heroines of the Greek novels and their mythical models, such as Iphigenia, Phaedra, Penelope, and Helen. The novels manipulate readerly expectations through a complex web of mythical variants and constantly negotiate their adventure and erotic plot with that of traditional myths becoming, thus, part of the imperial mythical revision to which they add the prospect of a happy ending.