Interlopers Of Empire

This work is the first comprehensive history of the Lebanese migrant communities of colonial French West Africa, a vast expanse that covered present-day Senegal, Côte d'Ivoire, Mali, Guinea, Benin and Mauritania. Where others have concentrated on the commercial activities of these migrants, casting them as archetypal middlemen, this work reconstructs not just their economic strategies, but also their social and political lives. Moreover, it examines the fraught responses of colonial Frenchmen to the unsettling presence of these interlopers of empire--responses which, with their echoes of metropolitan racism, helped to shape the ways in which Lebanese migrants represented themselves and justified their place in West Africa. This is a work which attempts not just to reshape broader understandings of diasporic life-of Janus-like existences lived in transit between distant locales, and de- pendent on the constant to-and-fro of people, news, and goods--but also to challenge the way we think about empires, and the relations between their constituent territories and diverse inhabitants.

Why bad things really happen to good people. Upset stomachs. Nervous breakdowns. The collapse of civilizations. Blame them on a twist of fate, but archaeologist Cody Westcott knows differently. Something is causing these random acts of badness. Something ancient, something evil, something hungry. We are not alone, but we’re about to wish we were. From New York Times Bestselling Author of Jed the Dead.

Empire Unbound argues that European empires were not the bounded, stable entities that imperialists imagined. Gavin Murray-Miller demonstrates that the era of 'new imperialism' which arose in the late 19th century fostered connections and synergies between regional powers that influenced the trajectories of imperial states in fundamental ways.

A Vietnamese cook, a German journalist, and a Senegalese student—what did they have in common? They were all suspicious persons kept under surveillance by French colonial authorities in West Africa in the 1920s and 1930s. Colonial Suspects looks at the web of surveillance set up by the French government during the twentieth century as France’s empire slipped into crisis. As French West Africa and the French Empire more generally underwent fundamental transformations during the interwar years, French colonial authorities pivoted from a stated policy of “assimilation” to that of “association.” Surveillance of both colonial subjects and visitors traveling through the colonies increased in scope. The effect of this change in policy was profound: a “culture of suspicion” became deeply ingrained in French West African society. Kathleen Keller notes that the surveillance techniques developed over time by the French included “shadowing, postal control, port police, informants, denunciations, home searches, and gossip.” This ad hoc approach to colonial surveillance mostly proved ineffectual, however, and French colonies became transitory spaces where a global cast of characters intermixed and French power remained precarious. Increasingly, French officials—in the colonies and at home—reacted in short-sighted ways as both perceived and real backlash occurred with respect to communism, pan-Africanism, anticolonialism, black radicalism, and pan-Islamism. Focusing primarily on the port city of Dakar (Senegal), Keller unravels the threads of intrigue, rumor, and misdirection that informed this chaotic period of French colonial history.

Forging Ties, Forging Passports is a history of migration and nation-building from the vantage point of those who lived between states. Devi Mays traces the histories of Ottoman Sephardi Jews who emigrated to the Americas—and especially to Mexico—in the late nineteenth and early twentieth centuries, and the complex relationships they maintained to legal documentation as they migrated and settled into new homes. Mays considers the shifting notions of belonging, nationality, and citizenship through the stories of individual women, men, and families who navigated these transitions in their everyday lives, as well as through the paperwork they carried. In the aftermath of World War I and the Mexican Revolution, migrants traversed new layers of bureaucracy and authority amid shifting political regimes as they crossed and were crossed by borders. Ottoman Sephardi migrants in Mexico resisted unequivocal classification as either Ottoman expatriates or Mexicans through their links to the Sephardi diaspora in formerly Ottoman lands, France, Cuba, and the United States. By making use of commercial and familial networks, these Sephardi migrants maintained a geographic and social mobility that challenged the physical borders of the state and the conceptual boundaries of the nation.

José D. Najar analyzes how overlapping transimperial processes of migration and return, community conflicts, and social adaption shaped the gendered, racial, and ethnic identity politics surrounding Arab Ottoman subjects and their descendants in Brazil.

Arabic and its Alternatives discusses the complicated relationships between language, religion and communal identities in the Middle East in the period following the First World War. This volume takes its starting point in the non-Arabic and non-Muslim communities, tracing their linguistic and literary practices as part of a number of interlinked processes, including that of religious modernization, of new types of communal identity politics and of socio-political engagement with the emerging nation states and their accompanying nationalisms. These twentieth-century developments are firmly rooted in literary and linguistic practices of the Ottoman period, but take new turns under influence of colonization and decolonization, showing the versatility and resilience as much as the vulnerability of these linguistic and religious minorities in the region. Contributors are Tijmen C. Baarda, Leyla Dakhli, Sasha R. Goldstein-Sabbah, Liora R. Halperin, Robert Isaf, Michiel Leezenberg, Merav Mack, Heleen Murre-van den Berg, Konstantinos Papastathis, Franck Salameh, Cyrus Schayegh, Emmanuel Szurek, Peter Wien.