Intermedia In South Asia

The emergence of new media today in South Asia has signalled an event, the meaning of which remains obscure but whose reality is rapidly evolving along gradients of intensity and experience. Contemporary media in and from South Asia have come to sense a new arrangement of value, sensation, and force - new forms of becoming that might be usefully termed as 'media ecologies'. This evolution from nation-based forms of communication (Doordarshan, All India Radio, the "national" feudal romance) to simultaneous global ones conform and mutate the structures of feeling of local, national, diasporic and transnational belonging. This collection of original essays is concerned with understanding how people are making meaning from the new media and how subaltern tinkering (pirating, peer to peer file sharing, hacking, noise jamming, indymedia, etc.) does things to and in the new media. This exciting works helps us to make sense of the creation of new publics, new affects and new experiences of pleasure and value in convergences of intermedia in a fast developing South Asia context. This book was originally published as a special issue of South Asian Popular Culture.

This path-breaking collection explores the breadth and depth of South Asia’s many vibrant cinemas. It extends well beyond Bollywood to Nepali, Sri Lankan, Pakistani Panjabi, Bhojpuri, Bengali, Kannada, and early Tamil cinemas, while unpacking the category of 'Bollywood' itself. The coverage of cinematic features is equally far-ranging, exploring music, dance, audiences, filmmakers, industries, and the mutual influences among South Asia’s cinemas. With a mix of ethnographic, historical, auteur, and textual approaches, this exciting collection presents the first wide-reaching analysis of South Asian cinemas. The nine chapters include a new theoretical and historical engagement by the co-editors about the burgeoning area of South Asian cinemas in the academy, as well as original research by young and established scholars. From historical to contemporary considerations, to close analyses and empirical material from fieldwork, to a rich and revealing photographic essay, this collection will be novel reading for a new generation of work into an important global cinematic region. This book was originally published as a special issue of South Asian Popular Culture.

This book is a study of the resurgence and re-imagination of feminist discourse on gender and sexuality in South Asia as told through its cinematic, literary, and social media narratives. It brings incisive and expert analyses of emerging disruptive articulations that represent an unprecedented surge of feminist response to the culture of sexual violence in South Asia. Here scholars across disciplines and international borders chronicle the expressions of a disruptive feminist solidarity in contemporary South Asia. They offer critical investigations of these newly complicated discourses across narrative forms – hashtag activism on Facebook and Twitter, the writings of diasporic writers such as Jhumpa Lahiri, Bollywood films like Mardaani, feminist Dalit narratives in the fiction of Bama Faustina, social media activism against rape culture, journalistic and cinematic articulations on queer rights, state censorship of "India’s Daughter", and feminist film activism in Bangladesh, Kashmir, Nepal, and Sri Lanka.

Transnational feminism has been critical to feminist theorizing in the global North over the last few decades. Perhaps due to its broad terminology, transnational feminism can become vague and dislocated, losing its ability to name specific critiques of and responses to empire, race, and globalization that are emboldened by its transnational remit. This volume encompasses an expansive engagement and exploration of transnational South Asian feminist movements, networks, and critiques within the context of the popular and the diaspora in South Asia. The contributing authors address key issues in a global context, especially as they operate both in a situated and the diasporic imaginary of South Asia. While the idea of the popular in South Asia has often been circumscribed by the spaces and cultural politics of Bollywood, this interdisciplinary volume takes an innovative turn to examine how academics, advocates, activists, and artists envision the inroads and consequences of nationalism, globalization and/or empire, which continually remake communities and alter needs and allegiances. Through ethnography, literature, dance, cinema, activism, poetry, and storytelling, the authorsd analyse popular and social justice using a focused, multidisciplinary gendered lens. This book was originally published as a special issue of South Asian Popular Culture.

What does the idea/concept of South Asia mean in a time when borders have become absolute, predetermining our sense of self, culture, and politics? In a critical and creative engagement with this question, Another South Asia! attempts to explore novel possibilities beyond the stratagem of nation states. Amidst the shrinking utopias in the various disciplinary discourses due to the predominance of cartographic reason, the essays in this book propose a new lease to the utopian imagination of the region. Grounded in history, civilization, culture, and people across boundaries, located in the domain of post-disciplinary enquiries, this book enables a dialogue among the Sociologists and Social Anthropologists, students and scholars of International Relations, Literary and Performance studies, Art History, Diaspora studies, Historical and Civilizational studies and South Asian studies to name a few. This book will interest scholars as well as ordinary readers and persuade them to imagine another South Asia to ensure a better future of the region.

Readable and highly illustrated, Robbins and Cotran Pathologic Basis of Disease, South Asia Edition presents an in-depth, state-of-the-art overview of human diseases and their cellular and molecular basis. This best-selling text delivers the latest, most essential pathology knowledge in a readable, interesting manner, ensuring optimal understanding of the latest basic science and clinical content. More than 1,000 high-quality photographs and full-color illustrations highlight new information in molecular biology, disease classifications, new drugs and drug therapies, and much more Provides uniquely authoritative and readable coverage, ideal for USMLE or specialty board preparation, as well as for coursework. Covers the hot topics you need to know about, including novel therapies for hepatitis C, classification of lymphomas, unfolded protein response, non-apoptotic pathways of cell death, coronavirus infections, liquid biopsy for cancer detection, regulation of iron absorption, clonal hematopoiesis and atherosclerosis, thrombotic microangiopathies, heparin-induced thrombocytopenias, inflammatory myopathies, genetic tools for treatment of cystic fibrosis, and many more. Uses an outstanding full-color, user-friendly design to simplify your study and quickly direct you to the information you need to know, with learning features such as boldface overviews at the beginning of each section, key concepts boxes, suggested readings, schematic diagrams that illustrate complex concepts, and new gross and microscopic figures for clarity of morphology. Brings you up to date with the latest information in molecular and genetic testing, mechanisms of disease, personalized medicine and its impact on treatment of human diseases, the role of microbiome and metabolome in non-communicable diseases, and much more. New to the edition from South Asia - Neoplasia - Infectious Diseases - Diseases of White Blood Cells, Lymph Nodes, Spleen, and Thymus - Red Blood Cell and Bleeding Disorders - The Lung - Head and Neck - The Gastrointestinal Tract - Liver and Gallbladder - The Kidney - The Breast - The Endocrine System - The Skin - The Central Nervous System - The Eye - Transfusion Medicine

This volume points to the limits of models such as regional, national, and transnational, and develops ‘network’ as a conceptual category to study cinemas of India. Through grounded and interdisciplinary research, it shows how film industries located in disparate territories have not functioned as isolated units and draws attention to the industrial traffic – of filmic material, actors, performers, authors, technicians, genres, styles, sounds, expertise, languages, and capital, across trans-regional contexts -- since the inception of cinema. It excavates histories of film production, distribution and exhibition, and their connections beyond regional and national boundaries, and between places, industrial practices, and multiple media. The chapters in this volume address a range of themes such as transgressive female figures; networks of authors and technicians; trans-regional production links and changing technologies, and new media geographies. By tracking manifold changes in the contexts of transforming media, and inter-connections between diverse industrial nodal points, this book expands the critical vocabulary in media and production studies and foregrounds new methods for examining cinema. A generative account of industrial networks, this volume will be useful for scholars and researchers of film studies, cinema studies, media studies, production studies, media sociology, gender studies, South Asian studies, and cultural studies.