Interpreting Eden

"No interpreter of the creation narratives can avoid interacting with this book." —Derek W. H. Thomas Christians have long discussed and debated the first three chapters of the Bible. How we interpret this crucial section of Scripture has massive implications for how we understand the rest of God's Word and even history itself. In this important volume, biblical scholar Vern Poythress combines careful exegesis with theological acumen to illuminate the significance of Genesis 1–3. In doing so, he demonstrates the sound interpretive principles that lead to true understanding of the biblical text, while also exploring complex topics such as the nature of time, the proper role of science, interpretive literalism, and more.

Introduction : creating paradise -- ch. 1. The body in Eden. Creating bodies ; Bodily functions ; The pleasures of paradise ; Being fruitful and multiplying ; The children of Eden ; What Adam knew ; Creating souls ; Eden as human habitat -- ch. 2. Power in paradise. Dominion over the animals ; Domestic dominion : the origins of economics ; Power and gender ; Unequal men : the origins of politics ; Power and possession : the origins of ownership ; The insubordinate fall -- ch. 3. Death and the paradise beyond. The death of the animal ; The body returns ; Representing paradise : from Eden to the patria ; Perfecting children's bodies ; Rewarding inequality ; Negotiating the material ; Resurrecting the senses ; Somewhere over the rainbow -- Coda : between paradises.

To appreciate and understand John Steinbeck’s stories, students must comprehend what it was like to live during the Great Depression, and they must understand the working man to whom Steinbeck was attempting to appeal. Through direct quotations; biographical details; and in-depth discussions of his style, themes, and form, this text will allow readers to ponder and interpret Steinbeck’s works.

In this book, Peter Thacher Lanfer seeks to evaluate texts that expand and explicitly interpret the expulsion narrative of Adam and Eve in Genesis beyond the biblical canon.

This study brings together the hermeneutical approaches of three Old Testament scholars, specifically as they pertain to the interpretation of Isaiah 52.13-53.12 in the framework of Christian theology. Contemporary discourse and hermeneutical discussions have led to the development of a point of confusion in theological hermeneutics, focusing on what relationship older frames of reference may have with those more recent. Bernhard Duhm is presented as a history-of-Religion scholar who does not easily abide by popular understandings of that school. Brevard Childs moves outward from particular historical judgments regarding the nature of redaction and form criticism, attempting to arrive at a proximately theological reading of the poem. Alec Motyer's evangelical commitments represent a large constituency of contemporary theological readership, and a popular understanding of Isaiah 53. Following a summary and critical engagement of each interpreter on his own terms, the study analyzes the use of rhetoric behind the respective readings of Isaiah 53, and proposes theological reading as a highly eclectic undertaking, distanced from the demarcations of 'pre-critical', 'critical', and 'post-critical'.

Celebrations of literary fictions as autonomous worlds appeared first in the Renaissance and were occasioned, paradoxically, by their power to remedy the ills of history. Robert E. Stillman explores this paradox in relation to Philip Sidney's Defence of Poesy, the first Renaissance text to argue for the preeminence of poetry as an autonomous form of knowledge in the public domain. Offering a fresh interpretation of Sidney's celebration of fiction-making, Stillman locates the origins of his poetics inside a neglected historical community: the intellectual elite associated with Philip Melanchthon (leader of the German Reformation after Luther), the so-called Philippists. As a challenge to traditional Anglo-centric scholarship, his study demonstrates how Sidney's education by Continental Philippists enabled him to dignify fiction-making as a compelling form of public discourse-compelling because of its promotion of powerful new concepts about reading and writing, its ecumenical piety, and its political ambition to secure through natural law (from universal 'Ideas') freedom from the tyranny of confessional warfare. Intellectually ambitious and wide-ranging, this study draws together various elements of contemporary scholarship in literary, religious, and political history in order to afford a broader understanding of the Defence and the cultural context inside which Sidney produced both his poetry and his poetics.

Despite the widespread popular sense that the Bible and the works of Shakespeare are the two great pillars of English culture, and despite the long-standing critical recognition that the Bible was a major source of Shakespeare's allusions and references, there has never been a full-length, critical study of the Bible in Shakespeare's plays. The Bible in Shakespeare addresses this serious deficiency. Early chapters describe the post-Reformation explosion of Bible translation and the development of English biblical culture, compare the Church and the theater as cultural institutions (particularly in terms of the audience's auditory experience), and describe in general terms Shakespeare's allusive practice. Later chapters are devoted to interpreting Shakespeare's use of biblical allusion in a wide variety of plays, across the spectrum of genres: King Lear and Job, Macbeth and Revelation, the Crucifixion in the Roman Histories, Falstaff's anarchic biblical allusions, and variations on Adam, Eve, and the Fall throughout Shakespeare's dramatic career, from Romeo and Juliet to The Winter's Tale. The Bible in Shakespeare offers a significant new perspective on Shakespeare's plays, and reveals how the culture of early modern England was both dependent upon and fashioned out of a deep engagement with the interpreted Bible. The book's wide-ranging and interdisciplinary nature will interest scholars in a variety of fields: Shakespeare and English literature, allusion and intertextuality, theater studies, history, religious culture, and biblical interpretation. With growing scholarly interest in the impact of religion on early modern culture, the time is ripe for such a publication.