Interpreting Exile

Introductory essays describe the interdisciplinary and comparative approach and explain how it overcomes methodological dead ends and advances the study of war in ancient and modern contexts. Following essays, written by scholars from various disciplines, explore specific cases drawn from a wide variety of ancient and modern settings and consider archaeological, anthropological, physical, and psychological realities, as well as biblical, literary, artistic, and iconographic representations of displacement and exile.

Oft-referenced and frequently set to music, Psalm 137 - which begins By the rivers of Babylon, there we sat down, yea, we wept, when we remembered Zion - has become something of a cultural touchstone for music and Christianity across the Atlantic world. It has been a top single more than once in the 20th century, from Don McLean's haunting Anglo-American folk cover to Boney M's West Indian disco mix. In Song of Exile, David Stowe uses a wide-ranging, interdisciplinary approach that combines personal interviews, historical overview, and textual analysis to demonstrate the psalm's enduring place in popular culture. The line that begins Psalm 137 - one of the most lyrical of the Hebrew Bible - has been used since its genesis to evoke the grief and protest of exiled, displaced, or marginalized communities. Despite the psalm's popularity, little has been written about its reception during the more than 2,500 years since the Babylonian exile. Stowe locates its use in the American Revolution and the Civil Rights movement, and internationally by anti-colonial Jamaican Rastafari and immigrants from Ireland, Korea, and Cuba. He studies musical references ranging from the Melodians' Rivers of Babylon to the score in Kazakh film Tulpan. Stowe concludes by exploring the presence and absence in modern culture of the often-ignored final words: Happy shall he be, that taketh and dasheth thy little ones against the stones. Usually excised from liturgy and forgotten by scholars, Stowe finds these words echoed in modern occurrences of genocide and ethnic cleansing, and more generally in the culture of vengeance that has existed in North America from the earliest conflicts with Native Americans. Based on numerous interviews with musicians, theologians, and writers, Stowe reconstructs the rich and varied reception history of this widely used, yet mysterious, text.

What happens to a community when it is destroyed by a foreign power? How do survivors face the future? Is it all over for them? In Constructing Exile, John Hill investigates how the people of ancient Judah survived invasion and destruction at the hands of the Babylonians. Although some of them were deported to Babylon, they created a new identity for themselves, and then, once they were back in Judah, they tried to recreate the past. Hill examines the way that later generations used the experience of the Babylonian invasion to interpret the crises of their own times. He shows how by the time of Jesus exile had become an image Judaism used to understand itself and its story.

What happens to a community when it is destroyed by a foreign power? How do survivors face the future? Is it all over for them? In Constructing Exile, John Hill investigates how the people of ancient Judah survived invasion and destruction at the hands of the Babylonians. Although some of them were deported to Babylon, they created a new identity for themselves, and then, once they were back in Judah, they tried to recreate the past. Hill examines the way that later generations used the experience of the Babylonian invasion to interpret the crises of their own times. He shows how by the time of Jesus exile had become an image Judaism used to understand itself and its story.

This powerful collection of essays focuses on the representation of God in the Book of Ezekiel. With topics spanning across projections of God, through to the implications of these creations, the question of the divine presence in Ezekiel is explored. Madhavi Nevader analyses Divine Sovereignty and its relation to creation, while Dexter E. Callender Jnr and Ellen van Wolde route their studies in the image of God, as generated by the character of Ezekiel. The assumption of the title is then inverted, as Stephen L. Cook writes on 'The God that the Temple Blueprint Creates', which is taken to its other extreme by Marvin A. Sweeney in his chapter on 'The Ezekiel that God Creates', and finds a nice reconciliation in Daniel I. Block's chapter, 'The God Ezekiel Wants Us to Meet.' Finally, two essays from Christian biblical scholar Nathan MacDonald and Jewish biblical scholar, Rimon Kasher, offer a reflection on the essays about Ezekiel and his God.

In ancient Israelite literature Exile is seen as a central turning point within the course of the history of Israel. In these texts “the Exile” is a central ideological concept. It serves to explain the destruction of the monarchic polities and the social and economic disasters associated with them in terms that YHWH punished Israel/Judah for having abandoned his ways. As it develops an image of an unjust Israel, it creates one of a just deity. But YHWH is not only imagined as just, but also as loving and forgiving, for the exile is presented as a transitory state: Exile is deeply intertwined with its discursive counterpart, the certain “Return”. As the Exile comes to be understood as a necessary purification or preparation for a renewal of YHWH’s proper relationship with Israel, the seemingly unpleasant Exilic conditions begin, discursively, to shape an image of YHWH as loving Israel and teaching it. Exile is dystopia, but one that carries in itself all the seeds of utopia. The concept of Exile continued to exercise an important influence in the discourses of Israel in the Second Temple period, and was eventually influential in the production of eschatological visions.

Focusing on the composition and redaction of Jeremiah 30–31, Isaiah 40–66, and Zechariah 1–8, this book examines how the Babylonian exile became a Second Temple metaphor for political disenfranchisement, social inequality, and alienation from YHWH.

The Babylonian exile in 587-539 BCE is frequently presented as the main explanatory factor for the religious and literary developments found in the Hebrew Bible. The sheer number of both ‘historical’ and narrative exiles confirms that the theme of exile is of great importance in the Hebrew Bible. However, one does not do justice to the topic by restricting it to the exile in Babylon after 587 BCE. In recent years, it has become clear that there are several discrepancies between biblical and extra-biblical sources on invasion and deportation in Palestine in the 1st millennium BCE. Such discrepancy confirms that the theme of exile in the Hebrew Bible should not be viewed as an echo of a single traumatic historical event, but rather as a literary motif that is repeatedly reworked by biblical authors. Myths of Exile challenges the traditional understanding of 'the Exile' as a monolithic historical reality and instead provides a critical and comparative assessment of motifs of estrangement and belonging in the Hebrew Bible and related literature. Using selected texts as case studies, this book demonstrates how tales of exile and return can be described as a common formative narrative in the literature of the ancient Near East, a narrative that has been interpreted and used in various ways depending on the needs and cultural contexts of the interpreting community. Myths of Exile is a critical study which forms the basis for a fresh understanding of these exile myths as identity-building literary phenomena.