Interpreting The Song Of Songs

The Song of Songs is one of the most often interpreted books of the Bible. Through the ages interpreters have agreed that it is a highly poetic piece of literature, but their interpretations have differed fundamentally. After a centuries-long consensus that the Song must be interpreted allegorically as reflecting the relationship of God and humans and a shorter consensus that the Song must be interpreted literally as a composition of profane love lyrics, the discussion in recent years has once again become more controversial, as a growing number of exegetes have been more open to theological interpretations. This volume offers contibutions that take different stands in this newly inflamed discussion. It thus enables readers to further think about the question and come to their own conclusions.

The love poem of the Old Testament Fresh insight on this under preached book Latest addition to the Focus on the Bible Series

Christopher West makes John Paul II's theology of the body available for the first time to people at all levels within the Christian community. Love, sexuality, and human flourishing are inseparable. Those who doubted this will find West's book a transforming experience, and those who have been wounded will find liberation and peace. A wonderful education on the meaning of being human. Christopher West teaches the theology of the body and sexual ethics at St John Vianney Theological Seminary in Denver. He is also visiting faculty member of the John Paul II Institute for Studies on Marriage and Family in Melbourne, Australia.

At first reading, the Song of Songs appears to be an unabashed celebration of physical attraction, mutual love, and sexual consummation between a man and a woman. Tom Gledhill maintains that the Song of Songs is in fact just that—a literary, poetic exploration of human love that strongly affirms loyalty, beauty, and sexuality. Yet in God's story, these things are not ends in themselves. They are also transcendental longings, whispers of immortality. Like all of creation they point beyond themselves to their divine author, who in this Song is nowhere mentioned but everywhere assumed. Gledhill explores this unique biblical book that forms an interlude in the Old Testament story. He incorporates reflections on other biblical material concerning issues raised by the Song—such as human nature, mortality, and social and cultural conditioning—while staying focused on the text as an extended love poem, both beautiful and mysterious. Part of the beloved Bible Speaks Today series, The Message of the Song of Songs offers an insightful, readable exposition of the biblical text and thought-provoking discussion of how its meaning relates to contemporary life. Used by students and teachers around the world, the Bible Speaks Today commentaries are ideal for those studying or preaching the Bible and anyone who wants to delve deeper into the text. This revised edition of a classic volume features lightly updated language and current NIV Scripture quotations with a new interior design.

Exploring the poetry, themes, and wisdom of this song from a Christocentric perspective, O'Donnell elucidates on the greatest subject of all time--love.

Scrolls of Love is a book of unions. Edited by a Christian and a Jew who are united by a shared passion for the Bible and a common literary hermeneutic, this volume joins two biblical scrolls and gathers around them a diverse community of interpreters. Respectful of traditional biblical scholarship, the collection of essays moves beyond it; alert to contemporary trends, the volume returns venerable interpretive tradition to center stage. Most significantly, it is interfaith, bringing together two communities that have read their Bibles in isolation from one another, in ignorance of the richness of the others traditions.

We live in a world where sexuality is ruined by sin, its beauty obscured by our brokenness. We need a divine vision for the way love was meant to be, with a gospel that offers forgiveness for sin and grace to live in the way that God has made us to be. In the Song of Songs, we encounter a love story that is part of the greatest love story ever told. Philip Ryken walks through this biblical love poem verse by verse, reflecting on what the Bible says about God's design for love, intimacy, and sexuality and offering insights into not only human relationships but also our relationship to God himself—learning more about the One who has loved us with an everlasting love.

The musicological study of popular music has developed, particularly over the past twenty years, into an established aspect of the discipline. The academic community is now well placed to discuss exactly what is going on in any example of popular music and the theoretical foundation for such analytical work has also been laid, although there is as yet no general agreement over all the details of popular music theory. However, this focus on the what of musical detail has left largely untouched the larger question - so what? What are the consequences of such theorization and analysis? Scholars from outside musicology have often argued that too close a focus on musicological detail has left untouched what they consider to be more urgent questions related to reception and meaning. Scholars from inside musicology have responded by importing into musicological discussion various aspects of cultural theory. It is in that tradition that this book lies, although its focus is slightly different. What is missing from the field, at present, is a coherent development of the what into the so what of music theory and analysis into questions of interpretation and hermeneutics. It is that fundamental gap that this book seeks to fill. Allan F. Moore presents a study of recorded popular song, from the recordings of the 1920s through to the present day. Analysis and interpretation are treated as separable but interdependent approaches to song. Analytical theory is revisited, covering conventional domains such as harmony, melody and rhythm, but does not privilege these at the expense of domains such as texture, the soundbox, vocal tone, and lyrics. These latter areas are highly significant in the experience of many listeners, but are frequently ignored or poorly treated in analytical work. Moore continues by developing a range of hermeneutic strategies largely drawn from outside the field (strategies originating, in the most part, within psychology and philosophy) but still deeply r