Introducing Thealogy

There are a number of participant accounts of the revival of Goddess religion among feminists in Europe, America and Australasia. But students and others interested in issues in the relation of religion, theo/alogy and gender need an accessible and concise critical overview of this contemporary religious phenomenon and its discourses. Introducing Thealogy, which offers a contextual analysis of the thealogy, ontology, historiography and ethics of various types of Goddess feminism, is designed to meet that need.

"There are a number of participant accounts of the revival of Goddess religion among feminists in Europe, America and Australasia. But students and others interested in issues in the relation of religion, theo/alogy and gender need an accessible and concise critical overview of this contemporary religious phenomenon and its discourses. Introducing Thealogy, which offers a contextual analysis of the thealogy, ontology, historiography and ethics of various types of Goddess feminism is designed to meet that need." --Book Jacket.

This book introduces feminist perspectives in pastoral theology. It is concerned both with pastoral care and practice and also with pastoral theology and theory. It seeks to explore why the inclusion of women's experiences and of feminist perspectives is of vital importance to Christian pastoral practice and to a Christian understanding of God. The book is designed for concerned practitioners and also has specifically in mind the needs of students of pastoral theology. It begins with the lived experience of violence in Church and society, moving through to the implications of this for our understanding of the human community and the divine.

The church has always been a place of profound ambivalence for women. While the majority of those who attend church are women, women experience hierarchical exclusion and invisibility within its institutional structures. Throughout most of its history, women have not participated in the church's reflections on its own nature. And yet, feminist theologians claim that women are church and always have been church. This book explores women's experiences of being church and reclaiming the church in order to rebuild it as meaningful, open, sacramental space where everybody's presence is celebrated. Natalie Watson proposes a creative and constructive dialogue with existing theological approaches to the church, from different Christian traditions as well as more recent feminist theologians, and suggests the development of criteria which hear women's experiences of being church and reclaiming church into speech. The church is the embodied reality of all women, children and men whose stories tell the story of the Triune God. This book explores the ambivalence of women's experiences of being part of the church, yet often on men's terms, and seeks to establish a constructive and creative re-reading of ecclesiology from a feminist perspective.

Introductions in Feminist Theology (IFT) explores various theological topics that challenge patriarchal theology and suggest liberating alternatives. The authors and editors seek to expand theological discourse by providing reliable guides to the history of thinking, current issues and debates, and possible future developments in feminist theology.

This monograph focuses on "Christian Goddess Spirituality" (CGS), the phenomenon of (mostly) women who combine Christianity and Goddess Spirituality, including Wicca/Witchcraft. Mary Ann Beavis’s study provides ethnographic data and analysis on the lived religious experience of CGS practitioners, drawing on interviews of over 100 women who self-identify as combining Christianity and Goddess spirituality. Although CGS also has implications for Goddess Spirituality and related traditions (e.g., Neopaganism, Wicca), here, CGS is considered primarily as a phenomenon within Christianity. However, the study also shows that the fusion of Christian and Goddess spiritualties has had an impact on non-Christian feminist spirituality, since Goddess-worshippers have often constructed Christianity as the diametrical opposite and enemy of the Goddess, to the point that some refuse to admit the possibility that CGS is a valid spiritual path, or that it is even possible. In addition, biblical, Jewish and Christian images of the divine such as Sophia, Shekhinah, the Virgin Mary, and even Mary Magdalene, have found their way into the "Pagan" Goddess pantheon. The main themes of the study include: overlaps and differences between Christian feminist theology and CGS; the routes to CGS for individual practitioners, and their beliefs, practices and experiences; proto-denominational classifications ("spiritual paths") within CGS; CGS thealogy (Christian discourse about the female divine); and the future of CGS in social scientific and ecclesiological context. Christian Goddess Spirituality will be of interest to scholars of religion, especially those with interests in women and religion, feminist spiritualities, feminist theology/thealogy, alternative spiritualities, New Religious Movements, and emergent Christianities.

This book explores the experience of women in worship historically and in the present day, when a specifically feminist approach to worship is beginning to express itself in developing new imagery, in rediscovering female imagery in scripture, and in exploring creative and participatory rituals."--BOOK JACKET.

Religion, Feminism, and Idoloclasm identifies religious and secular feminism’s common critical moment as that of idol-breaking. It reads the women’s liberation movement as founded upon a philosophically and emotionally risky attempt to liberate women’s consciousness from a three-fold cognitive captivity to the self-idolizing god called ‘Man’; the ‘God’ who is a projection of his power, and the idol of the feminine called ‘Woman’ that the god-called-God created for ‘Man’. Examining a period of feminist theory, theology, and culture from about 1965 to 2010, this book shows that secular, as well as Christian, Jewish, and post-Christian feminists drew on ancient and modern tropes of redemption from slavery to idols or false ideas as a means of overcoming the alienation of women’s being from their own becoming. With an understanding of feminist theology as a pivotal contribution to the feminist criticism of culture, this original book also examines idoloclasm in feminist visual art, literature, direct action, and theory, not least that of the sexual politics of romantic love, the diet and beauty industry, sex robots, and other phenomena whose idolization of women reduces them to figures of the feminine same, experienced as a de-realization or death of the self. This book demonstrates that secular and religious feminist critical engagements with the modern trauma of dehumanization were far more closely related than is often supposed. As such, it will be vital reading for scholars in theology, religious studies, gender studies, visual studies, and philosophy.