Inukshuk

Unique and as beautiful as a snowflake or footprint, an Inuksut (inNUKshuk,) is one of the stone figures that can be seen dotting the Canadian Arctic region. Many made by ancient hands, the Inuksuit (inNUKsweet) purposes are varied, from earthly uses such as navigation and message centers to those of the spirit, as sites of reverence. Author Mike Ulmer explores the connectedness of all Arctic life in his tale, The Gift of the Inuksuk.To find recipes, games, interactives maps and much more for this title visit www.discovertheworldbooks.com! Author Mike Ulmer keeps an Inuksuk at home--it reminds him of the way the Inuit People of the North live a simple life and consume only what they need. His tale expresses this belief in a warm and simple manner that readers of all ages will appreciate and enjoy. Artist Melanie Rose's charming and lively oil paintings bring great variety and surprising bursts of color to this unique northern story.Mike lives in Hamilton, Ontario, Canada with his wife Agnes Bongers and their three daughters: Sadie, Hannah and Madalyn. When he is not learning about Inuksuk, Mike writes a sports column for the Toronto Sun newspaper. Among Mike's books are M is for Maple: A Canadian Alphabet and H is For Horse: An Equestrian Alphabet. Melanie Rose lives in Mississauga, Canada with her son Liam, and their two cats, Mickey and Meesha. Melanie teamed up with Mike previously on M is for Maple: A Canadian Alphabet. She has also illustrated Z is for Zamboni: A Hockey Alphabet and K is for Kick: A Soccer Alphabet. She is a graduate of the Ontario College of Art.

An Inukshuk all alone on a hill is very sad until he learns how very important and special he is to the community.

The mysterious stone figures known as inuksuit can be found throughout the circumpolar world. Built from whatever stones are at hand, each one is unique. Inuksuit are among the oldest and most important objects placed by humans upon the vast Arctic landscape and have become a familiar symbol of the Inuit and their homeland.In author Norman Hallendy’s forty years of travels throughout the Arctic, he developed deep and lasting friendships with a number of Inuit elders. Through them, he learned that inuksuit are a nuanced, complex and vital form of communication. Hallendy’s dramatic color photos of many different kinds of inuksuit and objects of veneration capture not only a sense of wonder and power but reveal the unfamiliar Arctic landscape in all its magical beauty.

The gripping tale of a young man's obsession with an Arctic explorer's doomed quest to find the Northwest Passage

The profession of peacemaking has been practiced by indigenous communities around the world for many centuries; however, the ethnocentric world view of the West, which dominated the world of ideas for the last five centuries, dismissed indigenous forms of peacemaking as irrelevant and backward tribal rituals. Neither did indigenous forms of peacemaking fit the conception of modernization and development of the new ruling elites who inherited the postcolonial state. The new profession of Alternative Dispute Resolution (ADR), which emerged in the West as a new profession during the 1970s, neglected the tradition and practice of indigenous forms of peacemaking. The scant literature which has appeared on this critical subject tends to focus on the ritual aspect of the indigenous practices of peacemaking. The goal of this book is to fill this lacuna in scholarship. More specifically, this work focuses on the process of peacemaking, exploring the major steps of process of peacemaking which the peacemakers follow in dislodging antagonists from the stage of hostile confrontation to peaceful resolution of disputes and eventual reconciliation. The book commences with a critique of ADR for neglecting indigenous processes of peacemaking and then utilizes case studies from different communities around the world to focus on the following major themes: the basic structure of peacemaking process; change and continuity in the traditions of peacemaking; the role of indigenous women in peacemaking; the nature of the tools peacemakers deploy; common features found in indigenous processes of peacemaking; and the overarching goals of peacemaking activities in indigenous communities.

In this lively book, designed specifically for introductory students, Steckley unpacks three white lies: the myth that there are fifty-two words for snow, that there are blond, blue-eyed Inuit descended from the Vikings, and that the Inuit send off their elders to die on ice floes.

Provides an up-to-date overview of the present state Visual Cultural Studies, featuring new original content, topics, and methods The Wiley Blackwell Concise Companion to Visual Culture brings together original research by both established scholars and new voices in the dynamic field, exploring the history, current state, and possible future directions of visual cultural studies. Organized as a series of non-traditional keyword essays, this innovative volume engages readers with a diversity of ideas and perspectives to broaden and enrich their understanding of visual culture and its operations. This accessible, reader-friendly volume begins with a brief introduction to the history and practices of visual studies, featuring interviews and conversations with key figures such as W.J.T. Mitchell and Douglas Crimp. The majority of the text explores key concepts within a broad framework of history, ecologies, mediations, agencies, and politics while placing particular emphasis on interdisciplinarity and intersectionality. Essays cover keyword topics including Identities, Representation, Institutions, Architectures, Memes, Environment, Temporality, and many more. Offering a unique approach to the subject, this timely resource: Presents new work from a diverse group of scholars with a broad range of social, cultural, and generational perspectives Emphasizes the importance of activism and political urgency in humanities scholarship Discusses engaging objects and discourses beyond film and art, such as architecture, video games, political activism, and the nonhuman Highlights the diverse and interconnecting elements of visual culture scholarship Includes case studies and short introductions that provide context and reinforce core concepts The Wiley Blackwell Concise Companion to Visual Culture is essential reading for advanced undergraduate students, graduate students, and scholars in the fields of visual studies, art history, film studies, and media studies.