Inventing Pollution

Going as far back as the thirteenth century, Britons mined and burned coal. Britain’s supremacy in the nineteenth century depended in large part on its vast deposits of coal, which powered industry, warmed homes, and cooked food. As coal consumption skyrocketed, the air in Britain’s cities and towns filled with ever-greater and denser clouds of smoke. Yet, for much of the nineteenth century, few people in Britain even considered coal smoke to be pollution. Inventing Pollution examines the radically new understanding of pollution that emerged in the late nineteenth century, one that centered not on organic decay but on coal combustion. This change, as Peter Thorsheim argues, gave birth to the smoke-abatement movement and to new ways of thinking about the relationships among humanity, technology, and the environment. Even as coal production in Britain has plummeted in recent decades, it has surged in other countries. This reissue of Thorsheim’s far-reaching study includes a new preface that reveals the book’s relevance to the contentious national and international debates—which aren’t going away anytime soon—around coal, air pollution more generally, and the grave threat of human-induced climate change.

Essays by historians and practitioners on how invention can benefit the environment.

A one stop, comprehensive textbook, covering the three essential components of air pollution science. The Third Edition has been updated with the latest developments, especially the inclusion of new information on the role of air pollutants in climate change. The authors give greater coverage to the developing economies around the world where air pollution problems are on the rise. The Third Edition continues to cover a wide range of air quality issues, retaining a quantitative perspective. Topics covered include - gaseous and particulate air pollutants, measurement techniques, meteorology and dispersion modelling, mobile sources, indoor air, effects on plants, materials, humans and animals. Moving away from classical toxic air pollutants, there is a chapter on climate change and another on the depletion of stratospheric ozone. A special feature of this new edition is the inclusion of a fresh chapter on air pollution mitigation by vegetation, mainly its role in maintaining a sustainable urban environment. Recommended for upper-level undergraduate and postgraduate courses specialising in air pollution, both for environmental scientists and engineers. The new material included in the Third Edition extends its use by practitioners in consultancies or local authorities.

Demographically, nineteenth-century London, or what Victorians called the “new Rome,” first equaled, then superseded its ancient ancestor. By the mid-eighteenth century, the British capital had already developed into a global city. Sustained by its enormous empire, between 1800 and the First World War London ballooned in population and land area. Nothing so vast had previously existed anywhere. A Mighty Capital under Threat investigates the environmental history of one of the world’s global cities and the largest city in the United Kingdom. Contributors cover the feeding of London, waste management, movement between the city’s numerous districts, and the making and shaping of the environmental sciences in the late nineteenth and early twentieth centuries.

The view of nature and technology inhabiting totally different, even opposite, spheres persists across time and cultures. Most people would consider an English countryside or a Louisiana bayou to be "natural," though each is to an extent the product of technology. Pollution, widely thought to be a purely man-made phenomenon, results partly from natural processes. All around us, things from the natural world are brought into the human world. At what point do we consider them part of culture rather than nature? And does such a distinction illuminate our world or obscure its workings? This compelling new book challenges the view that a clear and unwavering boundary exists between nature and technology. Rejecting this dichotomy, the contributors show how the history of each can be united in a constantly shifting panorama where definitions of "nature" and "technology" alter and overlap. In addition to recognizing the artificial divide between these two concepts, the essays in this book demonstrate how such thinking may affect societies’ ability to survive and prosper. The answers and ideas are as numerous as the landscapes they consider, for there is no single path toward a more harmonious vision of technology and nature. Technologies that work in one place may not in another. Nature that is preserved in one community might become the raw material of technological progress somewhere else. Add to this the fact that the natural world and technology are not passive players, but are profoundly involved in cultural construction. Understanding such dynamics not only reveals a new historical complexity; it prepares us for coping with many of the most difficult and pressing social issues facing us today. Contributors Peter Coates * Craig E. Colten * Stephen H. Cutcliffe * Hugh S. Gorman * Betsy Mendelsohn * Joy Parr * Peter C. Perdue * Sara B. Pritchard * Martin Reuss * William D. Rowley * Edmund Russell * Joel A. Tarr * Ann Vileisis * James C. Williams * Thomas Zeller

Ecocriticism explores the ways in which we imagine and portray the relationship between humans and the environment across many areas of cultural production, including Romantic poetry, wildlife documentaries, climate models, the Hollywood blockbuster The Day After Tomorrow, and novels by Margaret Atwood, Kim Scott, Barbara Kingsolver and Octavia Butler. Greg Garrard’s animated and accessible volume responds to the diversity of the field today and explores its key concepts, including: pollution pastoral wilderness apocalypse animals Indigeneity the Earth. Thoroughly revised to reflect the breadth and diversity of twenty-first-century environmental writing and criticism, this edition addresses climate change and justice throughout, and features a new chapter on Indigeneity. It also presents a glossary of terms and suggestions for further reading. Concise, clear and authoritative, Ecocriticism offers the ideal introduction to this crucial subject for students of literary and cultural studies.

William M. Cavert investigates the origins of urban air pollution, explaining how this problem arose during the early modern period.