Invisible Giants

A comprehensive biography of the rise of the famous railroad barons who developed Shaker Heights, Ohio. Invisible Giants is the Horatio Alger-esque tale of a pair of reclusive Cleveland brothers, Oris Paxton and Mantis James Van Sweringen, who rose from poverty to become two of the most powerful men in America. They controlled the country’s largest railroad system—a network of track reaching from the Atlantic to Salt Lake City and from Ontario to the Gulf of Mexico. On the eve of the Great Depression they were close to controlling the country’s first coast-to-coast rail system—a goal that still eludes us. They created the model upper-class suburb of Shaker Heights, Ohio, with its unique rapid transit access. They built Cleveland’s landmark Terminal Tower and its innovative “city within a city” complex. Indisputably, they created modern Cleveland. Yet beyond a small, closely knit circle, the bachelor Van Sweringen brothers were enigmas. Their actions were aggressive, creative, and bold, but their manner was modest, mild, and retiring. Dismissed by many as mere shoestring financial manipulators, they created enduring works, which remain strong today. The Van Sweringen story begins in early-twentieth-century Cleveland suburban real estate and reaches its zenith in the heady late 1920s, amid the turmoil of national transportation power politics and unprecedented empire-building. As the Great Depression destroyed many of their fellow financiers, the “Vans” survived through imaginative stubbornness—until tragedy ended their careers almost simultaneously. Invisible Giants is the first comprehensive biography of these two remarkable if mysterious men.

Highlights Our Country'S Rich biographical history. Fifty notable people have selected a person from the past whom they admire, but feel they have not received the infamy they deserve.

Invisible Giants is about leadership, choices in life and the potential in everyone to make a difference. Lindsay Levin, who founded the social enterprise Leaders' Quest, tells the stories of the remarkable people she has met, and their impact on the world. They are individuals who have overcome a lack of education and resources to re-energise their communities, and business leaders who strive to integrate purpose alongside profit. They are female activists in slums campaigning to end the exclusion of girls from school, and environmentalists tackling the effects of industrialisation on the world's ecosystem. They are the people we meet every day, who are revisiting their life choices. It's also the story of Lindsay's own quest to ask: "what really matters?" and to figure out where the answers can take her.

In Ghost Words and Invisible Giants, Lheisa Dustin engages psychoanalytic theory to describe the “language of suffering” of iconic modernist authors H.D. and Djuna Barnes, tracing disconnection, psychic splitting, and virulent thought patterns in creative works that have usually been read as intentionally enigmatic. Dustin imbricates Barnes and H.D.’s sense of tenuous psychic boundaries with others – parent figures, otherworldly and divine beings, and ambivalent or malignant love objects – in their creative brilliance, suggesting that the writers’ works stage – and also help manage – their psychic suffering in language in which signifier (the sound or image of the word) and signified (what it means) are radically disconnected. The cryptic and ineffable styles of these texts thus involve attempts to embody the meanings that cannot be expressed through language. Dustin reads two of H.D.’s later works as examples of language that does not differentiate words, thoughts, and people from one another, and instead tries to include everything in its formulations of meaning. However, H.D., she argues, also seeks an end to this mental proliferation– an end that she associates with the hallucinatory return of difference as such. In contrast, Dustin reads two novels by Barnes as invoking and denying childhood secrets through the use of fetishized words. To supplement her psychoanalytic readings, Dustin considers the authors’ familial and romantic histories and their broader social involvements or noninvolvement (for instance, H.D.’s Occultist practices and psychoanalytic sessions, Barnes’s fascination with spectacle and her later reclusion), rendering a detailed and compelling analysis of the forces at play beneath enigmatic, “difficult” modernist literary works. Read in this light, the spectral and otherworldly figures and strange patterns of expression appearing in H.D.’s and Barnes’s writing, and perhaps much or our writing, signal the traumatic content that it tries to negate.

Story of an outstanding man and his achievements that beneficially changed the destiny of mankind.

With the appearance of Grunch of Giants, R. Buckminster Fuller consummates his literary canon, his panoramic lifetime survey of all aspects of the responsibility of human beings for their own destiny. This book is a modern allegory - his long-gestated myth-of the villainy of capitalism and the fecklessness of classic economics. For Fuller, the academic discipline of economics is irrelevant since it derives from an invalid assumption of scarcity. In fact, he has long argued that future historians of our era may subsume our business practices as a branch of mythology; thus it is not surprising that the word economic appears nowhere in his text. Fuller’s myth is no idle fairy tale, since he faces his question - the question of a technological imperative which only he could raise with the deadly seriousness of satire. That question is: Can our system of national political sovereignties and corporate profits survive the inevitable technology revolution required to obviate wars by effecting a worldwide rise in the standard of living. One of the functions of myth is to resolve contradictions in our culture. Grunch of Giants portrays the rising of multinational corporations in the paradoxical role of function both as the epitome of capitalistic selfishness and as the inadvertent vehicle for the dissolution of national political boundaries - the last deterrent to a one-world economy. The result is more subversive of the property and profit values of the capitalist system than anything dreamed of since Karl Marx. —E.J. Applewhite, collaborator with RBF on Synergetics and Synergetics 2, author of Cosmic Fishing: A Memoir of Working With R. Buckminster Fuller

Because history is as fallible as the people who record it, many of the figures who have shaped our country have receded from public memory. In order to celebrate and call attention to these lives, Oxford University Press asked fifty accomplished personalities from a diverse range of interests to each select a person from the 24-volume American National Biography that they felt deserved more attention. In Invisible Giants, the biographies of these forgotten figures appear alongside the often-personal comments of their selectors. We discover the man who inspired Sherwin Nuland to become a doctor, the writer Jacques Barzun considers America's first cultural critic, and the woman who taught Tina Brown to bare her teeth. We learn of the poetry recited to Henry Louis Gates, Jr., as a boy, the magazine Helen Gurley Brown required every one of her editors to subscribe to, and the book Andy Rooney deems "better than the Bible and easier to understand." Edited by Mark C. Carnes and published with the American Council of Learned Societies, Invisible Giants presents the architects of our country's past through the eyes of the architects of its future.

Breaks the silence on the true extent of Cargill's power and influence worldwide