Invisible Nation

"Every year, more than 2.5 million children are left homeless in the United States and the number of such families continues to rise annually. In every state, children are living in small quarters packed in with relatives-- in cars, in motel rooms, or in emergency shelters. In this vividly-written narrative, experienced journalist Richard Schweid takes us on a spirited journey through this "invisible nation,' giving us front-row dispatches of suffering families on the edge. Based on in-depth reporting from five major cities, Invisible Nation looks backward at the historical context of family homelessness as well as forward at what needs to be done to alleviate this widespread, although often hidden, poverty. Invisible Nation is a riveting must-read for everyone who cares about inequality, poverty and family life"--Provided by publishe

The American invasion of Iraq has been a success - for the Kurds. Kurdistan is an invisible nation, and the Kurds the largest ethnic group on Earth without a homeland, comprising some 25 million moderate Sunni Muslims living in the area around the borders of Turkey, Iran, Iraq, and Syria. Through a history dating back to biblical times, they have endured persecution and betrayal, surviving only through stubborn compromise with greater powers. They have always desired their own state, and now, accidentally, the United States may have helped them take a huge step toward that goal. As Quil Lawrence relates in his fascinating and timely study of the Iraqi Kurds, while their ambition and determination grow apace, their future will be largely dependent on whether America values a budding democracy in the region, or decides to yet again sacrifice the Kurds in the name of political expediency. Either way, the Kurdish north may well prove to be the defining battleground in Iraq, as the country struggles to hold itself together. At this extraordinary moment in the saga of Kurdistan, informed by his deep knowledge of the people and region, Lawrence's intimate and unflinching portrait of the Kurds and their heretofore quixotic quest offers a vital and original lens through which to contemplate the future of Iraq and the surrounding Middle East.

A thoughtful analysis of how our world's borders came to be and why we may be emerging from a lengthy period of "cartographical stasis" What is a country? While certain basic criteria--borders, a government, and recognition from other countries--seem obvious, journalist Joshua Keating's book explores exceptions to these rules, including self-proclaimed countries such as Abkhazia, Kurdistan, and Somaliland, a Mohawk reservation straddling the U.S.-Canada border, and an island nation whose very existence is threatened by climate change. Through stories about these would-be countries' efforts at self-determination, as well as their respective challenges, Keating shows that there is no universal legal authority determining what a country is. He argues that although our current world map appears fairly static, economic, cultural, and environmental forces in the places he describes may spark change. Keating ably ties history to incisive and sympathetic observations drawn from his travels and personal interviews with residents, political leaders, and scholars in each of these "invisible countries."

In January 2007, two boys were found in the home of Michael J. Devlin, a “nice enough guy” who managed a pizza parlor in Kirkwood, Missouri. One boy had been kidnapped four days earlier. The other, Shawn Hornbeck, had been missing for four years. How and why did this fifteen-year old, whose face appeared on thousands of milk cartons and “Have You Seen Me?” posters, stay with his abductor in plain view for four years, only an hour from his family home? From award-winning journalist Kristina Sauerwein comes this riveting story of the American kidnapping that startled the nation and catapulted the chilling reality of Stockholm Syndrome into the spotlight. Shawn had many opportunities to ask for help: he was left alone in his kidnapper's apartment many times, and had phone and Internet access. But he never tried to escape. This is the first time the full story has been told, complete with interviews with law enforcement, and top psychological experts; and a real-life happy ending.

How Hollywood biopics both showcase and modify various notions of what it means to be an American. Biopics—films that chronicle the lives of famous and notorious figures from our national history—have long been one of Hollywood’s most popular and important genres, offering viewers various understandings of American national identity. Invented Lives, Imagined Communities provides the first full-length examination of US biopics, focusing on key releases in American cinema while treating recent developments in three fields: cinema studies, particularly the history of Hollywood; national identity studies dealing with the American experience; and scholarship devoted to modernity and postmodernity. Films discussed include Houdini, Patton, The Great White Hope, Bound for Glory, Ed Wood, Basquiat, Pollock, Sylvia, Kinsey, Fur, Milk, J. Edgar, and Lincoln, and the book pays special attention to the crucial generic plot along which biopics traverse and showcase American lives, even as they modify the various notions of the national character. “A provocative, critically astute study, this collection examines the biopic as a reflexive, refractive modernist film genre. Admirably researched essays provide close, compelling readings of chosen films, while exploring the multilayered matrices of historical fact, biographical and autobiographical literature, popular media representations, and cultural histories—shaping not only the lives and narratives of the performers, artists, and political/historical figures represented but also the practices of the filmmakers as they worked within or on the margins of the Hollywood industry.” — Cynthia Lucia, Rider University “The volume’s greatest strengths include its range, its variety of ideas on the significance of the biopic, and its research—definitive in several cases—into the relation between historical figures and their cinematic counterparts.” — James Morrison, author of Passport to Hollywood: Hollywood Films, European Directors

The chapters in The Oxford Handbook of Canadian Cinema present a rich, diverse overview of Canadian cinema. Responding to the latest developments in Canadian film studies, this volume takes into account the variety of artistic voices, media technologies, and places which have marked cinema in Canada throughout its history. Drawing on a range of established and emerging scholars from a range of disciplines, this volume will be useful to teachers, scholars, and to a general readership interested in cinema in Canada. Moving beyond the director-focused approach of much previous scholarship, this book is concerned with communities, institutions, and audiences for Canadian cinema at both national and international levels. The choice of subjects covered ranges from popular, genre cinema to the most experimental of artistic interventions. Canadian cinema is seen in its interaction with other forms of art-making and media production in Canada and at the international level. Particular attention has been paid to the work of Indigenous filmmakers, members of diasporic communities and feminist and LGBTQ artists. The result is a book attentive to the complex social and institutional contexts in which Canadian cinema is made and consumed.

A journalist explores how our world’s borders came to be and how self-proclaimed countries across the globe could change the map. What is a country? While certain basic criteria—borders, a government, and recognition from other countries—seem obvious, journalist Joshua Keating investigates what happens in areas of the world that exist as exceptions to these rules. Invisible Countries looks at semiautonomous countries such as Abkhazia, Kurdistan, and Somaliland, as well as a Mohawk reservation straddling the U.S.-Canada border, and an island nation whose very existence is threatened by climate change. Through stories about these would-be countries’ efforts at self-determination, Keating shows that there is no universal legal authority determining what a country is. He also argues that economic, cultural, and environmental forces could soon bring an end to our long period of cartographical stasis. Keating combines history with incisive observations drawn from his travels and interviews with residents, political leaders, and scholars in each of these “invisible countries.”