Iphigenia In Splott

What is gonna happen, when we can't take it anymore? Stumbling down the street drunk at 11.30am Effie is the kind of girl you avoid making eye contact with. You think you know her, but maybe you don't know half of it. Effie's life is a mess of drink, drugs and drama every night, and a hangover worse than death the next day – till one night gives her the chance to be something more. Gary Owen's critically acclaimed and powerful monodrama inspired by the Greek myth opens at the Lyric after a smash-hit season at the Sherman Theatre in Wales and later the National Theatre, winning the Best New Play at the UK Theatre Awards 2015. This edition was published to coincide with the production at the Lyric Hammersmith, London, in September 2022.

What is gonna happen, when we can't take it anymore? Stumbling down the street drunk at 11.30am Effie is the kind of girl you avoid making eye contact with. You think you know her, but maybe you don't know half of it. Effie's life is a mess of drink, drugs and drama every night, and a hangover worse than death the next day – till one night gives her the chance to be something more. Gary Owen's critically acclaimed and powerful monodrama inspired by the Greek myth opens at the Lyric after a smash-hit season at the Sherman Theatre in Wales and later the National Theatre, winning the Best New Play at the UK Theatre Awards 2015. This edition was published to coincide with the production at the Lyric Hammersmith, London, in September 2022.

In Killology, players are rewarded for torturing victims, scoring points for “creativity”. But Killology isn’t sick. In fact it’s marketed by its millionaire creator as a deeply moral experience. Because yes, you can live out your darkest fantasies, but you don’t escape their consequences. Out on the streets, not everybody agrees with him. “There is an instinctive revulsion against taking a human life. And that revulsion can be conquered.”

'People know, you're my boy. And they know better than to lay a fucking finger on you. See? You are safer here with me, than you have ever been.' Liam's 17 years old, loves Dr Who and has lost his mum. He has had to move from London to Wales, to the valleys, to the middle of nowhere, to live with a dad he doesn't know. Whose nickname isn't Violence for nothing.

A play about the stupid things you do when you're f cked. A night out. Friends, alcohol, a shit club, a strop - the usual. But tonight is different. Tonight will change things forever. With Love Steals us from Loneliness, Gary Owen, one of Wales's foremost playwrights, returns to his hometown of Bridgend. The media have told us their Bridgend story, but what will a writer who spent his own teenage years here have to say?

On a remote island in the middle of the Atlantic secrets are buried. When the outside world comes calling, intent on manipulation for political and economic reasons, the islanders find their own world blown apart from the inside as well as beyond. Further Than The Furthest Thing is a beautifully drawn story evoking the sadness and beauty of a civilisation in crisis.Further Than The Furthest Thing premiered at the Traverse Theatre, Edinburgh in August, 2000.

"Comedy nirvana . . . satisfyingly mean and funny."—New York Post "Without sacrificing his mordant wit or bleak worldview, this distinctive dramatist shows a new maturity and empathy in."?The New York Times "Nicky Silver's terrific play is filled with moments when you can't stop laughing even though the circumstances indicate you really shouldn't. . . . A wonderful little riff on family dysfunction."?Associated Press "Silver finds plenty of fresh bite, and the sheer savagery of his observation here is breathtaking. Watching it brings the dueling sensations of wicked mirth and squirming discomfort at being trapped in the hell of someone else's family horrors. That these are exaggerations of our own is what gives the play its teeth."—The Hollywood Reporter This vicious, hilarious black comedy opened on Broadway in April 2012 to rave reviews. Nicky Silver, that "strange progeny of a coupling between Mr. Neil Simon and Edward Albee" (The New York Times), has cornered the market on deliciously savage dysfunctional family comedies. Following an acclaimed run Off-Broadway, this intimate and frightening examination of how we cope with loneliness and disappointment currently delights audiences on Broadway. Rita Lyons is the matriarch of a family facing a major crossroads. Her husband, Ben, is dying and her grown children are struggling. As the family gathers in Ben's hospital room, they discover that they're as terrified of being together as they are of being alone.

It could be any city. It just happens to be ours. Twenty four hours. Twenty four lives. Each linked in a way that no-one can predict. Gary Owen's first play Crazy Gary's Mobile Disco toured the UK in spring 2001. His second, The Shadow of a Boy was produced by the National Theatre in June 2002. His first play Amser Canser will be produced in early 2003. Gary's first radio play, The Island of the Blessed, is to be broadcast in July 2002 part of The Wire on BBC Radio 3. His last play The Drowned World won the George Devine Award f or 2002.