Ipswich Revisited

Since Ipswichs founding in 1634, the town has been home to farmers and fishermen, sea captains and furniture makers, and mill workers and clammers. Wealthy summer residents, artists, and photographers discovered Ipswich years later, capturing in photographs the towns rural landscapes, magnificent beaches, modest streetscapes, busy waterfront, local celebrations, and personalities. Ipswich Revisited provides a glimpse into this towns rich past. Included here are photographs of the interiors of familiar buildings, such as the 1677 Whipple House, the 1800 Heard House, and the 1920s Ipswich Mills Hosiery Shop, and notable natives, such as the Appleton family, artists Arthur Wesley Dow and Carl Nordstrom, and Native American princess Emma Safford. Since Ipswichs founding in 1634, the town has been home to farmers and fishermen, sea captains and furniture makers, and mill workers and clammers. Wealthy summer residents, artists, and photographers discovered Ipswich years later, capturing in photographs the towns rural landscapes, magnificent beaches, modest streetscapes, busy waterfront, local celebrations, and personalities. Ipswich Revisited provides a glimpse into this towns rich past. Included here are photographs of the interiors of familiar buildings, such as the 1677 Whipple House, the 1800 Heard House, and the 1920s Ipswich Mills Hosiery Shop, and notable natives, such as the Appleton family, artists Arthur Wesley Dow and Carl Nordstrom, and Native American princess Emma Safford.

Moving beyond the (now somewhat tired) debates about secularization as paradigm, theory, or master narrative, Periodizing Secularization focuses upon the empirical evidence for secularization, viewed in its descriptive sense as the waning social influence of religion, in Britain. Particular emphasis is attached to the two key performance indicators of religious allegiance and churchgoing, each subsuming several sub-indicators, between 1880 and 1945, including the first substantive account of secularization during the fin de siècle. A wide range of primary sources is deployed, many of them relatively or entirely unknown, and with due regard to their methodological and interpretative challenges. On the back of them, a cross-cutting statistical measure of 'active church adherence' is devised, which clearly shows how secularization has been a reality and a gradual, not revolutionary, process. The most likely causes of secularization were an incremental demise of a Sabbatarian culture (coupled with the associated emergence of new leisure opportunities and transport links) and of religious socialization (in the church, at home, and in the school). The analysis is also extended backwards, to include a summary of developments during the eighteenth and early nineteenth centuries; and laterally, to incorporate a preliminary evaluation of a six-dimensional model of 'diffusive religion', demonstrating that these alternative performance indicators have hitherto failed to prove that secularization has not occurred. The book is designed as a prequel to the author's previous volumes on the chronology of British secularization - Britain's Last Religious Revival? (2015) and Secularization in the Long 1960s (2017). Together, they offer a holistic picture of religious transformation in Britain during the key secularizing century of 1880-1980.

"Dow produced oil paintings, photographs, ink wash drawings, and wood block prints until his death in 1922. The exhibitions showcases a recently discovered album of forty-one cyanotypes that Dow produced in 1899 and dedicated to his friend, the Ipswich poet Everett Stanley Hubbard"--Galley website.

This is the first full-length study about the British artist Roy Ascott, one of the first cybernetic artists, with a career spanning seven decades to date. The book focuses on his early career, exploring the evolution of his early interests in communication in the context of the rich overlaps between art, science and engineering in Britain during the 1950s and 1960s. The first part of the book looks at Ascott’s training and early work. The second park looks solely at Groundcourse, Ascott’s extraordinary pedagogical model for visual arts and cybernetics which used an integrative and systems-based model, drawing in behaviourism, analogue machines, performance and games. Using hitherto unpublished photographs and documents, this book will establish a more prominent place for cybernetics in post-war British art.

In her groundbreaking ethnography The Asian Gang, published in 2000, Claire Alexander explored the creation of Asian Muslim masculinities in South London. Set against the backdrop of the moral panic over 'Asian gangs' in the mid-1990s, and based on 5 years of ethnographic fieldwork, the book explored the idea of 'the gang', friendships, and the role of 'brothers' in the formation, performance and negotiation of ethnic, religious and gendered identities. The Asian Gang Revisited picks up the story of 'the Asian gang' over the subsequent two decades, examining the changing identities of the original participants as they transition into adulthood in the context of increased public and political concerns over Muslim masculinities, spanning the War on Terror, 'grooming gangs' and increased Islamophobia. Building on her ongoing relationships with the men over 25 years, the book explores education, employment, friendship, marriage and fatherhood, and religious identity, and examines both the changes and the continuities that have shaped this group. It traces the lives of its participants from their teenage years through to their early-mid 40s. A unique longitudinal study of this small, diverse but still close cohort of men, the book offers an intimate, rich and textured account of what it means to be a Muslim man in contemporary Britain.

A fresh approach to the implications of obtaining, preparing, and consuming food, concentrating on the little-investigated routines of everyday life. Food in the Middle Ages usually evokes images of feasting, speeches, and special occasions, even though most evidence of food culture consists of fragments of ordinary things such as knives, cooking pots, and grinding stones, which are rarely mentioned by contemporary writers. This book puts daily life and its objects at the centre of the food world. It brings together archaeological and textual evidence to show how words and implements associated with food contributed to social identity at all levels of Anglo-Saxon society. It also looks at the networks which connected fields to kitchens and linked rural centres to trading sites. Fasting, redesigned field systems, and the place offish in the diet are examined in a wide-ranging, interdisciplinary inquiry into the power of food to reveal social complexity. Allen J. Frantzen is Professor of English at Loyola University Chicago.