Ireland 2007

An analysis of aspects of Irish politics from 1960 to 2007,

In this book, the sixth in the highly regarded How Ireland Voted series, leading Irish political scientists examine what happened; analyse the election results, the opinion poll evidence and the media coverage to establish why it happened; and assess the long-term significance.

The IRA's ability to exploit the border between Northern Ireland and the Republic of Ireland was central to the organisation's capacity to wage its 'Long War' over a quarter of a century. This book is the first to look at the role of the border in sustaining the Provisionals and its central role in Anglo-Irish relations throughout the Troubles.

Drawing on almost 20 years of Liam Leonard’s research in the field, this volume provides a detailed case study of a modern European state’s tumultuous development through first decades of the Millennium. The book provides an in depth and up to date study on Ireland's growth and the substantial changes experienced there during the last two decades.

A stimulating overview of the intellectual arguments and critical debates involved in the study of British and Irish cinemas British and Irish film studies have expanded in scope and depth in recent years, prompting a growing number of critical debates on how these cinemas are analysed, contextualized, and understood. A Companion to British and Irish Cinema addresses arguments surrounding film historiography, methods of textual analysis, critical judgments, and the social and economic contexts that are central to the study of these cinemas. Twenty-nine essays from many of the most prominent writers in the field examine how British and Irish cinema have been discussed, the concepts and methods used to interpret and understand British and Irish films, and the defining issues and debates at the heart of British and Irish cinema studies. Offering a broad scope of commentary, the Companion explores historical, cultural and aesthetic questions that encompass over a century of British and Irish film studies—from the early years of the silent era to the present-day. Divided into five sections, the Companion discusses the social and cultural forces shaping British and Irish cinema during different periods, the contexts in which films are produced, distributed and exhibited, the genres and styles that have been adopted by British and Irish films, issues of representation and identity, and debates on concepts of national cinema at a time when ideas of what constitutes both ‘British’ and ‘Irish’ cinema are under question. A Companion to British and Irish Cinema is a valuable and timely resource for undergraduate and postgraduate students of film, media, and cultural studies, and for those seeking contemporary commentary on the cinemas of Britain and Ireland.