Irina S Revenge

Irina hates space pirates. They killed her brother when they were kids. She still misses him like hell. So she became an agent of the Stellar Intelligence Service to avenge him. And now, she finally has her plan in place to end that scourge for once and all and get her revenge. Except things are not quite as they seem… and they get worse quickly. Read that action-packed short story now!

American auteur Jeffrey Jacob "J. J." Abrams's genius for creating densely plotted scripts has won him broad commercial and critical success in TV shows such as Felicity (1998--2002), Emmy-nominated Alias (2001--2006), Emmy and Golden Globe-winning Lost (2004--2010), and the critically acclaimed Fringe (2008--2013). In addition, his direction in films such as Cloverfield (2008), Super 8 (2011), and the new Mission Impossible and Star Trek films has left fans eagerly awaiting his revival of the Star Wars franchise. As a writer, director, producer, and composer, Abrams seamlessly combines geek appeal with blockbuster intuition, leaving a distinctive stamp on all of his work and establishing him as one of Tinsel Town's most influential visionaries. In The Philosophy of J.J. Abrams, editors Patricia L. Brace and Robert Arp assemble the first collection of essays to highlight the philosophical insights of the Hollywood giant's successful career. The filmmaker addresses a diverse range of themes in his onscreen pursuits, including such issues as personal identity in an increasingly impersonal digitized world, the morality of terrorism, bioethics, friendship, family obligation, and free will. Utilizing Abrams's scope of work as a touchstone, this comprehensive volume is a guide for fans as well as students of film, media, and culture. The Philosophy of J.J. Abrams is a significant contribution to popular culture scholarship, drawing attention to the mind behind some of the most provocative television and movie plots of our day.

Dark secrets and conflicting loyalties abound as four superpowered teens are torn apart by war in Caitlin Lochner's An Outcast and an Ally, the epic YA sequel to A Soldier and a Liar. Lai, Jay, Al, and Erik are on the run after the military accuses them of being traitors. Tensions between everyone are high, but they have to stick together if they want to survive. And somehow stop the war that’s now in full swing. But when Erik returns to the rebels to find answers about his past, Lai, Al, and Jay have no choice but to go to the Order—a peace coalition bent on stopping the rebels and dissolving the enmity between gifted and ungifted. However, the longer the war drags on, the more Lai’s long-kept secrets threaten to destroy everything she’s ever worked for. Sparks fly as the team constantly questions whether they can trust one another and everyone tries to navigate a war that will change everything. Filled with the same high-stakes superpowered action and complex relationships as A Soldier and A Liar, Caitlin's first book, An Outcast and an Ally brings this story to a dramatic and satisfying close. Praise for A Soldier and a Liar: "Fans of the Shatter Me and The Darkest Minds series will salivate for A Soldier and a Liar . . . Utterly imaginative and vivid." —Booked J "An interesting mix of supernatural and dystopian, with lots of action and secrets to keep the reader turning the pages for more." —Smada's Book Smack

An epic novel based on the failed Russian revolution attempted by noblemen in December 1825. The leaders were executed, the others exiled. Irina Dolvina follows her husband to Siberia, where she nurses him back to health. Enduring a primitive life through privation and hunger, Irina suffers a shocking betrayal, but her love survives and with it, the promise of a new beginning.

Like Agatha Christie and Raymond Chandler, Sara Paretsky and Thomas Harris, you, too, can learn the trade secrets of quality detective fiction. It's true. Just one year from now, you can deliver a completed mystery novel to a publisher--by writing only on weekends. Authors Robert J. Ray and Jack Remick guide you through the entire mystery-writing process, from creating a killer to polishing off the final draft. Each weekend you'll focus on a specific task--learning the basics of novel-writing, the special demands of mystery-writing, and the secrets professionals use to create stories one scene at a time, building to a shivery, satisfying climax. Using Agatha Christie's The Body in the Library as a model for the classical mystery tale and Martin Cruz Smith's Gorky Park for the hard-boiled mystery, this unique step-by-step program gives you all the information you need to reach your ultimate goal: a finished book in just 52 weeks! Let two successful masters of the genre show you how... Discover: Why you must create your killer first The tricks to writing dialogue that does it all--moves your plot, involves your reader, and makes your style sizzle How to "bury" information (and corpses) for your reader to find Why you should NOT build your book around chapters Special techniques for clearing writer's block Plus: examples from Sue Grafton, Dashiell Hammett, Patricia Cornwell, Thomas Harris, Raymond Chandler, and more.

"No one humiliates a Frabont and lives to tell about it. An endless path of pain and suffering awaits you, you will be victims and executioners of your own incompetence. And when grief over your mistakes drives you to the brink of suicide, then we will end your pathetic lives." This is the sinister threat posed by the General in Command of an incredible underground military base before turning his gigantic planet into a nuclear wasteland. The evil game devised by one of the most advanced races in the Universe to destroy the Earth and with it the group of Atlanteans who thwarted their macabre plans to exterminate the human race, begins. Now, they only have one objective: REVENGE

During the 872 days of the Siege of Leningrad (September 1941 to January 1944), the city's inhabitants were surrounded by the military forces of Nazi Germany. They suffered famine, cold, and darkness, and a million people lost their lives, making the siege one of the most destructive in history. Confinement in the besieged city was a traumatic experience. Unlike the victims of the Auschwitz concentration camp, for example, who were brought from afar and robbed of their cultural roots, the victims of the Siege of Leningrad were trapped in the city as it underwent a slow, horrific transformation. They lost everything except their physical location, which was layered with historical, cultural, and personal memory. In Besieged Leningrad, Polina Barskova examines how the city's inhabitants adjusted to their new urban reality, focusing on the emergence of new spatial perceptions that fostered the production of diverse textual and visual representations. The myriad texts that emerged during the siege were varied and exciting, engendered by sometimes sharply conflicting ideological urges and aesthetic sensibilities. In this first study of the cultural and literary representations of spatiality in besieged Leningrad, Barskova examines a wide range of authors with competing views of their difficult relationship with the city, filling a gap in Western knowledge of the culture of the siege. It will appeal to Russian studies specialists as well as those interested in war testimonies and the representation of trauma.