Irish Country Songs

The stars. The legends. The passion. From Big Tom, Philomena and Daniel to Nathan, Lisa, Mike and many more, the leading lights of Irish country in their own words. Discover what inspired their drive for stardom and a life on the road. Go behind the curtain with the record producer, the videographer and the tour manager, and learn about the reality of life as a touring musician. A treasure trove of exclusive interviews and photographs.

Country music fandom is at an all-time high in Ireland; social dancing has never been as popular. New artists, bands and venues proliferate; it seems each week 'Ireland's latest country sensation' is brought to the public's attention through the ever-widening media outlets populated by the genre. This book provides a comprehensive history of the genre looking at the artists and their music and seeking to contextualise the genre within the wider context of Irish culture. It demonstrates the significant role Ireland has played in the history and development of American country music and how, as an old classic country song says, the circle has remained unbroken. It also analyses the associated media, dance and social cultures. Irish country music is now a significant industry on a continuous upward curve. It earns a lot of money for a lot of people. It deserves a work of record. This book is the first of its kind. It is written in an easy to understand language to appeal to the widest possible demographic. It is also written from a neutral point of view but in a way that appeals to the fans of country and Irish music. Artists covered include Big Tom, Daniel O'Donnell, Nathan Carter, Philomena Begley, Susan McCann and Robert Mizell. The author is an established writer with extensive media experience including RTÉ Radio 1, TV3, Irish Independent, The Irish Times, New York Times, The Irish Post and a plethora of local and regional radio stations.

A tribute to Big Tom McBride, 'the Johnny Cash of Irish country music'. From labourer to music star, the journey of the singer who brought so much joy to fans at home and to emigrants abroad over five decades. Featuring never-before-published interviews with Big Tom and the country stars who loved him, as well as exclusive family photographs, this book is full of the characteristic wit and warmth of Ireland's greatest country music legend, Big Tom. Big Tom McBride was the original Irish country music star, who paved the way for today's new wave of artists. His unique voice and sincere delivery earned him the title The King of Irish Country. He was held in huge affection by many thousands of devoted fans, and was greatly loved and respected by his fellow musicians. Throughout Big Tom's music career, spanning five decades, he packed ballrooms and marquees the length and breadth of Ireland and Britain, with his band The Mainliners and later with The Travellers. His records sold by the tens of thousands, and he had numerous Top Ten hits. Legions of fans were transported by his beautiful singing, evoking an Ireland of a more innocent age. Many made the pilgrimage to the McBrides' home outside Castleblayney, County Monaghan, where they were greeted with genuine, warm-hearted hospitality. Tom Gilmore has interviewed family, friends and fans, as well as unearthing previously unpublished interviews with Big Tom himself. This book also features tributes to the music legend from luminaries of music, sport and politics.

In The Globalization of Irish Traditional Song Performance Susan Motherway examines the ways in which performers mediate the divide between local and global markets by negotiating this dichotomy in performance practice. In so doing, she discusses the globalizing processes that exert transformative influences upon traditional musics and examines the response to these influences by Irish traditional song performers. In developing this thesis the book provides an overview of the genre and its subgenres, illustrates patterns of musical change extant within the tradition as a result of globalization, and acknowledges music as a medium for re-negotiating an Irish cultural identity within the global. Given Ireland’s long history of emigration and colonisation, globalization is recognised as both a synchronic and a diachronic phenomenon. Motherway thus examines Anglo-Irish song and songs of the Irish Diaspora. Her analysis reaches beyond essentialist definitions of the tradition to examine evolving sub-genres such as Country & Irish, Celtic and World Music. She also recognizes the singing traditions of other ethnic groups on the island of Ireland including Orange-Order, Ulster-Scots and Traveller song. In so doing, she shows the disparity between native conceptions and native realities in respect to Irish cultural Identity.