Irish Philadelphia

Philadelphia has been a magnet for the Irish since the 17th century. The Irish distinguished themselves in the Revolutionary War with dozens of heroes, such as Wexford-born sailor Commodore John Barry. When refugees from Ireland s Great Famine poured into Philadelphia after 1845, the city changed forever. The famine generation of Irish immigrants used their religious and cultural traditions to promote their own advancement by constructing a network of schools, Catholic churches, fraternal clubs, and cultural organizations. In Irish Philadelphia, images of their accomplishments and advancements are featured along with vibrant, personal stories of Irish residents. Prominent Irish Philadelphians highlighted include Bishop Francis Kenrick, Martin Maloney, Joseph McGarrity, Henry McIlhenny, Grace Kelly, Jack Kelly, Patrick Stanton, John McShain, and Fr. John McNamee."

Outlines of a Gaelic public sphere -- Inserting the Gaelic in the public sphere -- Irish Philadelphia in and out of the Gaelic sphere -- Transatlantic origins of the Irish American Voluntary Association -- A microanalysis of Irish American civic life : Ireland's Donegal and Cavan emerge in Philadelphia -- The forging of a collective consciousness : militant Irish nationalism and civic life in Gaelic Philadelphia -- Sport, culture and nation amont the Irish of Philadelphia -- A Gaelic public sphere : its rise and fall.

This lavishly illustrated and comprehensive volume is the first devoted entirely to the subject of Irish furniture and woodwork. It provides a detailed survey—encompassing everything from medieval choir stalls to magnificent drawing-room suites for the great houses—from earliest times to the end of the eighteenth century. The first part of the book presents a chronological history, illustrated with superb examples of Irish furniture and interior carving. In a lively text, the Knight of Glin and James Peill consider a broad range of topics, including a discussion of the influence of Irish craftsmen in the colonies of America. The second part of the book is a fascinating pictorial catalogue of different types of surviving furniture, including chairs, stools, baroque sideboards, elegant tea and games tables, bookcases, and mirrors. The book also features an index of Irish furniture-makers and craftsmen of the eighteenth century, compiled from Dublin newspaper advertisements and other contemporary sources.

Reveals a number of significant and interesting insights into Irish immigrant history in America

Publisher's description: Irish Immigrants in the Land of Canaan is a monumental study of early Irish Protestant and Catholic immigration to America. Through exhaustive research and analysis of the migrants' letters and memoirs, the editors explore why the immigrants left Ireland, how they adapted to colonial and revolutionary America, and how their experiences and attitudes shaped society, culture and politics, and created modern Irish and Irish-American identities, in America and Ireland alike.

As mid-19th century America erupted in violence with the invasion of Mexico and the outbreak of the Civil War, Irish immigrants joined the fray in large numbers, on both sides. They sometimes were disruptive elements. In Mexico, a body of Irish artillerymen defected to the other side. During the Civil War, Patrick Cleburne stirred controversy in the Confederacy when he proposed enlisting slaves in exchange for their freedom. The New York draft riots, a violent insurrection by a predominantly Irish mob, raged for three days before Federal troops restored order. Despite turmoil and contention, the Irish soldiers who fought in the Union army contributed significantly to the preservation of the United States. This collection of essays examines the involvement of Irish men and women in America's conflicts from 1840 to 1865.

Figures from the Scots-Irish Andrew Jackson to the Caribbean-Irish Rihanna, as well as literature, film, caricature, and beauty discourse, convey how the Irish racially transformed multiple times: in the slave-holding Caribbean, on America's frontiers and antebellum plantations, and along its eastern seaboard. This cultural history of race and centuries of Irishness in the Americas examines the forcibly transported Irish, the eighteenth-century Presbyterian Ulster-Scots, and post-1845 Famine immigrants. Their racial transformations are indicated by the designations they acquired in the Americas: 'Redlegs,' 'Scots-Irish,' and 'black Irish.' In literature by Fitzgerald, O'Neill, Mitchell, Glasgow, and Yerby (an African-American author of Scots-Irish heritage), the Irish are both colluders and victims within America's racial structure. Depictions range from Irish encounters with Native and African Americans to competition within America's immigrant hierarchy between 'Saxon' Scots-Irish and 'Celtic' Irish Catholic. Irish-connected presidents feature, but attention to queer and multiracial authors, public women, beauty professionals, and performers complicates the 'Irish whitening' narrative. Thus, 'Irish Princess' Grace Kelly's globally-broadcast ascent to royalty paves the way for 'America's royals,' the Kennedys. The presidencies of the Scots-Irish Jackson and Catholic-Irish Kennedy signalled their respective cohorts' assimilation. Since Gothic literature particularly expresses the complicity that attaining power ('whiteness') entails, subgenres named 'Scots-Irish Gothic' and 'Kennedy Gothic' are identified: in Gothic by Brown, Poe, James, Faulkner, and Welty, the violence of the colonial Irish motherland is visited upon marginalized Americans, including, sometimes, other Irish groupings. History is Gothic in Irish-American narrative because the undead Irish past replays within America's contexts of race.