Island Paradise

Four best friends—Check. One unforgettable week in Kauai—Check. Sun, surf, and hula girls in bikinis—Check. A creepy mansion on the forbidden side of the island…. Check? Sam and Colby’s vacation in paradise goes from enchanting, to weird, to deadly, when Trey, an old acquaintance, insists they can’t leave without a visit to the legendary Nā Pali Coast. It turns out Trey has been living at the infamous Belle Estate, owned by a wealthy and eccentric widow—who locals believe is a witch. The only thing odder than how a twenty-three-year-old college kid from Utah ended up living in a remote and isolated mansion on the North Shore of Kauai is that he is romantically involved with a woman old enough to be their grandmother. Belle Estate’s walls hold an eerie sway over all who enter, and a dark, shadowy presence seems to be following them around the grounds. When an unfavorable change of plans forces them to stay overnight, Sam and Colby are in for the most terrifying encounter of their lives.

A colonial discourse has perpetuated the literary notion of islands as paradisal. This study explores how the notions of island paradise have been represented in European literature, the oral and literary indigenous traditions of the Caribbean and Sri Lanka, a colonial literary influence in these islands, and the literary experience after independence in these nations. Persistent themes of colonial narratives foreground the aesthetic and ignore the workforce in a representation of island space as idealized, insular, and vulnerable to conquest; an ideal space for management and control. English landscape has been replicated in islands through literature and in reality - the 'Great House' being an ideological symbol of power. Island Paradise: The Myth investigates how these entrenched notions of paradise, which islands have traditionally represented metonymically, are contested in the works of four postcolonial authors: Jamaica Kincaid, Lawrence Scott, Romesh Gunesekera, and Jean Arasanayagam, from the island nations of the Caribbean and Sri Lanka. It analyzes texts which focus on gardens, island space, and houses to examine how these motifs are used to re-vision colonial/contested sites. This book examines the relationship between landscape and identity and, with reference to Homi K. Bhabha, considers how these writers offer an alternative space for negotiating the ambivalence of hybridity.

"Tahiti, the island paradise" by Nicholas Senn. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.

Escape to paradise with Island Escapes: Tropical Paradise Getaways. This comprehensive guidebook takes you on a journey to some of the world’s most breathtaking islands, offering detailed itineraries, insider tips, and essential travel information. Whether you’re seeking adventure in the Caribbean, tranquility in the South Pacific, or cultural immersion in Southeast Asia, this book has you covered. Discover the hidden gems, luxurious resorts, and natural wonders of each island destination. From planning your trip and packing essentials to sustainable travel practices, this guide ensures your island getaway is unforgettable. Pack your bags and get ready to explore the world’s most idyllic islands!

A colonial discourse has perpetuated the literary notion of islands as paradisal. This study explores how the notions of island paradise have been represented in European literature, the oral and literary indigenous traditions of the Caribbean and Sri Lanka, a colonial literary influence in these islands, and the literary experience after independence in these nations. Persistent themes of colonial narratives foreground the aesthetic and ignore the workforce in a representation of island space as idealized, insular, and vulnerable to conquest; an ideal space for management and control. English landscape has been replicated in islands through literature and in reality – the ‘Great House’ being an ideological symbol of power. Island Paradise: The Myth investigates how these entrenched notions of paradise, which islands have traditionally represented metonymically, are contested in the works of four postcolonial authors: Jamaica Kincaid, Lawrence Scott, Romesh Gunesekera, and Jean Arasanayagam, from the island nations of the Caribbean and Sri Lanka. It analyzes texts which focus on gardens, island space, and houses to examine how these motifs are used to re-vision colonial/contested sites. This book examines the relationship between landscape and identity and, with reference to Homi K. Bhabha, considers how these writers offer an alternative space for negotiating the ambivalence of hybridity.

Just one month after his 21st birthday, Peter Rudiak-Gould moved to Ujae, a remote atoll in the Marshall Islands located 70 miles from the nearest telephone, car, store, or tourist, and 2,000 miles from the closest continent. He spent the next year there, living among its 450 inhabitants and teaching English to its schoolchildren. At first blush, Surviving Paradise is a thoughtful and laugh-out-loud hilarious documentation of Rudiak-Gould’s efforts to cope with daily life on Ujae as his idealistic expectations of a tropical paradise confront harsh reality. But Rudiak-Gould goes beyond the personal, interweaving his own story with fascinating political, linguistic, and ecological digressions about the Marshall Islands. Most poignant are his observations of the noticeable effect of global warming on these tiny, low-lying islands and the threat rising water levels pose to their already precarious existence. An Eat, Pray, Love as written by Paul Theroux, Surviving Paradise is a disarmingly lighthearted narrative with a substantive emotional undercurrent.

Stranded Mary-Kate can't believe it when the cruise she's working takes off without her, leaving her behind on a remote south Pacific island. Despite all attempts to be reunited with her ship, this island is off the beaten path and accessibility is limited. As the days pass, she becomes involved with the islanders and discovers a unique lifestyle so different from her own that's highly appealing.Suspicious Dane Carmichel is a leading land owner on the island and suspicious of Mary-Kate's story. When she asks for help getting off the island, he informs her of the next boat-in eighteen days. Reluctantly offering her a place to stay, he remains suspicious of her motives-even more so when she begins to fit in with the island way of life.Sail Away When Mary-Kate's about to change her mind about wanting to leave, the rescue ship arrives. Now what's a woman to do-leave the man she's fallen in love with behind, or stay where she's not wanted?