Issei Baseball

Baseball has been called America's true melting pot, a game that unites us as a people. Issei Baseball is the story of the pioneers of Japanese American baseball, Harry Saisho, Ken Kitsuse, Tom Uyeda, Tozan Masko, Kiichi Suzuki, and others--young men who came to the United States to start a new life but found bigotry and discrimination. In 1905 they formed a baseball club in Los Angeles and began playing local amateur teams. Inspired by the Waseda University baseball team's 1905 visit to the West Coast, they became the first Japanese professional baseball club on either side of the Pacific and barnstormed across the American Midwest in 1906 and 1911. Tens of thousands came to see "how the minions of the Mikado played the national pastime." As they played, the Japanese earned the respect of their opponents and fans, breaking down racial stereotypes. Baseball became a bridge between the two cultures, bringing Japanese and Americans together through the shared love of the game. Issei Baseball focuses on the small group of men who formed the first professional and semiprofessional Japanese baseball clubs. These players' story tells the history of early Japanese American baseball, including the placement of Saisho, Kitsuse, and their families in relocation camps during World War II and the Japanese immigrant experience.

Presenting views from a variety of sport and history experts, Baseball in America and America in Baseball captures the breadth and unsuspected variety of our national fascination and identification with America's Game. Chapters cover such well-known figures as Ty Cobb and lesser-known topics like the "invisible" baseball played by Japanese Americans during the 1930s and 1940s. A study of baseball in rural California from the Gold Rush to the turn of the twentieth century provides an interesting glimpse at how the game evolved from its earliest beginnings to something most modern observers would find familiar. Chapters on the Negro League's Baltimore Black Sox, financial profits of major league teams from 1900 to 1956, and American aspirations to a baseball-led cultural hegemony during the first half of the twentieth century round out this superb collection of sport history scholarship. Baseball in America and America in Baseball belongs on the bookshelf of any avid student of the game and its history. It also provides interesting glimpses into the sociology of sport in America.

Four generations of Japanese Americans broke down racial and cultural barriers in California by playing baseball. Behind the barbed wire of concentration camps during World War II, baseball became a tonic of spiritual renewal for disenfranchised Japanese Americans who played America's pastime while illegally imprisoned. Later, it helped heal resettlement wounds in Los Angeles, San Francisco, the Central Valley and elsewhere. Today, the names of Japanese American ballplayers still resonate as their legacy continues. Mike Lum was the first Japanese American player in the Major Leagues in 1967, Lenn Sakata the first in the World Series in 1983 and Don Wakamatsu the first manager in 2008. Join Kerry Yo Nakagawa in this update of his 2001 classic as he chronicles sporting achievements that doubled as cultural benchmarks.

Nikkei Baseball examines baseball's evolving importance to the Japanese American community and the construction of Japanese American identity. Originally introduced in Japan in the late 1800s, baseball was played in the United States by Japanese immigrants first in Hawaii, then San Francisco and northern California, then in amateur leagues up and down the Pacific Coast. For Japanese American players, baseball was seen as a sport that encouraged healthy competition by imposing rules and standards of ethical behavior for both players and fans. The value of baseball as exercise and amusement quickly expanded into something even more important, a means for strengthening social ties within Japanese American communities and for linking their aspirations to America's pastimes and America's promise. With World War II came internment and baseball and softball played behind barbed wire. After their release from the camps, Japanese Americans found their reentry to American society beset by anti-Japanese laws, policies, and vigilante violence, but they rebuilt their leagues and played in schools and colleges. Drawing from archival research, prior scholarship, and personal interviews, Samuel O. Regalado explores key historical factors such as Meji-era modernization policies in Japan, American anti-Asian sentiments, internment during World War II, the postwar transition, economic and educational opportunities in the 1960s, the developing concept of a distinct "Asian American" identity, and Japanese Americans' rise to the major leagues with star players including Lenn Sakata and Kurt Suzuki and even managers such as the Seattle Mariners' Don Wakamatsu.

This book provides a comprehensive story of the complicated and rich story of the Japanese American experience-from immigration, to discrimination, to adaptation, achievement and contributions to the American mosaic. Japanese Americans: The History and Culture of a People highlights the enormous contributions of Japanese Americans in history, civil rights, politics, economic development, arts, literature, film, popular culture, sports, and religious landscapes. It not only provides context to important events in Japanese American history and in-depth information about the lives and backgrounds of well-known Japanese Americans, but also captures the essence of everyday life for Japanese Americans as they have adjusted their identities, established communities, and interacted with other ethnic groups. This innovative volume will become the standard resource for exploring why the Japanese came to the USA more than 130 years ago, where they settled, and what experiences played a role in forming the distinctive Japanese American identity.

With the rise of stars such as Hideo Nomo, Ichiro Suzuki, and now Daisuke Matsuzaka, fans today can easily name players from the island country of Japan. Less widely known is that baseball has long been played on other Pacific islands, in pre-statehood Hawaii, for instance, and in Guam, Samoa and the Philippines. For the multiethnic peoples of these U.S. possessions, the learning of baseball was actively encouraged, some would argue as a means to an unabashedly colonialist end. As early as the deadball era, Pacific Islanders competed against each other and against mainlanders on the diamond, with teams like the Hawaiian Travelers barnstorming the States, winning more than they lost against college, semi-pro, and even professional nines. For those who moved to the mainland, baseball eased the transition, helping Asian Pacific Americans create a sense of community and purpose, cross cultural borders, and--for a few--achieve fame.

"Most of the contributions strongly project the authors' perceptions of the role of race on their subjects, and essays should elicit lively discussions in the classroom." —CHOICE Frederick Douglass liked to say of West Indian boxer Peter Jackson that "Peter is doing a great deal with his fists to solve the Negro question." His comment reflects the possibilities for social transformation that he saw in the emerging modern sports culture. Indeed, as the twentieth century developed, sports have become an important cultural terrain over which various racial groups have contested, defined, and represented their racial, national, and inter-ethnic identities. Sports Matters brings critical attention to the centrality of race within the politics and pleasures of the massive sports culture that developed in the U.S. during the past century and a half. The contributors collected here address such issues as popular representations of blacks in sports. They consider baseball—from Nisei players in Oregon to Mexican-Americans in Los Angeles. And they look at the use of warrior imagery in representations of Native American athletes and the evolution of black expressive style within basketball. Sports Matters challenges our presumptions about sports, illuminating in the process the complexities of race and gender as they relate to popular culture. Contributors include Amy Bass, John Bloom, Annie Gilbert Coleman, Gena Caponi, Montye Fuse, Randy Hanson, Michiko Hase, George Lipsitz, Keith Miller, Sharon O'Brien, Connie Razza, Sam Regalado, Greg Rodriguez, Julio Rodriguez, Michael Willard, and Henry Yu.