Istanbul At The Threshold Of Nation State

During the formation of the Turkish national movement, while Istanbul was under British, French, and Italian occupation, a distinct factional split emerged. One side supported the Ottoman sultanate’s sovereignty, while the other championed a populist, republican path. An Istanbul at the Threshold of Nation State contextualizes this history of coalition, political disintegration, and power struggles in Turkey between 1918 and 1923 to highlight the rise of anti-communist movements and the emergence of national labor and merchant confederations that formed xenophobic, Christian exclusionary policies in the 1920s and 30s.

Since its emergence in the 1920s, Iraqi-Kurdish theatre was used as a tool of national identity building and modernisation. It promoted literacy, education and women's rights and became one of the most visible forms of Kurdish cultural nationalism by exploring folklore, myths, legends and local history and by celebrating heroes of the past. As time went on, by staging anti-feudalist and anti-monarchist plays, theatre became engaged in representing and legitimising the wider political movement in Iraq that ultimately led to the overthrow of the monarchy in 1958. Between 1975-1991, even under strict censorship during the Baath rule, Kurdish theatre continued to promote Kurdish nationalism and resistance through the use of Kurdish folk culture and literature. This book is based on dramatic texts from the period, interviews with Kurdish theatre artists, Kurdish theatre histories, historical documents, and journalistic accounts. It illustrates the ways in which theatre participated in the Kurdish national struggle and how it responded to political changes in different historical periods. It is the first book dedicated to Kurdish theatre and complements the latest research that examines theatre in its wider socio-political context.

This book examines non-Muslim religious sites, structures and spaces in the Islamic world. It reveals a vibrant portrait of life in the religious sites by illustrating how architecture responds to contextual issues and traditions. Sacred Precincts explores urban context; issues of identity; design; construction; transformation and the history of sacred sites and architecture in Europe, the Middle East and Africa from the advent of Islam to the 20th century. It includes case studies on churches and synagogues in Iran, Turkey, Cyprus, Egypt, Iraq, Tunisia, Morocco and Malta, and on sacred sites in Nigeria, Mali, and the Gambia. With contributions by Clara Alvarez, Angela Andersen, Karen Britt, Karla Britton, Jorge Manuel Simão Alves Correia, Elvan Cobb, Daniel Coslett, Mohammad Gharipour, Mattia Guidetti, Suna Güven, Esther Kühn, Amy Landau, Ayla Lepine, Theo Maarten van Lint, David Mallia, Erin Maglaque, Susan Miller, A.A. Muhammad-Oumar, Meltem Özkan Altınöz, Jennifer Pruitt, Rafael Sedighpour, Ann Shafer, Jorge Manuel Simão Alves Correia, Ebru Özeke Tökmeci, Steven Thomson, Heghnar Watenpaugh, Alyson Wharton and Ethel S. Wolper.

All eyes are currently on Turkey with Istanbul’s status as European Capital of Culture 2010. It makes it a pertinent moment to take stock and to look at Turkey’s past, present and future, bringing the nation’s cultural renaissance and evolution to the fore internationally. Since the early 2000s, Turkey has undergone a remarkable economic recovery, which has been accompanied by urban development and a cultural flowering. Positioned between an expanding European Union and an unstable Middle East, the country provides a fascinating interface between the Occident and the Orient. Taking into account the current political concerns with consolidating Eastern and Western cultures, Turkey is poised at a vital global crossroads: Tackles aspects of globalisation and the potential threat that a rapid rolling out of an overly homogenised built environment poses to rich local building traditions that are founded on specific, climatic, knowledge and cultural diversity. Provides an analytical approach that highlights specific aspects of Turkey’s rich heritage and current design culture. Features work by established and emerging design practices in Turkey. Contributors include Tevfik BalcIoglu, Gülsüm Baydar, Edhem Eldem, Tolga islam, Zeynep Kezer, Ugur Tanyeli, ilhan Tekeli and Banu Tomruk.

Turkey's modern history has been unstable and contradictory. National identity continues to be an issue as Turks are faced with joining the West and preserving their own culture. The emergence of Islamicism contributes to the question of how safe the secular constitutional democracy is.

What does it mean to watch two-hour long news programmes every evening? Why are some people 'addicted' to the news while others prefer to switch off? Television is an indispensable part of the fabric of modern life and this book investigates a facet of this process: its impact on the ways that we experience the political entity of the nation and our national and transnational identities. Drawing on anthropological, social and media theory and grounded on a two-year original ethnography of television news viewing in Athens, the book offers a fresh, interdisciplinary perspective in understanding the media/identity relationship. Starting from a perspective that examines identities as lived and as performed, the book follows the circulation of discourses about the nation and belonging and contrasts the articulation of identities at a local level with the discourses about the nation in the national television channels. The book asks: whether, and in what ways does television influence identity discourses and practices? When do people contest the official discourses about the nation and when do they rely on them? Do the media play a role in relation to inclusion and exclusion from public life, particularly in the case of minorities? The book presents a compelling account of the contradictory and ambivalent nature of national and transnational identities while developing a nuanced approach to media power. It is argued that although the media do not shape identities in a causal way, they do contribute in creating common communicative spaces which often catalyse feelings of belonging or exclusion. The book claims a place in the emerging sub-field of media anthropology and represents the new generation of audience research that places media consumption in the wider social, economic and political context.

Nationalism in the Troubled Triangle is the first systematic study of nationalism in Cyprus, Greece and Turkey from a comparative perspective. Bringing scholars from Greece, Turkey and both sides of Cyprus (and beyond) together, the book provides a critical account of nation-building processes and nationalist politics in all three countries.

A fascinating history of nineteenth century Eastern Mediterranean port cities, re-examining European influence over the changing lives of their urban populations.