It S A Sin

"He is a talented and very promising young policeman. Make no mistakes, he deserves the promotion."But when gay Detective Sergeant Dave Lyon is assigned to Detective Inspector Claire Summerskill's team as part of the Service's 'positive discrimination policy', no-one at Foregate Street Station is happy. And that includes Summerskill and Lyon.Mutual suspicion and mistrust must be shelved however, when a young man's beaten body is found on a canal tow path, and a dead-end case of 'happy slapping' unexpectedly turns into a murder investigation.Why would someone want to kill middle class arts student Jonathan Williams? And how is his death linked to that of rent boy and would be 'adult' film star Sean?As Summerskill and Lyon's investigations proceed, the newly promoted detectives begin to untangle a web of connections, false assumptions and sheer prejudices that force them both to question closely not just their relationship with each other but with the rest of their colleagues at Foregate Street Station and with the Police Service as a whole."It's A Sin" is the first in the "Summerskill and Lyon" police procedural novels.

PULITZER PRIZE FINALIST NATIONAL BOOK AWARD FINALIST A NEW YORK TIMES TOP 10 BOOK OF 2018 LOS ANGELES TIMES BOOK PRIZE WINNER ALA CARNEGIE MEDAL WINNER THE STONEWALL BOOK AWARD WINNER Soon to Be a Major Television Event, optioned by Amy Poehler “A page turner . . . An absorbing and emotionally riveting story about what it’s like to live during times of crisis.” —The New York Times Book Review A dazzling novel of friendship and redemption in the face of tragedy and loss set in 1980s Chicago and contemporary Paris In 1985, Yale Tishman, the development director for an art gallery in Chicago, is about to pull off an amazing coup, bringing in an extraordinary collection of 1920s paintings as a gift to the gallery. Yet as his career begins to flourish, the carnage of the AIDS epidemic grows around him. One by one, his friends are dying and after his friend Nico’s funeral, the virus circles closer and closer to Yale himself. Soon the only person he has left is Fiona, Nico’s little sister. Thirty years later, Fiona is in Paris tracking down her estranged daughter who disappeared into a cult. While staying with an old friend, a famous photographer who documented the Chicago crisis, she finds herself finally grappling with the devastating ways AIDS affected her life and her relationship with her daughter. The two intertwining stories take us through the heartbreak of the eighties and the chaos of the modern world, as both Yale and Fiona struggle to find goodness in the midst of disaster. Named a Best Book of 2018 by The New York Times Book Review, The Washington Post, NPR, San Francisco Chronicle, The Boston Globe, Entertainment Weekly, Buzzfeed, The Seattle Times, Bustle, Newsday, AM New York, BookPage, St. Louis Post-Dispatch, Lit Hub, Publishers Weekly, Kirkus Reviews, New York Public Library and Chicago Public Library

"Plantinga's treatment of sin is comprehensive, articulate, and well written. It confirms the orthodox and neo-orthodox doctrine of sin, lavishly illustrates it from contemporary events, and plumbs depths in understanding sin's complexities and banalities...

A compassionate act drives a young single mother in Arkansas to the forefront of America’s fight against AIDS in this “powerful” memoir (Library Journal). In 1986, twenty-six-year-old Ruth visits a friend at the hospital when she notices that the door to one of the hospital rooms is painted red. She witnesses nurses drawing straws to see who would tend to the patient inside, all of them reluctant to enter the room. Out of impulse, Ruth herself enters the quarantined space and immediately begins to care for the young man who cries for his mother in the last moments of his life. Before she can even process what she’s done, word spreads in the community that Ruth is the only person willing to help these young men afflicted by AIDS, and is called upon to nurse them. As she forges deep friendships with the men she helps, she works tirelessly to find them housing and jobs, even searching for funeral homes willing to take their bodies—often in the middle of the night. She cooks meals for tens of people out of discarded food found in the dumpsters behind supermarkets, stores rare medications for her most urgent patients, teaches sex-ed to drag queens after hours at secret bars, and becomes a beacon of hope to an otherwise spurned group of ailing gay men on the fringes of a deeply conservative state. Throughout the years, Ruth defies local pastors and nurses to help the men she cares for: Paul and Billy, Angel, Chip, Todd and Luke. Emboldened by the weight of their collective pain, she fervently advocates for their safety and visibility, ultimately advising Governor Bill Clinton on the national HIV-AIDS crisis. This deeply moving and elegiac memoir honors the extraordinary life of Ruth Coker Burks and the beloved men who fought valiantly for their lives with AIDS during a most hostile and misinformed time in America. Praise for All the Young Men A Finalist for the Lambda Literary Award One of Library Journal’s Best Biographies and Memoirs of 2020 “Burks’s spirited, straightforward prose balances the heartbreak of her story with just enough humor and toughness. A must-read for anyone interested in narratives of front-line responses to the early AIDS crisis as well as personal accounts of kindness and determination.” —Library Journal (starred review) “Burks’ vivid memories of ‘my guys’ and the trials she endured fighting against prejudice offer a portrait of courageous compassion that is both rare and inspiring . . . [A] deeply moving, meaningful book.” —Kirkus Reviews “Anecdotes of small-town gay bars and drag queen rivalries add levity to tales of hardship and sacrifice—crosses set ablaze on her lawn, her young daughter ostracized at school. . . . This worthy account offers as much bitter as sweet.” —Publishers Weekly

“For fans of The Handmaid’s Tale...a debut novel with a dark setting and an unforgettable heroine...is a riveting depiction of hard-won female empowerment” (The Washington Post). The Sin Eater walks among us, unseen, unheard Sins of our flesh become sins of Hers Following Her to the grave, unseen, unheard The Sin Eater Walks Among Us. For the crime of stealing bread, fourteen-year-old May receives a life sentence: she must become a Sin Eater—a shunned woman, brutally marked, whose fate is to hear the final confessions of the dying, eat ritual foods symbolizing their sins as a funeral rite, and thereby shoulder their transgressions to grant their souls access to heaven. Orphaned and friendless, apprenticed to an older Sin Eater who cannot speak to her, May must make her way in a dangerous and cruel world she barely understands. When a deer heart appears on the coffin of a royal governess who did not confess to the dreadful sin it represents, the older Sin Eater refuses to eat it. She is taken to prison, tortured, and killed. To avenge her death, May must find out who placed the deer heart on the coffin and why. “Very much reminiscent of The Handmaid’s Tale…it transcends its historical roots to give us a modern heroine” (Kirkus Reviews). “A novel as strange as it is captivating” (BuzzFeed), The Sin Eater “is a treat for fans of feminist speculative fiction” (Publishers Weekly) and “exactly what historical fiction lovers have unknowingly craved” (New York Journal of Books).

Originally published in Spanish in 1899, this influential book provides a Catholic perspective on liberalism as a political and social ideology. Written by a prominent theologian and journalist, it offers a rigorous critique of the principles and practices of liberal democracy, arguing that they lead to moral relativism, social decay, and spiritual emptiness. Despite its age, this work remains relevant and thought-provoking, inviting readers to reflect on the nature and meaning of freedom, justice, and human dignity. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Set in London's Soho in the 1980s, Cruise tells the story of what should have been Michael Spencer's last night on Earth. Diagnosed with HIV in 1984, he's told by doctors that he has just four years to live, so as the clock runs down, Michael decides to go out in style. As he parties and bids final farewells to his friends, the clock strikes zero and Michael... survives. With the gift of life, how can he go on living? Jack Holden's debut play Cruise is a kaleidoscopic new monologue celebrating queer culture and paying tribute to a generation of gay men lost to the AIDS crisis. This edition was published to coincide with its West End production in May 2021.

When Jill Nalder arrived at drama school in London in the early 1980s, she was ready for her life to begin. With her band of best friends - of which many were young, talented gay men with big dreams of their own - she grabbed London by the horns: partying with drag queens at the Royal Vauxhall Tavern, hosting cabarets at her glamorous flat, flitting across town to any jobs she could get. But soon rumours were spreading from America about a frightening illness being dubbed the 'gay flu', and Jill and her friends now found their formerly carefree existence under threat. In this moving memoir, Jill Nalder tells the true story of her and her friends' lives during the AIDS crisis - juggling a busy West End career while campaigning for AIDS awareness and research, educating herself and caring for the sick. Most of all, she shines a light on those who were stigmatised and shamed, and remembers those brave and beautiful boys who were lost too soon.