Italian Organ Music Of The Eighteenth Century

This volume contains a vintage article on the subject of Italian organ music, being a detailed history of its origins and development with reference to notable players and composers. “Italian Organ Music” will appeal to those with a love of this fabulous instrument, and it is not to be missed by those interested in it's colourful history and evolution in Europe. Contents include: “Landino”, “The Several Kinds of Ancient Organ”, “Organs at St. Mark's”, “Venice”, “Zuchetti”, “Organum Magnum and Organum Parvum”, “Organists and Organ Builder”, “Squarcialupo”, “Willaert”, “Buus”, “The Music at St. Mark's”, “The Earliest Printed Italian Organ Music”, etc. Many vintage books such as this are increasingly scarce and expensive. It is with this in mind that we are republishing this volume now in an affordable, modern, high-quality edition complete with a specially commissioned new introduction on the history of the organ.

Each part starts with a brief description of the political and religious climate of the period and the way such factors affected the compositions and the organ-building of the time.

Research in the field of keyboard studies, especially when intimately connected with issues of performance, is often concerned with the immediate working environments and practices of musicians of the past. An important pedagogical tool, the keyboard has served as the ’workbench’ of countless musicians over the centuries. In the process it has shaped the ways in which many historical musicians achieved their aspirations and went about meeting creative challenges. In recent decades interest has turned towards a contextualized understanding of creative processes in music, and keyboard studies appears well placed to contribute to the exploration of this wider concern. The nineteen essays collected here encompass the range of research in the field, bringing together contributions from performers, organologists and music historians. Questions relevant to issues of creative practice in various historical contexts, and of interpretative issues faced today, form a guiding thread. Its scope is wide-ranging, with contributions covering the mid-sixteenth to early twentieth century. It is also inclusive, encompassing the diverse range of approaches to the field of contemporary keyboard studies. Collectively the essays form a survey of the ways in which the study of keyboard performance can enrich our understanding of musical life in a given period.

This third edition is a basic textbook on the development of pipe organ composition in geographically diverse schools. Its nineteen chapters include charts of organ composers and a historical background of contemporary events and figures for each organ composition school. Chapter bibliographies cover readings published in the seventies, eighties, and early nineties. A listing of Bach organ compositions with pagination of various editions is also included.

A listing of organ settings, descants, and alternative harmonizations for the tunes of The Hymnal 1982 along with their publishers, volume location in a multi-volume work, or selection location in a collection, and level of difficulty. This book does not contain the music itself. The listings in this volume are of those titles published since the compilation of Volume I.