Jackdaw Summer

Every summer Liam and Max roam the wild countryside of Northumberland - but this year things are different. One hot summer's day a jackdaw leads the two boys into an ancient farm house where they find a baby, wrapped in a blanket, with a scribbled note pinned to it: PLESE LOOK AFTER HER RITE. THIS IS A CHILDE OF GOD. And so begins Jackdaw Summer. A summer when friendships are tested. A summer when lines between good and bad are blurred. A summer that Liam will never forget... A stunning novel from the author of the modern children's classic Skellig - winner of the Carnegie Medal and the Whitbread Children's Book Award. David Almond is also winner of the 2010 Hans Christian Andersen award.

Featuring close readings of selected poetry, visual texts, short stories and novels published for children since 1945 from Naughty Amelia Jane to Watership Down, this is the first extensive study of the nature and form of ethical discourse in British children's literature. Ethics in British Children's Literature explores the extent to which contemporary writing for children might be considered philosophical, tackling ethical spheres relevant to and arising from books for young people, such as naughtiness, good and evil, family life, and environmental ethics. Rigorously engaging with influential moral philosophers, from Aristotle through Kant and Hegel, to Arno Leopold, Iris Murdoch, Mary Midgley, and Lars Svendsen, this book demonstrates the narrative strategies employed to engage young readers as moral agents.

In recent decades, age studies has started to emerge as a new approach to study children’s literature. This book builds on that scholarship but also significantly extends it by exploring age in various aspects of children’s literature: the age of the author, the characters, the writing style, the intended readership and the real reader. Moreover, the authors explore what different theories and methods can be used to study age in children’s literature, and what their affordances and limits are. The analyses combine age studies with life writing studies, cognitive narratology, digital humanities, comparative literary studies, reader-response research and media studies. To ensure coherence, the book offers an in-depth exploration of the oeuvre of a single author, David Almond. The aesthetic and thematic richness of Almond’s works has been widely recognised. This book adds to the understanding of his oeuvre by offering a multi-faceted analysis of age. In addition to discussing the film adaptation of his best-known novel Skellig, this book also offers analyses of works that have received less attention, such as Counting Stars, Clay and Bone Music. Readers will also get a fuller understanding of Almond as a crosswriter of literature for children, adolescents and adults.

David Almond is one of the most exciting and innovative authors writing for children and young people today. Since the publication of his award-winning first book, Skellig (1998), his novels have pushed the boundaries of children's literature and magical realism. This vibrant collection of original essays by leading international children's literature scholars and researchers provides a theoretically-informed overview of Almond's novels and fresh analysis of individual texts. Exploring broad themes such as philosophy, theology and cognitive science, the volume also introduces new concepts such as mystical realism, literary Catholicism and radical landscape.

This volume examines changing boundaries between childhood and adulthood in British society and culture at the beginning of the twenty-first century − where these age boundaries are widely debated, policed, and contested − to investigate alternatives to conventional ideas of growing up. Building on observations, especially in children’s literature criticism, that human growth is shaped by a grand narrative that privileges adulthood, and on terminologies of non-normative growth, particularly in queer theory, this monograph develops growing sideways as a concept that queers this grand narrative by destabilising childhood and adulthood, and the boundaries between them. The concept is refined through close readings of twenty-first century British children’s literature, television series, film, and participatory events, troubling age boundaries via specific strategies in three conceptual areas: appearance, play, and space. Exploring power structures around age and gender, this monograph traces growing sideways as a distinct and important alternative discourse of human growth.

Winner of the Governor General's Award for Children's Illustration Rose and Windy are summer friends whose families have visited Awago Beach for as long as they can remember. But this year is different, and they soon find themselves tangled in teen love and family crisis. From the creators of Skim comes an investigation into the mysterious world of adults. Sure, Rose’s dad is still making cheesy and embarrassing jokes, but her mother is acting like she doesn’t even want to be there. Plus, being at the cottage isn’t just about going to the beach anymore. Now Rose and Windy are spending a lot of their time renting scary movies and spying on the teenagers who work at the corner store, as well as learning stuff about sex no one mentioned in health class. Pretty soon everything is messed up. Rose’s father leaves the cottage and returns to the city, and her mother becomes more and more withdrawn. While her family is falling to pieces, Rose focuses her attention on Dunc, a teenager working at the local corner store. When Jenny, Dunc’s girlfriend, claims to be pregnant, the girls realize that the teenagers are keeping just as many secrets as the adults in their lives. No one seems to want to talk about the things that matter. When the tension between Dunc and Jenny boils over, Jenny makes a desperate and destructive move and Rose's mother is galvanized into action. In the aftermath, nothing is completely resolved, but secrets have been aired, which means that things are at least a bit better for everyone. For Rose and Windy, the end of summer brings the realization that, while Awago Beach might always be the same, they have both been changed forever. From Mariko Tamaki and Jillian Tamaki, creators of the multi-award-winning graphic novel Skim, comes a stunning and authentic story of friendship, illustrated with subtly heart-breaking moments and pure summer joy.

Liam and his friend Max are playing in their neighborhood when the call of a bird leads them out into a field beyond their town. There, they find a baby lying alone atop a pile of stones—with this note pinned to her clothing: PLESE LOOK AFTER HER RITE. THIS IS A CHILDE OF GOD.