Jamaica Spirit World

This collection of short stories depicts the experiences and adventures of Mappy, a young rural boy growing up in Jamaica in the 1950s and 60s.

In the early eighteenth century, a delegation of Iroquois visited Britain, exciting the imagination of the London crowds with images of the “feathered people” and warlike “Mohocks.” Today, performing in a popular Afrodiasporic tradition, “Mardi Gras Indians” or “Black Masking Indians” take to the streets of New Orleans at carnival time and for weeks thereafter, parading in handmade “suits” resplendent with beadwork and feathers. What do these seemingly disparate strands of culture share over three centuries and several thousand miles of ocean? Interweaving theatrical, musical, and ritual performance along the Atlantic rim from the eighteenth century to the present, Cities of the Dead explores a rich continuum of cultural exchange that imaginatively reinvents, recreates, and restores history. Joseph Roach reveals how performance can revise the unwritten past, comparing patterns of remembrance and forgetting in how communities forge their identities and imagine their futures. He examines the syncretic performance traditions of Europe, Africa, and the Americas in the urban sites of London and New Orleans, through social events ranging from burials to sacrifices, auctions to parades, encompassing traditions as diverse as Haitian Voudon and British funerals. Considering processes of substitution, or surrogation, as enacted in performance, Roach demonstrates the ways in which people and cultures fill the voids left by death and departure. The twenty-fifth anniversary edition of this classic work features a new preface reflecting on the relevance of its arguments to the politics of performance and performance in contemporary politics.

This book explores the genealogy of Jamaican dancehall while questioning whether dancehall has a spiritual underscoring, foregrounding dance, and cultural expression. This study identifies the performance and performative (behavioural actions) that may be considered as representing spiritual ritual practices within the reggae/dancehall dance phenomenon. It does so by juxtaposing reggae/dancehall against Jamaican African/neo-African spiritual practices such as Jonkonnu masquerade, Revivalism and Kumina, alongside Christianity and post-modern holistic spiritual approaches. This book will be of great interest to students and scholars in performance studies, popular culture, music, theology, cultural studies, Jamaican/Caribbean culture, and dance specialists.

This pioneering work is multi-disciplinary in approach as it examines the rich folk medicine of Jamaica. Payne-Jackson and Alleyne analyse the historical and linguistic aspects of folk medicine, based on their research, which included extensive fieldwork and interviews. They explore the sociological and ethnological dimensions of common healing and health-preserving practices which rely on Jamaica's rich biodiversity in medicinal and nutritional flora. As is the case with other aspects of Jamaican traditional culture, Jamaican folk medicine is largely misunderstood and subject to negative pejorative attitudes. This comprehensively study challenges some of the myths and misinformation. Particular attention is paid to cultural transference from Africa and the use of herbs in African-Jamaican religions. The work has an appendix and a glossary as well as a detailed bibliography.

For writers and academics prominent in the field of the New Literatures in English today, the notion of return explodes into rich semantic difference to reveal the diversity of preoccupations underlying the use of the common tongue. From the Caribbean to Australia, Guyana to South Africa, India to Great Britain, literary, political and personal history collaborate in the poetic metamorphosis of an otherwise everyday experience. Now a state of being, now a reading rich with cross-cultural age, return draws from the collective memory, invokes revenants, digs up forgotten history, quests for roots. Just as it creates a dialogue with the past, textual or real, it negotiates turning points and perpetuates reversals. It reclaims territory, tradition and language in its yearning for home. Fraught with the tensions arising from awareness of the impossibility of return, from the exhilarations of imaginary, fictional return - even from the glimmering hope of a possible return - its contemplation can also lead to appreciation of the infinite re-turn, re-newal and re-creation that is the beauty of human experience. Discussion ranges from revenant supernaturalism in West Indian literature and the exploration of return in Australian, African and Indo-Anglian fiction to Caribbean poetry, South African praise poets, and West African drama. Writers treated include Ama Ata Aidoo, Edward Kamau Brathwaite, Jean D'Costa, Bessie Head, Matsemela Manaka, Salman Rushdie, Derek Walcott, and Patrick White. The personal, biographical dimension of physical return is encompassed via the examination of the life and works of such writers as Es'kia Mphahlele and Wole Soyinka, and through autobiographical reflections. The essays, stories and poetry in this collection challenge patterns of conditioned reading and call for a multilayered polylogue with reality.

Psychic Phenomena of Jamaica is a book that is the result of the author spending time in Jamaica and gathering together the material that exists within it, from unique sources such as contemporary newspapers, legal archives, and early accounts. Chapters include Ashanti cultural influence in Jamaica, Jamaican witchcraft, applied magic, ghosts, poltergeists and funeral customs.

This book describes the sociocultural context that shaped Christian initiation for many early Jamaican congregants within the African Methodist Episcopal (AME) Church. Christian initiation in early-twentieth-century Jamaican AME churches included the practice of two water rituals for children within most of its congregations--first, the christening or sprinkling of water on infants, and second, immersion when the child reached the age of consent and made a public confession of faith. The ambiguity of John Wesley's doctrine and practice of the sacrament of baptism are provided with the cultural milieu of nineteenth- and early-twentieth-century Jamaica to allow the reader to calmly consider the spectrum of evidence--and consider how the use of two water rituals became normative for many disciples of Christ to become full members within the early AME Church in Jamaica.

Discover the untold history of reggae legends of Bob Marley and the original Wailers. The perfect must-read if you loved the film One Love. Over one dramatic decade, a trio of Trench Town R&B crooners, Peter Tosh, Bunny Wailer and Bob Marley, swapped their 1960s Brylcreem hairdos and two-tone suits for 1970s battle fatigues and dreadlocks to become the Wailers - one of the most influential groups in popular music. Now one of our best and brightest non-fiction writers examines the story of the influential reggae band. Charting their complex relationship, their fluctuating fortunes, musical peak, and the politics and ideologies that provoked their split, Colin Grant shows us why they were not just extraordinary musicians, but also natural mystics. And, following a trail from Jamaica through Europe, America, Africa and back to the vibrant and volatile world of Trench Town, he travels in search of the last surviving Wailer. 'In Grant's hands life in Trench Town in the 1960's is energetic and theatrical, rich in comedy and tragic irony...This brilliant book is not just about Jamaica, but about ourselves' Guardian