James Joyce S Painful Case

James Joyce’s luminous short story collection of ordinary Dubliners’ lives, featuring “one of the greatest short stories ever written” (T. S. Eliot), now newly repackaged for the Union Square & Co. Signature Classics line. James Joyce’s collection of fifteen short stories portrays the lives of Dublin’s middle-class during the turn of the twentieth century. Structured from childhood, adolescence, adulthood, and death, each story shows people paralyzed by the mundaneness of everyday life. At times humorous and others haunting, Joyce explores the loneliness of the human condition, culminating with “The Dead,” called “one of the greatest short stories ever written” (T. S. Eliot), where a man experiences an epiphany that changes him forever.

Mr. Duffy is a bank cashier and recluse living in Dublin, who purposely avoids contact with other people—until he meets Mrs. Sinico at a concert. While Mr. Sinico believes their relationship to be purely platonic, Mrs. Sinico indicates otherwise. Critically acclaimed author James Joyce’s Dubliners is a collection of short stories depicting middle-class life in Dublin in the early twentieth century. First published in 1914, the stories draw on themes relevant to the time such as nationalism and Ireland’s national identity, and cement Joyce’s reputation for brutally honest and revealing depictions of everyday Irish life. HarperPerennial Classics brings great works of literature to life in digital format, upholding the highest standards in ebook production and celebrating reading in all its forms. Look for more titles in the HarperPerennial Classics collection to build your digital library.

Seminar paper from the year 2008 in the subject English Language and Literature Studies - Literature, grade: 1,0, University of Frankfurt (Main) (Institut für England- und Amerikastudien), course: Einführung in die Literaturwissenschaft, 7 entries in the bibliography, language: English, abstract: Though James Joyce's talent for words was not fully appreciated in his day, yet he was known for being a gifted writer with excellent narrative abilities. Literature experts agree that these skills were mainly shaped during the creation of "Dubliners", a volume of more comprehensible short stories published in 1914. The genius of this collection revolving round the ill-fated lower middle class life in early 20th century Dublin is the lively description of the individual characters contained therein. Joyce accomplished these detailed characterizations by mainly using actual friends and acquaintances as well as enemies as models for his characters. In "A Painful Case", the "most sophisticated and complex 'Dubliners' story" (Adam Sexton), it is apparent that James Joyce himself serves as a blueprint for the main character of the story, James Duffy. Accordingly, this written work contends that "A Painful Case" is in reality a glimpse at Joyce's own personal life, and more particularly at the relationship to his future wife Nora Barnacle.

Owens argues that the main character, James Duffy, is a 'spoiled priest', emotionally arrested by his guilt at having rejected the call to the priesthood. Duffy's intellectual life thereafter progresses through German idealism to eventual nihilism. The contrast of nihilist thought and Christian belief is Owens's main focus, and he demonstrates how this dichotomy is evident at various points in the life of James Duffy.

Richard Wright [RL 6 IL 10-12] A poor black boy acquires a very disturbing symbol of manhood--a gun. Theme: maturing. 38 pages. Tale Blazers.

This eclectic and probing collection of essays celebrates the centenary of the first publication of stories from James Joyce's 'Dubliners' in 1904. Since its publication in book form in 1914, 'Dubliners' has become one of the truly definitive short-story collections in world literature. 'A New and Complex Sensation' presents twenty fresh and exciting perspectives that explore the multiple layers and enduring power of Joyce's short fiction.

Because the stories in James Joyce's Dubliners seem to function as models of fiction, they are able to stand in for fiction in general in their ability to make the operation of texts explicit and visible. Joyce's stories do this by provoking skepticism in the face of their storytelling. Their narrative unreliabilities—produced by strange gaps, omitted scenes, and misleading narrative prompts—arouse suspicion and oblige the reader to distrust how and why the story is told. As a result, one is prompted to look into what is concealed, omitted, or left unspoken, a quest that often produces interpretations in conflict with what the narrative surface suggests about characters and events. Margot Norris's strategy in her analysis of the stories in Dubliners is to refuse to take the narrative voice for granted and to assume that every authorial decision to include or exclude, or to represent in a particular way, may be read as motivated. Suspicious Readings of Joyce's Dubliners examines the text for counterindictions and draws on the social context of the writing in order to offer readings from diverse theoretical perspectives. Suspicious Readings of Joyce's Dubliners devotes a chapter to each of the fifteen stories in Dubliners and shows how each confronts the reader with an interpretive challenge and an intellectual adventure. Its readings of "An Encounter," "Two Gallants," "A Painful Case," "A Mother," "The Boarding House," and "Grace" reconceive the stories in wholly novel ways—ways that reveal Joyce's writing to be even more brilliant, more exciting, and more seriously attuned to moral and political issues than we had thought.

First published in 1986. Dubliners was James Joyce’s first major publication. Setting it at the turn of the century, Joyce claims to hold up a ‘nicely polished looking-glass’ to the native Irishman. In Backgrounds for Joyce’s Dubliners, the author examines the national, mythic, religious and legendary details, which Joyce builds up to capture a many-sided performance and timelessness in Irish life. Acknowledging the serious work done on Dubliners as a whole, in this study Professor Torchiana draws upon a wide range of published and unpublished sources to provide a scholarly and satisfying framework for Joyce’s world of the ‘inept and the lower middle class’. He combines an understanding of Joyce’s subtleties with a long-standing personal knowledge of Dublin. This title will make fascinating reading for scholars and students of Joyce’s writing as well as for those interested in early twentieth century Irish social history.