Jamey Aebersold Jazz Salsa Latin Jazz Vol 64 Book Online Audio

Finally, an authentic collection of Salsa/Latin favorites. Complete with syncopations, voicings, and bass figures guaranteed to make you play in whole new ways and expand your musical awareness. There is no drumset on this recording. The percussion is purely Latin/American and the rhythm section is tight. This is like no other play-along in the series. Rhythm Section: Mark Levine (p); David Belove (b); John Santos, Timbales & Miscellaneous Percussion; Harold Muniz (Congas & Miscellaneous Percussion). Titles: Sabor * Linda Chicana * Mambo Inn * ii/V7/I Cha Cha * ii/V7/I Bolero * Afro Blue * Come Candela * Delirio * Manteca * Curacao * Philly Mambo * Mindanao * Picadillo.

Twelve of the world's finest standards done in the popular Latin jazz style. A refreshing departure from the typical swing and bossa styles which have dominated jazz in the past, this set will invite you to experience playing with an authentic Latin rhythm section over the chords to popular standards. Rhythm Section: Mark Levine (p); David Belove (b); Harold Muniz & John Santos (various percussion). Titles: St. Thomas * West Coast Blues * Soul Eyes * Body and Soul * Forest Flower * Have You Met Miss Jones * Desafinado * What is This Thing * What's New * Don't Blame Me * Opus De Funk * I Can't Get Started.

It has become standard practice today for the professional musician to play at least one Latin tune in each set for added interest and variety. This popular set contains ten beautiful and popular bossa novas that jazz players have enjoyed for years, played with a distinct "jazz flair" that adds energy and excitement. Complete with melody, chords, and lyrics, as well as transposed parts for all instruments. These songs, with their crisp, clean, tropical flavor, always seem to find a way of warming up cold practice rooms on a cold day. For meditative and truly authentic Brazilian-styled Bossa Novas, see our play-along Volume 98: Antonio Carlos Jobim. Rhythm Section: Hal Galper (p); Steve Gilmore (b); Bill Goodwin (d). Titles: Girl from Ipanema * One Note Samba * Desafinado * Meditation * So Nice * Little Boat * How Insensitive * Wave * Quiet Nights of Quiet Stars * Once I Loved.

The Alfred Jazz EASY Play-Along series for Rhythm Section goes beyond the other play-alongs. The rhythm section book has written out parts for piano, bass, and drumset to show comping suggestions. In addition, each of the nine jazz standards includes the melody and a sample written-out jazz solo for you to listen to, play, and practice. The included MP3 disc has a demo track and a play-along track for each tune for piano, bass, and drums. The demo track, featuring a pro rhythm section with a horn player, is a learning tool for the melody, piano comping, bass lines, drum parts, and improvisation. The play-along track allows each player to practice with the rhythm section as individuals with their part removed from the mix. In addition, the rhythm section parts in the book can be used as small group arrangements. Each jazz standard has specific improvisation tips and suggestions. The written out comping examples and melody along with the written out sample solos are all invaluable assets that makes learning how to improvise easier. Nine great tunes=great jazz! Titles: Gentle Rain * Listen Here * Manha de Carnival * Night and Day * Poinciana * Recorda Me * The Shadow of Your Smile * Softly, As in a Morning Sunrise * Star Eyes.

Doubling as a history and music appreciation course, each volume of the Beyond Salsa Bass series is significantly longer than the corresponding volume of Beyond Salsa Piano. At 440 pages, Beyond Salsa Bass Vol. 3 is by far the longest of the 26 Beyond Salsa books and the first to extensively cover New York and Puerto Rican salsa and pre-salsa as well as Latin jazz. Its audio product (separate purchase) has 616 tracks (a generous selection of 60 free audio tracks is also available by download). The book includes a bass tumbao for every piano tumbao in each of Volumes 3 and 4 of the Beyond Salsa Piano series, but it also includes hundreds of bass tumbaos from and historical analyses of areas of Latin music not covered in the piano series: Puerto Rico, New York, Latin Jazz, the Cuban descargas and additional aspects of the Cuban music of 1959-1989, i.e., from the Cuban Revolution to the Fall of the Berlin Wall. In addition to exercises in music notation, the bass series delves far more deeply into history and the biographies and discographies of individual artists than either the piano or percussion series. The bass series could be thought of as a thorough general history of Latin popular music, told from the perspective of the bass student.