Jane Austen And The Clergy

Jane Austen was the daughter of a clergyman, the sister of two others and the cousin of four more. Her principal acquaintances were clergymen and their families, whose social, intellectual and religious attitudes she shared. Yet while clergymen feature in all her novels, often in major roles, there has been little recognition of their significance. To many readers their status and profession is a mystery, as they appear simply to be a sub-species of gentlemen and never seem to perform any duties. Mr Collins in Pride and prejudice is often regarded as little more than a figure of fun. Astonishingly, Jane Austen and the Clergy is the first book to demonstrate the importance of Jane Austen's clerical background and to explain the clergy in her novels, whether Mr Tilney in Northanger Abbey, Mr Elton in Emma, or a less prominent character such as Dr Grant in Mansfield Park. In this exceptionally well-written and enjoyable book, Irene Collins draws on a wide knowledge of the literature and history of the period to describe who the clergy were, both in the novels and in life: how they were educated and appointed the houses they lived in and the gardens they designed and cultivated; the women they married; their professional and social context; their income, their duties, their moral outlook and their beliefs. Jane Austen and the Clergy uses the facts of Jane Austen's life and the evidence contained in her letters and novels to give a vivid and convincing portrait of the contemporary clergy.

Seminar paper from the year 2005 in the subject English Language and Literature Studies - Literature, grade: 2,0, University of Kassel (FB 02 Sprachwissenschaften Institut für Anglistik), language: English, abstract: Pride and Prejudice is nowadays regarded as Jane Austen’s most enduringly popular novel. It was first published in 1813 and is a rewritten version of her earlier work First Impressions which had been refused for publication in 1797. 1 Jane Austen worked on this novel during her most productive time, the first two decades of the nineteenth century. The setting of ‘Pride and Prejudice’ falls also to the time she lived and therefore delivers a detailed depiction of the existing society. The novel tells not only the story of love between the wealthy aristocrat Mr. Darcy and the intelligent Elizabeth Bennet, but also describes rural life in ‘Regency England’ with its ideas of values and virtues. Considerations of a class society are omnipresent in the novel and social position was established in terms of families, not individuals. Generally in those times, the family had a higher rank than today and was principally responsible for the intellectual and moral education of children. In Pride and Prejudice Austen portrays a world in which society took an interest in the private virtue of its members, mainly considering marriage. Especially the church played an important role here. As religion was an important factor of that age, the clergy also had a significant role in Pride and Prejudice and is represented by the obsequious rector Mr. Collins. As he is the only clergyman in the novel, Jane Austen expresses all her criticism considering the clergy through his character. Therefore the main part of this term paper concentrates on the way how Mr. Collins is presented in the novel. Afterwards, Austen’s crucial way of presenting him will lead to a general depiction of her criticism of the clergy, as she accuses Mr. Collins only superficially. In order to understand Jane Austen’s relation to the clergy, it is necessary to have a closer look at her clerical background. [...]

In her re-examination of Jane Austen's Anglicanism, Laura Mooneyham White suggests that engaging with Austen's world in all its strangeness and remoteness reveals the novelist's intensely different presumptions about the cosmos and human nature. While Austen's readers often project postmodern and secular perspectives onto an Austen who reflects their own times and values, White argues that viewing Austen's Anglicanism through the lens of primary sources of the period, including the complex history of the Georgian church to which Austen was intimately connected all her life, provides a context for understanding the central conflict between Austen's malicious wit and her family's testimony to her Christian piety and kindness. White draws connections between Austen's experiences with the clergy, liturgy, doctrine, and religious readings and their fictional parallels in the novels; shows how orthodox Anglican concepts such as natural law and the Great Chain of Being resonate in Austen's work; and explores Austen's awareness of the moral problems of authorship relative to God as Creator. She concludes by surveying the ontological and moral gulf between the worldview of Emma and Oscar Wilde's The Importance of Being Earnest, arguing that the evangelical earnestness of Austen's day had become a figure of mockery by the late nineteenth century.

You know Jane Austen as the beloved author of Pride and Prejudice, Emma, and other witty, insightful novels of the early nineteenth century. Now come to know her as a woman of unexpected spiritual depth. Jane Austen wrote beautiful, heartfelt prayers for use during her family's evening devotions. Each one reveals her gratitude for God's blessings and her pursuit of a holy life—expressions of a woman whose heart was profoundly moved by faith. In this beautifully designed book, author Terry Glaspey introduces you to Jane Austen the Christian by sharing this powerful collection of prayers and also a glimpse into her life story and the impact she had as a writer of virtue, character, and morality.

This carefully crafted ebook: "Emma & Persuasion" is formatted for your eReader with a functional and detailed table of contents. "Emma" – Emma Woodhouse has just attended the wedding of Miss Taylor, her friend and former governess, to Mr. Weston. Having introduced them, Emma takes credit for their marriage, and decides that she likes matchmaking. Against the advice of her brother-in-law, Emma forges ahead with her new interest, causing many controversies in the process. Set in the fictional village of Highbury, Emma is a tale about youthful hubris and the perils of misconstrued romance. "Persuasion" – Anne Elliot is a young Englishwoman of 27 years, whose family is moving to lower their expenses and get out of debt, at the same time as the wars come to an end, putting sailors on shore. They rent their home to an Admiral and his wife. Brother of Admiral's wife is Navy Captain Frederick Wentworth, a man who had been engaged to Anne when she was 19, and now they meet again, both single and unattached, after no contact in more than seven years. First time the engagement was broken up because Anne's family persuaded her that Frederick wasn't good enough opportunity. The new situation offers a second, well-considered chance at love and marriage for Anne Elliot in her second "bloom".

Janes Austen was a clergyman's daughter, related to other clergy, born and brought up in the parsonage. Irene Collins examines the influence this had on Austen's work.

There were no reviews of Mansfield Park when it first appeared in 1814. Austen's reputation grew in the Victorian period, but it was only in the twentieth century that formal and sustained criticism began of this work, which addresses the controversies of its time more than Austen's earlier novels did. Lionel Trilling praised Mansfield Park for exploring the difficult moral life of modernity; Edward Said brought postcolonial theory to the study of the novel; and twenty-first-century critics scrutinize these and other approaches to build on and go beyond them. This volume is the third in the MLA Approaches series to deal with Austen's work (Pride and Prejudice and Emma were the subject of the first and second volumes on Austen, respectively). It provides information about editions, film adaptations, and digital resources, and then nineteen essays discuss various aspects of Mansfield Park, including the slave trade, the theme of reading, elements of tragedy, gift theory, landscape design, moral improvement in the spirit of Samuel Johnson and of the Reformation, sibling relations, card playing, and interpretations of Fanny Price, the heroine, not as passive but as having some control.