Jane Crow

Euro-African-American activist Pauli Murray was a feminist lawyer, who played pivotal roles in both the modern civil rights and women's movements. Born in 1910 and identified as female, she believed from childhood she was male. Before there was a social movement to support transgender identity, she devised attacks on all arbitrary distinctions, greatly expanding the idea of equality in the process.

In Writing through Jane Crow, Ayesha Hardison examines African American literature and its representation of black women during the pivotal but frequently overlooked decades of the 1940s and 1950s. At the height of Jim Crow racial segregation—a time of transition between the Harlem Renaissance and the Black Arts movement and between World War II and the modern civil rights movement—black writers also addressed the effects of "Jane Crow," the interconnected racial, gender, and sexual oppression that black women experienced. Hardison maps the contours of this literary moment with the understudied works of well-known writers like Gwendolyn Brooks, Zora Neale Hurston, Ann Petry, and Richard Wright as well as the writings of neglected figures like Curtis Lucas, Pauli Murray, and Era Bell Thompson. By shifting her focus from the canonical works of male writers who dominated the period, the author recovers the work of black women writers. Hardison shows how their texts anticipated the renaissance of black women’s writing in later decades and initiates new conversations on the representation of women in texts by black male writers. She draws on a rich collection of memoirs, music, etiquette guides, and comics to further reveal the texture and tensions of the era. A 2014 CHOICE Outstanding Academic Title

Miriam Thaggert illuminates the stories of African American women as passengers and as workers on the nineteenth- and early-twentieth-century railroad. As Jim Crow laws became more prevalent and forced Black Americans to "ride Jim Crow" on the rails, the train compartment became a contested space of leisure and work. Riding Jane Crow examines four instances of Black female railroad travel: the travel narratives of Black female intellectuals such as Anna Julia Cooper and Mary Church Terrell; Black middle-class women who sued to ride in first class "ladies’ cars"; Black women railroad food vendors; and Black maids on Pullman trains. Thaggert argues that the railroad represented a technological advancement that was entwined with African American attempts to secure social progress. Black women's experiences on or near the railroad illustrate how American technological progress has often meant their ejection or displacement; thus, it is the Black woman who most fully measures the success of American freedom and privilege, or "progress," through her travel experiences.

The complete lyrics from cultural icon and bestselling author Nick Cave, spanning his entire career to date, with a new foreword by Andrew O'Hagan From Nick Cave's writing for The Birthday Party, through highly acclaimed albums like Murder Ballads, Henry's Dream, DIG, LAZARUS, DIG!!! and Ghosteen, this is a must-have book for all fans of the dark, the beautiful and the defiant - for all fans of the songs of Nick Cave. 'The greatest living songwriter' NME 'A glowing wire, a mainline to meaning ad feeling and art' New Yorker 'Nick Cave is a true lyrical master. He can conjure empathy and hope out of thin air, light out of darkness' Cillian Murphy 'His lyrics - so rich in the toils of love, so committed to memory and everlasting presence - are the best-made of his generation' Andrew O'Hagan 'A poetic craftsman' Will Self 'Alternative rock legend' Billboard 'Cave's genius rings loud and clear' Evening Standard Cover art by Aleksandra Waliszewska

The shellac of the 20's, 30's and 40's caught the fleeting moment, the spirit of the times; the raunchy ragtime, barrelhouse boogie and the country blues. Some of those records will never be replaced. Some, never will be heard again. Many of those songs are here in printed form for the first time, as an only monument to a pristine era never to happen again. This is a valued collection of the great country blues — as sung and played by the greatest of the country bluesmen — as collected and annotated by Stefan Grossman, Hal Grossman and Stephen Calt: Aberdeen Mississippi Blues/Booker White'Bout A Spoonful/Mance LipscombAlabama Blues/Robert WilkinsAin't You Sorry?/Mance LipscombAll Night Long/Skip JamesAt Home Blues/Sam "Lightnin' " HopkinsAvalon Blues/Mississippi John HurtAwful Fix Blues/Buddy Boy HawkinsBanty Rooster Blues/Charlie PattonBeer Drinkin' Women/R.K. TurnerBig Chief Blues/Furry LewisBig Leg Blues/Mississippi John HurtBird Nest Bound/Charlie PattonBob McKinney/Henry ThomasBud Russell Blues/Sam "Lightnin'" HopkinsBull Frog Blues/William HarrisCandy Man Blues/Mississippi John HurtCasey Jones/Furry LewisCatfish Blues/Skip JamesCharlie James/Mance LipscombCoffee Blues/Mississippi John HurtCorinne, Corinna/Mississippi John HurtCounty Farm Blues/Son HouseCrossroad Blues/Robert JohnsonCrow Jane/Skip JamesCypress Grove Blues/Skip JamesDepot Blues/Son HouseDevil Got My Woman/Skip JamesDevil in the Lion's Den/Sam CollinsDough Roller Blues/Joe CallicottDown the Dirt Road/Charlie PattonDrunken Spree/Skip JamesDry Well Blues/Charlie PattonFallin' Down Blues/Robert WilkinsFuture Blues/Willie BrownGet Away Blues/Robert WilkinsHambone Blues/Ed BellHammer Blues/Charlie PattonHell Hound On My Trail/Robert JohnsonHot Jelly Roll Blues/George CarterHow Long Buck/Skip JamesI'm Satis fied/Mississippi John HurtJinx Blues/Son HouseKnocking Down Windows/Mance LipscombLong Train Blues/Robert WilkinsMarried Woman Blues/Joe Callicott

In the 1950s, the exclusion of women and of black and Latino men from higher-paying jobs was so universal as to seem normal to most Americans. Today, diversity in the workforce is a point of pride. How did such a transformation come about? In this bold and groundbreaking work, Nancy MacLean shows how African-American and later Mexican-American civil rights activists and feminists concluded that freedom alone would not suffice: access to jobs at all levels is a requisite of full citizenship. Tracing the struggle to open the American workplace to all, MacLean chronicles the cultural and political advances that have irrevocably changed our nation over the past fifty years. Freedom Is Not Enough reveals the fundamental role jobs play in the struggle for equality. We meet the grassroots activists—rank-and-file workers, community leaders, trade unionists, advocates, lawyers—and their allies in government who fight for fair treatment, as we also witness the conservative forces that assembled to resist their demands. Weaving a powerful and memorable narrative, MacLean demonstrates the life-altering impact of the Civil Rights Act and the movement for economic advancement that it fostered. The struggle for jobs reached far beyond the workplace to transform American culture. MacLean enables us to understand why so many came to see good jobs for all as the measure of full citizenship in a vital democracy. Opening up the workplace, she shows, opened minds and hearts to the genuine inclusion of all Americans for the first time in our nation’s history.

"A clear blueprint for change . . . A must-read." —Clara Bingham, The Guardian The history of NOW—its organization, trials, and revolutionary mission—told through the work of three members. In the summer of 1966, crammed into a D.C. hotel suite, twenty-eight women devised a revolutionary plan. Betty Friedan, the well-known author of The Feminine Mystique, and Pauli Murray, a lawyer at the front lines of the civil rights movement, had called this renegade meeting from attendees at the annual conference of state women’s commissions. Fed up with waiting for government action and trying to work with a broken system, they laid out a vision for an organization to unite all women and fight for their rights. Alternately skeptical and energized, they debated the idea late into the night. In less than twenty-four hours, the National Organization for Women was born. In The Women of NOW, the historian Katherine Turk chronicles the growth and enduring influence of this foundational group through three lesser-known members who became leaders: Aileen Hernandez, a federal official of Jamaican American heritage; Mary Jean Collins, a working-class union organizer and Chicago Catholic; and Patricia Hill Burnett, a Michigan Republican, artist, and former beauty queen. From its bold inception through the tumultuous training ground of the 1970s, NOW’s feminism flooded the nation, permanently shifted American culture and politics, and clashed with conservative forces, presaging our fractured national landscape. These women built an organization that was radical in its time but flexible and expansive enough to become a mainstream fixture. This is the story of how they built it—and built it to last. Includes 16 pages of black-and-white images

This book is a collection of essays by thirteen feminist and womanist authors who locate themselves within the Reformed tradition. Topics explored include: the Trinity, creation, election, atonement, the church, fear, resistance, and vocation. This book will be of great interest to scholars and students interested in feminist theology. The Columbia Series in Reformed Theology represents a joint commitment by Columbia Theological Seminary and Westminster John Knox Press to provide theological resources from the Reformed tradition for the church today. This series examines theological and ethical issues that confront church and society in our own particular time and place.