Japan S Modern Divide

In the 1930s the history of Japanese photography evolved in two very different directions: one toward documentary photography, the other favoring an experimental, or avant-garde, approach strongly influenced by Western Surrealism. This book explores these two strains of modern Japanese photography through the work of two remarkable figures: Hiroshi Hamaya and Kansuke Yamamoto. Hiroshi Hamaya (1915-1999) was born and raised in Tokyo and, after an initial period of creative experimentation, turned his attention to recording traditional life and culture on the coast of the Sea of Japan. In 1940 he began photographing the New Year's rituals in a remote village, which was published as Yukiguni (Snow country). He went on to record cultural changes in China, political protests in Japan, and landscapes around the world. Kansuke Yamamoto (1914-1987) became fascinated by the innovative approaches in art and literature exemplified by such Western artists as Man Ray, Ren Magritte, and Yves Tanguy. He promoted Surrealist and avant-garde ideas in Japan through his poetry, paintings, sculptures, and photographs. Along with essays by the book's coeditors, Judith Keller and Amanda Maddox, are essays by Kotaro Iizawa, Ryuichi Kaneko, and Jonathan M. Reynolds, life chronologies, and a selection of poems by Yamamoto translated by John Solt. This book, which features more than one hundred images, accompanies an exhibition of the same name on view at the J. Paul Getty Museum from March 26 to August 25, 2013.

The recent manifestation of exclusionism in Japan has emerged at a time of intensified neoliberal economic policies, increased cross-border migration brought on by globalization, the elevated threat of global terrorism, heightened tensions between East Asian states over historical and territorial conflicts, and a backlash by Japanese conservatives over perceived historical apologism. The social and political environment for minorities in Japan has shifted drastically since the 1990s, yet many studies of Japan still tend to view Japan through the dominant discourses of “ethnic homogeneity (tanitsu minzoku shakai)” and “middle-class society (so ̄churyu ̄-shakai)” which positions the exclusion of minorities as an exceptional phenomenon. While exclusionism has been recognized as a serious threat to minority groups, it has not often been considered a representative issue for the whole of Japanese society. This tendency will persist until the discourses of tanitsu minzoku shakai and so ̄churyu ̄-shakai are systematically debunked and Japan is widely recognized as both multiethnic and socio-economically stratified. Today, as with most advanced capitalist countries, serious social divides occasioned by the impacts of globalization and neoliberalism have destabilized Japanese society. This book explores not only how Japanese society is diversified and unequal, but also how diversity and inequality have caused people to divide into separate realities from which conflict and violence have emerged. It empirically examines the current situation while considering the historical development of exclusionism from the interdisciplinary viewpoints of history, policy studies, cultural studies, sociology and cultural anthropology. In addition to analyzing the realities of division and exclusionism, the authors propose theoretical alternatives to overcome such cultural and social divides.

This fourth edition provides an in-depth, up-to-date, chronological analysis of Japan’s current political system and the contributions of its leaders. It emphasizes why Japan and its politics matters in a global society. Ideal for college courses on Japanese or comparative politics as well as for those interested in Japanese war memory, constitutional revision, and Japan’s relationship with the US, China, and North and South Korea Investigates the divided aspects existing below the veneer of consensus in Japanese politics Explores conflicts between power-hungry political groups as well as fundamental differences regarding Japan’s constitution, the interpretation of Japanese actions in the Asia-Pacific War, and Japan’s place in today’s world Advocates a system that readily permits changes of party in power for the present system dominated by the Liberal Democratic Party Examines the extreme statements of high profile politicians to determine whether a "nationalist resurgence” in Japan is real or not Sheds light on the official incompetence and the spectacular rise of civil society following the Kobe earthquake Features numerous Japanese sources

Patricia Wetzel offers in this volume a comprehensive examination of a frequently discussed yet much misunderstood aspect of the Japanese language. Keigo, or “polite language,” is often viewed as a quaint accessory to Japanese grammar and a relic of Japan’s feudal past. Nothing, Wetzel contends, could be further from the truth. It is true that Japan has a long history of differentiating linguistic form on the basis of social status, psychological detachment, emotional reserve, and a host of other context-dependent factors. But, as is made clear in this unique and broadly framed study, modern keigo consciousness and keigo grammar emerged out of Japan’s encounter with Western intellectual trends in the mid- to late nineteenth century. Keigo in Modern Japan presents a finely nuanced linguistic and political review of keigo available nowhere else in English. The first chapter outlines the ways in which keigo has been problematized in Western linguistics through the application of structuralist analysis and its offshoots. But keigo’s presence in the English-language literature does not begin to compare with the place it occupies in the Japanese linguistic canon. Wetzel describes the historical roots and growth of keigo and the popularity of how-to manuals, which, she contends, are less about overt instruction than reinforcing what people already believe.

In this book the author has intended to portray Japan as he finds it rather than as it was in the past. However, the past is not ignored as it would be both foolish and futile. It is noted whilst there are no parts of Japan, and very few of her people, entirely unaffected by the new civilization, yet there are still some segments which are comparatively unchanged by the new ideas and ideals. It is observed that although those who have been least affected by the changes are more in number than those who have been most influenced by the change, yet the latter are much more active and powerful than the former.

Representing the Other in Modern Japanese Literature looks at the ways in which authors writing in Japanese in the twentieth century constructed a division between the ‘Self’ and the ‘Other’ in their work. Drawing on methodology from Foucault and Lacan, the clearly presented essays seek to show how Japanese writers have responded to the central question of what it means to be ‘Japanese’ and of how best to define their identity. Taking geographical, racial and ethnic identity as a starting point to explore Japan's vision of 'non-Japan', representations of the Other are examined in terms of the experiences of Japanese authors abroad and in the imaginary lands envisioned by authors in Japan. Using a diverse cross-section of writers and texts as case studies, this edited volume brings together contributions from a number of leading international experts in the field and is written at an accessible level, making it essential reading for those working in Japanese studies, colonialism, identity studies and nationalism.

In thirteen wide-ranging essays, scholars and students of Asian and women's studies will find a vivid exploration of how female roles and feminine identity have evolved over 350 years, from the Tokugawa era to the end of World War II. Starting from the premise that gender is not a biological given, but is socially constructed and culturally transmitted, the authors describe the forces of change in the construction of female gender and explore the gap between the ideal of womanhood and the reality of Japanese women's lives. Most of all, the contributors speak to the diversity that has characterized women's experience in Japan. This is an imaginative, pioneering work, offering an interdisciplinary approach that will encourage a reconsideration of the paradigms of women's history, hitherto rooted in the Western experience.