Japanese Perceptions Of China In The Nineteenth Century

"The histories of China, Korea, and Japan have been intimately intertwined for centuries. But of these three countries, it was Korea that occupied the pivotal geopolitical position. The Korean Peninsula shaped the dynamics of international interactions and relations in East Asia which, up until the start of the twentieth century, were underpinned by systems of order wholly removed from the sovereign state system we recognize as ubiquitous today. Contested Perceptions examines the coexistence of 'neighborly relations' between Japan and Korea and 'tributary relations' between Korea and the Qing dynasty from the seventeenth to the nineteenth century, and Korean 'tributary autonomy' in the late nineteenth century. It provides a cogent analysis of the differing perceptions that determined the success or failure of these past systems of order and their influence upon the balance of power in East Asia from the seventeenth century to modern times. Delving into the history of East Asian international relations, diplomacy, and power politics, this book elucidates the events that led to the Sino-Japanese and Russo-Japanese wars, and the conflicts of interest that have defined these nations to the present day."--Page 4 of cover.

"This volume brings to English-language readers the results of an important long-term project of historians from China and Japan addressing contentious issues in their shared modern histories. Originally published simultaneously in Chinese and Japanese in 2006, the thirteen essays in this collection focus renewed attention on a set of political and historiographical controversies that have steered and stymied Sino-Japanese relations from the mid-nineteenth century through World War II to the present. These in-depth contributions explore a range of themes, from prewar diplomatic relations and conflicts, to wartime collaboration and atrocity, to postwar commemorations and textbook debates—all while grappling with the core issue of how history has been researched, written, taught, and understood in both countries. In the context of a wider trend toward cross-national dialogues over historical issues, this volume can be read as both a progress report and a case study of the effort to overcome contentious problems of history in East Asia."

This is a multi-author work which examines the cultural dimensions of the relations between East Asia’s two great powers, China and Japan, in a period of change and turmoil, from the late nineteenth century to the end of the Second World War. This period saw Japanese invasion of China, the occupation of China’s North-east (Manchuria) and Taiwan, and war between the two nations from 1937-1945; the scars of that war are still evident in relations between the two countries today. In their quest for modernity, the rulers and leading thinkers of China and Japan defined themselves in contradisctinction to the other, influenced both by traditional bonds of classical culture and by the influx of new Western ideas that flowed through Japan to China. The experiences of intellectual and cultural awakening in the two countries were inextricably linked, as our studies of poetry, fiction, philosophy, theatre, and popular culture demonstrate. The chapters explore this process of “transculturation” – the sharing and exchange of ideas and artistic expression – not only in Japan and China, but in the larger region which Joshua Fogel has called the “Sinosphere,” an area including Korea and parts of Southeast Asia with a shared heritage of Confucian statecraft and values underpinned by the classical Chinese language. The authors of the chapters, who include established senior academics and younger scholars, and employ a range of disciplines and methodologies, were selected by the editors for their expertise in particular aspects of this rich and complex cultural relationship. As for the editors: Richard King and Cody Poulton are scholars and translators of Chinese literature and Japanese theatre respectively, each taking a historical and comparative perspective to the study of their subject; Katsuhiko Endo is an intellectual historian dealing with both Japan and China.

"Presents the perceptions that the Chinese and the Japanese have of each other, and the information that helped to fuel those perceptions. There are two sections: China in Japan, debating the Asiatic Mode of Production and kyodotai; and Japan in China, covering the Manchurian Railway."--Provided by publisher.

D. R. Howland explores China’s representations of Japan in the changing world of the late nineteenth century and, in so doing, examines the cultural and social borders between the two neighbors. Looking at Chinese accounts of Japan written during the 1870s and 1880s, he undertakes an unprecedented analysis of the main genres the Chinese used to portray Japan—the travel diary, poetry, and the geographical treatise. In his discussion of the practice of “brushtalk,” in which Chinese scholars communicated with the Japanese by exchanging ideographs, Howland further shows how the Chinese viewed the communication of their language and its dominant modes—history and poetry—as the textual and cultural basis of a shared civilization between the two societies. With Japan’s decision in the 1870s to modernize and westernize, China’s relationship with Japan underwent a crucial change—one that resulted in its decisive separation from Chinese civilization and, according to Howland, a destabilization of China’s worldview. His examination of the ways in which Chinese perceptions of Japan altered in the 1880s reveals the crucial choice faced by the Chinese of whether to interact with Japan as “kin,” based on geographical proximity and the existence of common cultural threads, or as a “barbarian,” an alien force molded by European influence. By probing China’s poetic and expository modes of portraying Japan, Borders of Chinese Civilization exposes the changing world of the nineteenth century and China’s comprehension of it. This broadly appealing work will engage scholars in the fields of Asian studies, Chinese literature, history, and geography, as well as those interested in theoretical reflections on travel or modernism.

DIVD. R. Howland explores China & rsquo;s representations of Japan in the changing world of the late nineteenth century and, in so doing, examines the cultural and social borders between the two neighbors. Looking at Chinese accounts of Japan written during the 1870s and 1880s, he undertakes an unprecedented analysis of the main genres the Chinese used to portray Japan & mdash;the travel diary, poetry, and the geographical treatise. In his discussion of the practice of & ldquo;brushtalk, & rdquo; in which Chinese scholars communicated with the Japanese by exchanging ideographs, Howland further shows how the Chinese viewed the communication of their language and its dominant modes & mdash;history and poetry & mdash;as the textual and cultural basis of a shared civilization between the two societies. With Japan & rsquo;s decision in the 1870s to modernize and westernize, China & rsquo;s relationship with Japan underwent a crucial change & mdash;one that resulted in its decisive separation from Chinese civilization and, according to Howland, a destabilization of China & rsquo;s worldview. His examination of the ways in which Chinese perceptions of Japan altered in the 1880s reveals the crucial choice faced by the Chinese of whether to interact with Japan as & ldquo;kin, & rdquo; based on geographical proximity and the existence of common cultural threads, or as a & ldquo;barbarian, & rdquo; an alien force molded by European influence. By probing China & rsquo;s poetic and expository modes of portraying Japan, Borders of Chinese Civilization exposes the changing world of the nineteenth century and China & rsquo;s comprehension of it. This broadly appealing work will engage scholars in the fields of Asian studies, Chinese literature, history, and geography, as well as those interested in theoretical reflections on travel or modernism. /div