Jean Dubuffet Bricoleur

One of the most prolific and influential artists of the 20th century, Jean Dubuffet has featured in a multitude of exhibitions and catalogues. Yet he remains one of the most misunderstood-and least interrogated-postwar French artists. Celebrating Art Brut (the art of ostensible outsiders) while posing as an outsider himself, Dubuffet mingled with many great artists, writers, and theorists, developing an elaborate and nuanced stream of conceptual resources to reconfigure painting and reframe postwar anticultural discourses. This book reexamines Dubuffet's art through the lens of these portraits (a veritable who's who of the Parisian art and intellectual scene) in tandem with his writings and the art and writings of his Surrealist sitters. Investigating Dubuffet's painting as bricolage, this book reveals his reliance upon an anticulture culture and the appropriation of motifs from Surrealism to the South Pacific to explore the themes of multivalence, performativity, and multifaceted identity in his portraits.

One of the most prolific and influential artists of the 20th century, Jean Dubuffet has featured in a multitude of exhibitions and catalogues. Yet he remains one of the most misunderstood-and least interrogated-postwar French artists. Celebrating Art Brut (the art of ostensible outsiders) while posing as an outsider himself, Dubuffet mingled with many great artists, writers, and theorists, developing an elaborate and nuanced stream of conceptual resources to reconfigure painting and reframe postwar anticultural discourses. This book reexamines Dubuffet's art through the lens of these portraits (a veritable who's who of the Parisian art and intellectual scene) in tandem with his writings and the art and writings of his Surrealist sitters. Investigating Dubuffet's painting as bricolage, this book reveals his reliance upon an anticulture culture and the appropriation of motifs from Surrealism to the South Pacific to explore the themes of multivalence, performativity, and multifaceted identity in his portraits.

Candide is a peer-reviewed journal dedicated to exploring the culture of knowledge specific to architecture. It is released twice a year in English and German. Each issue of Candide is made up of five distinct sections. This frame- work responds to the diversity of architectural knowledge being produced, while challenging authors from all disciplines to test a variety of genres in order to write about and represent architecture. "Essay" provides a forum for discussion of architectural knowledge, including both fundamental research into and speculative arguments on its nature. "Analysis" allows for in-depth examination of built form: how can the knowledge embodied in buildings be retrospectively extracted and creatively re-used? "Project" is directed at architects who see design as a theoretical tool: how can a specific design proposal become a model of thought? "Encounters" gives access to the personal knowledge of renowned, unjustly forgotten, or entirely unknown protagonists of architecture. "Fiction" reflects the editors' conviction that sometimes the imaginary may reveal more about architectural knowledge than science.

Shows modern ceramics and includes a profile of each artist.