Jerusalem In The North

'God wills it, God wills it ' - this was the response to the sermon of Pope Urban II at Clermont in 1095, in which he exhorted his audience to take the cross and liberate Jerusalem. And his words spread, even to the remotest islands in the north of Christendom. For the first time since the mid-nineteenth century, historians have investigated Latin, Danish, German, and Russian source materials about the Danish Crusades in the Baltic region. This team of four Danish medievalists describe how the idea of crusading reached the North and how Scandinavia became involved in the Western European crusading movement. Crusading ideology inspired Danish wars for hundreds of years against the Wends, Prussians, Lithuanians, Estonians and other pagan peoples along the coasts of the Baltic Sea so that in the twelfth and thirteenth centuries Denmark became the dominant crusading power in the region: a Jerusalem in the North. Indeed, crusading remained an important political reality in Denmark until the Lutheran Reformation in the early seventeenth century. Ane L. Bysted holds a Ph.D. from the University of Southern Denmark with a dissertation on the development of the crusade indulgence, and has written on crusade theology and preaching. Carsten Selch Jensen is Associate Professor in Church History at the University of Copenhagen. Has written on crusading history, especially in the Baltic Region as well as on holy and just war in the Middle Ages. Kurt Villads Jensen is Associate Professor in Medieval History at the University of Southern Denmark and chair of the Medieval Centre. He has written on Christian mission and crusades, especially in the Baltic region and Iberia.John H. Lind has written extensively on the Baltic crusades and on relations between Scandinavia, Finland and Russia from the Viking Age up to modern times.

The Sacro Monte (Holy Mountain) at Varallo is a sanctuary in the Italian Alps west of Milan. It was founded in the late fifteenth century by a Franciscan friar, with the support of the town's leading families. He designed it as a schematic replica of Jerusalem, to enable the faithful to make a virtual pilgrimage to the Holy City if they could not undertake the perilous journey to visit it physically. The Sacro Monte consists of a sequence of chapels containing tableaux of life-size painted terra-cotta figures with fresco backgrounds recounting the life and Passion of Christ. A century later, in the era of the Counter-Reformation, a 'second wave' of Sacri Monti was constructed in the north-western Alps, modelled on Varallo, but dedicated to other devotional themes, like the Rosary or the life of St Francis. All these sanctuaries, like Varallo, were the result of local initiatives, initiated by the clergy and the leaders of the communities where they were situated. Like Varallo, they were the work of artists and craftsmen from the alpine valleys, or from nearby Lombardy. Long dismissed as folk art unworthy of serious critical attention, the Sacri Monti are now recognised as monuments of unique artistic significance. In 2003 UNESCO listed nine of them in its register of World Heritage Sites. This book studies their development as the products of the religious sensibilities and the social, economic, and political conditions of the mountain communities that created them.

Seventeenth-century Amsterdam was a cosmopolitan "carnival of nations:" French Huguenots, North African merchants, Spanish Moriscos--and Iberian New Christians, formerly Jewish families forcibly converted to Catholicism, now fleeing the Inquisition and rediscovering their ancestral faith. This is the extraordinary tale of Amsterdam's prosperous Sephardi community during the Dutch Golden Age. Trading, writing, publishing, staging plays and being painted by Rembrandt, this Nação (Nation) of formerly wandering Jews not only settled but thrived, enjoying high status and unparalleled freedom. At a time when Dutch Catholics were repressed and Jews elsewhere were confined to the ghetto, this community dared to nurture the 'Hope of Israel', sowing the seeds of Zionism. Lipika Pelham charts the captivating history of Amsterdam's Jews, from their integral role in the Dutch economic miracle and the Enlightenment to a somber coda in 1942, when the Nazis herded them into the "Jewish Theater" for deportation to the camps. But this was not the death of the resilient Nação--Pelham also seeks out its descendants in present-day Amsterdam, offering poignant reflection on the meaning of nationhood, the Holocaust and what remains of Jerusalem on the Amstel.