Jesus Through Medieval Eyes

C.S. Lewis noted that the church has a problem: Whenever Christians are brainstorming together about who Jesus is and who we are, we go out and read mostly people who agree with us, or who live in our same time and place. It's hard to separate the cultural wheat from the chaff. But what happens when we do read people's answers to Jesus's question from the past lives and places of the church--people who may be wholly unlike us? Who is Jesus? What is he like? And who am I, encountering Jesus? The answers will surprise you. Jesus through Medieval Eyes, by Grace Hamman, looks to the Christians of the Middle Ages, to a time and culture dissimilar to our own, for their answers to these questions. Medieval Europeans were also suffering through pandemics, dealing with political and ecclesial corruption and instability, and reckoning with gender, money, and power. Yet their concerns and imaginations are unlike ours. Their ideas, narratives, and art about Jesus open up paradoxically fresh and ancient ways to approach and adore Christ--and reveal where our own cultural ideals about the Messiah fall short. In thoughtful and accessible chapters, medievalist scholar Grace Hamman explores and meditates upon medieval representations of Jesus in theology and literature. These representations of Jesus span from the familiar, like Jesus as the Judge at the End of Days, or Jesus as the Lover of the Song of Songs, to the more unusual, like Jesus as Our Mother. Through the words of medieval people like Julian of Norwich, St. Bernard of Clairvaux, Margery Kempe, and St. Thomas Aquinas, we meet these faces of Jesus and find renewed ways to love the Savior, in the words of St. Augustine, that "beauty so ancient and so new."

Beginning with Jesus' birth, Ken Bailey leads you on a kaleidoscopic study of Jesus throughout the four Gospels. Bailey examines the life and ministry of Jesus with attention to the Lord's Prayer, the Beatitudes, Jesus' relationships with women, and especially Jesus' parables. Through it all, Bailey employs his trademark expertise as a master of Middle Eastern culture to lead you into a deeper understanding of the person and significance of Jesus within his own cultural context. With a sure but gentle hand, Bailey lifts away the obscuring layers of modern Western interpretation to reveal Jesus in the light of his actual historical and cultural setting. This entirely new material from the pen of Ken Bailey is a must-have for any student of the New Testament. If you have benefited from Bailey's work over the years, this book will be a welcome and indispensable addition to your library. If you are unfamiliar with Bailey's work, this book will introduce you to a very old yet entirely new way of understanding Jesus.

A captivating journey of the expansive world of medieval travel, from London to Constantinople to the court of China and beyond. Europeans of the Middle Ages were the first to use travel guides to orient their wanderings, as they moved through a world punctuated with miraculous wonders and beguiling encounters. In this vivid and alluring history, medievalist Anthony Bale invites readers on an odyssey across the medieval world, recounting the advice that circulated among those venturing to the road for pilgrimage, trade, diplomacy, and war. Journeying alongside scholars, spies, and saints, from Western Europe to the Far East, the Antipodes and the ends of the earth, Bale provides indispensable information on the exchange rate between Bohemian ducats and Venetian groats, medieval cures for seasickness, and how to avoid extortionist tour guides and singing sirens. He takes us from the streets of Rome, more ruin than tourist spot, and tours of the Khan’s court in Beijing to Mamluk-controlled Jerusalem, where we ride asses across the holy terrain, and bustling bazaars of Tabriz. We also learn of rumored fantastical places, like ones where lambs grow on trees and giant canes grow fruit made of gems. And we are offered a glimpse of what non-European travelers thought of the West on their own travels. Using previously untranslated contemporaneous documents from a colorful range of travelers, and from as far and wide as Turkey, Iceland, North Africa, and Russia, A Travel Guide to the Middle Ages is a witty and unforgettable exploration of how Europeans understood—and often misunderstood—the larger world.

The first full-length study of the notion of marriage to Jesus in late medieval and early modern popular culture, this book treats the transmission and transformation of ideas about this concept as a case study in the formation of religious belief and popular culture. Marrying Jesus in Medieval and Early Modern Northern Europe provides a history of the dispersion of theology about the bride of Christ in the period between the twelfth and seventeenth centuries and explains how this metaphor, initially devised for a religious elite, became integral to the laity's pursuit of salvation. Unlike recent publications on the bride of Christ, which explore the gendering of sanctity or the poetics of religious eroticism, this is a study of popular religion told through devotional media and other technologies of salvation. Marrying Jesus argues against the heteronormative interpretation that brides of Christ should be female by reconstructing the cultural production of brides of Christ in late medieval Europe. A central assertion of this book is that by the fourteenth century, worldly, sexually active brides of Christ, both male and female, were no longer aberrations. Analyzing understudied vernacular sources from the late medieval period - including sermons, early printed books, spiritual diaries, letters, songs, and hagiographies - Rabia Gregory shows how marrying Jesus was central to late medieval lay piety, and how the 'chaste' bride of Christ developed out of sixteenth-century religious disputes.

Following World War II, the United States enjoyed unprecedented propsperity as the post war economy exploded. While Americans pondered affluence, U.S. Franciscans focused on the forgotten members of U.S. society, those who had been left out or left behind. Seeing Jesus in the Eyes of the Oppressed tells the story of eight Franciscans and their communities who struggled to create a more just and equitable society. Through eight mini-biographies, Paul T. Murray, emeritus professor at Siena College, explores Franciscan efforts to establish racial and economic justice and to promote peace and nonviolence: Father Nathaniel Machesky led the battle for civil rights in Greenwood, MS; Sister Antona Ebo was the lone African American Sister at the Selma march; Brother Booker Ashe worked for interracial justice and Black pride in Milwaukee; Sister Thea Bowman celebrated Black gifts to the U.S. Church and worked toward an expression of the faith that was ""authentically Black and truly Catholic;"" Father Alan McCoy pushed his community and the Church in the United States to greater engagement with Social Justice; Sister Pat Drydyk worked with Cesar Chavez for justice for the farmworkers; Father Joseph Nangle brought solidarity with Latin America to the fore in the U.S. Church, and Father Louis Vitale used civil disobedience to oppose nuclear proliferation, while serving the poor and homeless. In all, the book emphasizes the passion and struggle of Franciscans in the United States to create a more just world within society and within the Church.

Explore Europe's top 100 works of art with America's most trusted travel authority, Rick Steves. Travel through time and discover Europe's most iconic paintings, sculptures, and historic buildings. From Venus to Versailles, Apollo to David, and Mona Lisa to The Thinker, Rick and co-author Gene Openshaw will have you marveling, learning, and laughing, one masterpiece at a time. Whether you're traveling to Europe or just dreaming about it, this book both stokes your wanderlust and kindles a greater appreciation of art, with historical context and information on where to see it for yourself. With Rick's trusted insight and gorgeous, full-color photos throughout, Europe's Top 100 Masterpieces celebrates nearly 20,000 years of unforgettable art.

In Illuminating Jesus in the Middle Ages, editor Jane Beal and other contributing scholars analyse the reception history of Jesus in medieval cultures (6th–15th c.), considering a wide variety of Christological images and ideas and their influence.

How and when, Herbert L. Kessler asks, was the Jewish prohibition against graven images transformed into a Christian imperative to picture God's invisibility once God had taken human form in the body of Jesus Christ?